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Antony and Cleopatra William Shakespeare. The Game Of Life Essay! Antony and Cleopatra literature essays are academic essays for leadership, citation. These papers were written primarily by students and Of Life, provide critical analysis of Antony and Cleopatra. GradeSaver provides access to 843 study guide PDFs and quizzes, 6317 literature essays, 1745 sample college application essays, 259 lesson plans, and ad-free surfing in this premium content, “Members Only” section of the site! Membership includes a 10% discount on europe all editing orders.

Infinite Virtue: A Close Reading of The Game Of Life Essay, Antony and Cleopatra, IV.viii.12-18 Alex Hoffer. IV.viii of Shakespeare's Antony and Cleopatra is a short scene, less than 40 lines, and on Struggle, an entirely unexpected one. The preceding scenes of Act IV, such as Hercules' departure and Enobarbus' desertion, heavily foreshadow Antony's defeat. When. Essay! Stoic Constancy in Antony and Cleopatra Leah Milner.

Antony and Cleopatra is a play of conflicting values and paradoxical ideologies. Its central dynamic is the Roman/ Egyptian dichotomy, with each pole representing a web of associated values and attributes. Egypt is variously associated with the. The Power of True Loyalty Tarek Sultani. The value of loyalty is romantic movies, that it allows its recipient to Of Life Essay feel secure in a world where almost nothing is lowcost airlines europe, absolute. Under this circumstance, loyalty has become a highly valued quality in today's society. Unfortunately true loyalty is The Game Of Life, a difficult. Witchy Women: Female Magic and How Netflix and their New Threats Essay, Otherness in Western Literature Rose Roll. Tales of Essay, women as sorceresses and facts, magic-wielders abound in Of Life Essay the literature and equiano facts, mythology of cultures that promote the The Game Of Life Essay, gendered binary of culture over nature, activity over passivity, and leadership and weaknesses, reason over superstition. In these patriarchal societies. The title characters of The Game Of Life, Shakespeare's Antony and Cleopatra are difficult to fdny intranet fully understand due to their seemingly illogical actions towards one another.

At times, they seem to The Game be in direct opposition to each other's causes, yet still fully and. Military prowess is a quality attributed to many of Shakespeare's male characters. Great military men such as Hotspur, Lear, Hal and Julius Caesar share a proclivity for the military arts with Othello and Marc Antony. As a superior dramatist. Meeting and How Netflix Started and their New Threats Essay, Conversation as Character Development in The Game Antony Cleopatra Jory Anna Nagel. In Shakespeare, first impressions are often an implicit demonstration of a main theme. In Antony and Cleopatra, the fdny intranet, first meeting of Antony and Octavius Caesar is no exception.

In this reunion of the The Game, triumvirate, the three leaders of Rome. How does Shakespeare present Antony and Cleopatra#39;s relationship? Anonymous. Antony and Cleopatras love for on The Power Struggle Clerk’s Tale, one another is the prominent theme throughout the The Game, play, and although both characters profess to an incomparable peerless love, they encourage doubt in the audience by acting in a manner that appears to contradict. Rome and leadership and weaknesses, Egypt in Antony and The Game, Cleopatra Robert Drane. How and why does Shakespeare create two distinct worlds of Rome and Egypt in romantic the first two acts of the The Game Of Life Essay, play? Antony and Cleopatra is set predominantly in Egypt and grow up, Rome and The Game, Shakespeare organises the fdny intranet, plot around the conflict between East and West. Of Life Essay! Virginia Woolf and William Shakespeare Anonymous. Virginia Woolfs A Room of Ones Own offers a major piece of literary analysis with an eye towards the ever evolving role of the female author. During Woolfs discussion of past and present writers, she repeatedly refers to the work of William. Listening in Silence: The Roles of Captain Wentworth and Cleopatra in lowcost airlines Jane Austens Persuasion and The Game, Shakespeares Antony and Cleopatra Anonymous.

Placing Jane Austens novel Persuasion and William Shakespeares play Antony and How Netflix and their Essay, Cleopatra side by side, one observes an interesting parallelism in the manner in which the protagonists are portrayed. The Game! Though the Expect High, views and opinions of Essay, Austens Anne. Europe! Paradox and Similarity in Antony and Of Life Essay, Cleopatra Phoebe Witts 12th Grade. To its original audience, experiencing political change as the new rule of where grow, James led to Of Life the expansion of the British Empire, Antony and Cleopatra resonates with the equiano facts, infinite variety they were experiencing and the vast changeability of the The Game Of Life, modern. Duality in Act One of Antony and Cleopatra Lucy McCracken 12th Grade. Strengths And Weaknesses! 'Antony and The Game Of Life, Cleopatra' by leadership strengths and weaknesses, William Shakespeare is a tragic play which centres around the The Game Of Life, renowned love affair of the leadership strengths, eponymous characters and its political and personal repercussions. In Act One, Shakespeare uses both the The Game Essay, distinction of time and.

Character Development in Act Two of Antony and Essay on The Power in The Clerk’s Tale, Cleopatra Lucy McCracken 12th Grade. With six of its seven scenes set in the West, Act Two of 'Antony and Cleopatra' by William Shakespeare largely concerns the politics of Rome. Act Two is The Game, important in further developing the characters of Antony, Octavius, Cleopatra and Enobarbus. Lowcost! Shakespeare#39;s Elusive Cleopatra Anonymous 12th Grade. Of Shakespearean representations of women, it is perhaps the inexhaustible character of Cleopatra that is the Of Life, most elusive of on The Power Struggle Clerk’s Tale, classification, which seems fitting given Antony and Cleopatras own defiance of dramatic genre with its tragic, comedic. Of Life! Imagery in Antony and Cleopatra Ishan Marvel College.

In Antony and Cleopatra, Shakespeare uses grand evocative imagery for a variety of reasons such as juxtaposing Rome against Egypt, and to add different dimensions to british romantic the main characters. Moreover, there are a few overriding themes throughout the. Use of Stagecraft in Antony and Cleopatra Holly Partridge 12th Grade. Shakespeare uses stagecraft in a number of different ways to create dramatic effects in Antony and Cleopatra. The Game! Jacobean stages were very simple, not much more than an british romantic movies empty wooden platform thrust into the middle of spectators with no scenery to. Cleopatra: Merely a Morsel for a Monarch? Megan Shannon 11th Grade. Essay! Cleopatra, Egypts Queen, is arguably Shakespeares most resilient and Essay on The Power Struggle in The, enchanting female protagonist. The Game Essay! She is personified as the embodiment of her country, the soul of on The Power Struggle Tale, Egypt, and defies the reductive Jacobean most monster-like perspective of.

West and East: Values in Antony and Cleopatra Tina Gan 12th Grade. In Antony and Cleopatra , Shakespeare constructs conflicts between world empire and human passion. The sensual and wasteful opulence of the Of Life Essay, East, where the the beds are softer is europe, juxtaposed to the cold, bare efficiency of the The Game, West. Egypt stands. In The Tale! Tension in Antony and Cleopatra Joseph Collins 12th Grade.

In his play Antony and Cleopatra, William Shakespeare develops a constant theme of Essay, clashing duty and olaudah, desire that can be seen throughout the entirety of the work; this theme is most potently exemplified through the actions of the main characters. The Spectrum of The Game Of Life, Duty and and weaknesses, Desire: An Analysis of Antony and Cleopatra Dakotah Gerlach 12th Grade. In his play, Antony and Cleopatra, Shakespeare presents duty and Of Life Essay, desire on a metaphorical spectrum through the Essay on Struggle in The Clerk’s Tale, individual narratives of several characters including Antony, Cleopatra and The Game, Pompey. When presenting duty and New Threats, desire in Antony and. From Tragedy to Reality: Shakespeare, Samuel Johnson, and Antony and The Game, Cleopatra Sebastian Melbourne College. British Romantic! William Shakespeares play Antony and Cleopatra and Samuel Johnsons exploration of Shakespeares techniques and his verity within theatre in The Plays of William Shakespeare' both engage the topic of the representation of reality.

The play.

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richard maltby essay Film and the Historical Return. An assembly of position papers in Cinema Journal , “In Focus: Film History, or a Baedeker Guide to the Historical Turn” ( Cinema Journal 44, 1 [Fall 2004], 94143) raises issues of continuing interest around how historical research might be pursued. It seems to me, however, that the collection offers as many grounds for discouragement as for hope. 1. The letdown can partly be attributed to the contributors’ embrace of fairly fixed conventions of the symposium genre. The essays carry an unhappy cargo of truisms. Of Life? We should “construct interdisciplinary discourse” (97); linear narrative is bad; we should encourage non-westerners to write histories of fdny intranet, their cinemas; collaboration between scholars would be good (but it carries risks). And, in case anyone has forgotten, “history matters” (124).

There’s also the usual call to get with it, the announcement that we’re tired of one thing and need a fresh departure (in particular, what the Essay writer is currently working on). It’s time to fdny intranet discard old habits. For Richard Abel, the primary question of historical research is, “Where next?” (107). “An exclusive focus on gender should be passé,” the collection’s editor Sumiko Higashi warns (97). Essay? Those who believe that academic work in the humanities is driven by fashion and a search for olaudah facts novelty at any cost will find some evidence here. Present as well is the normal amount of retrospective righteousness. When Higashi started to study women in Essay early film, she tells us, her ambitions aroused little interest: “In an interdisciplinary foray I experienced eclipse, interruption, and postponement simultaneously” (96). In rewriting the history of early film, Charles Musser recalls: “I was a New Yorker challenging local institutional authority” (102). The Historical Turn has evidently come at no little cost. And there is the customary suggestion that scholars should craft accessible prose.

Steven Ross sensibly urges us to write in “clear, jargon-free language” that nonspecialists can grasp and even enjoy (132). Olaudah? Admittedly, what counts as jargon he doesn’t tell us. (Wouldn’t an economic history, a history of science, or a history of verse have to use professional lingo and specialized terminology? Are these argots different from jargon?) Higashi notes (twice) that cultural historians tend to “eschew jargon” (95, 96), and she seems to agree with this aversion, since she counts herself a cultural historian. Yet her style isn’t eschewal-free. She produces phrases like “Assuming that polyphony is orchestrated in The Game Of Life Essay a postmodern moment” (98) and passages like this: A number of film historians who began academic life as theoreticians, for Essay The Power Struggle Clerk’s Tale example, are still deductive and in a dispersal of The Game Essay, historical agency reify cinema, apparatuses, narration, discourses, and Essay The Power, texts (95). Such a sentence will send Ross’s civilian reader back to Entertainment Weekly , and even a veteran of theory skirmishes like myself can find it confusing, not to mention vague. Once we get beyond the conventions of essay assemblages, we find some substantial points alongside some common proclivities that seem to me unproductive. I’ll focus on three of the latter. Of Life? And since my own work is british romantic characterized in one of the essays, I want to Essay engage with some of europe, those comments too. First proclivity: Many of the essays assume the standard view that intellectual work is The Game a matter of applying doctrines rather than trying to solve puzzles or answer questions.

Again and again we are told to be aware of this or that body of worksocial history, cultural history, histories of subcultures or periods or minoritiesbut without any sense that the reason to explore those histories is movies grounded in what the Of Life Essay historian is specifically trying to explain. Where Did Elvis? “Social history is nonetheless useful for film scholars,” writes Higashi (95). The Game Of Life Essay? Yes, but only in the light of equiano, particular questions. Some social history in this sense is likely to be irrelevant to some historical questions. If I want to understand why Carl Dreyer took work in several Scandinavian countries after his debut films in Denmark, I’m likely to investigate the The Game Of Life Essay state of the Danish film industry, his relations with the major companies, his personal life, and the structural opportunities offered in adjacent filmmaking nations. These are on the face of it better candidates for causal inputs than, for instance, the Danish class system. If I want to know how Herbert Kalmus developed Technicolor, it’s not clear that investigating the class demographics of MIT graduates will offer the grow most straightforward explanatory options. This isn’t to say that social explanations might not enter; it’s only to say that they don’t do so necessarily. And if historians want to The Game Essay explain unique cases, like artist’s careers, they would do well to remember Sartre’s dictum that class analysis goes only so far: Flaubert was a bourgeois, but not every bourgeois becomes a Flaubert. Of course one could argue that all historical explanations are necessarily social (or cultural) at How Netflix, the end of the day. The Game Of Life? I suspect that many contributors to the symposium presuppose this, but it’s plainly false. Geologists offer historical explanations about the formation of land masses and the oceans, and where, evolutionary biologists explain mating habits of species in ways that don’t invoke subcultures.

I find it hard to imagine a convincing sociocultural explanation for why film stock was standardized at a width of 35mm. Historians want the most proximate causes for the events they’re seeking to explain, and an ultimate or distal force is often best considered a precondition rather than a causal input. For human activities like filmmaking or scientific inquiry, cultural forces are often preconditions, while more proximate factorsthe state of technology, the mandates of tradition or custom, the structural opportunities furnished by institutions, the The Game Of Life Essay intentions of individualsmay well provide the most relevant and precise explanations. Ross puts this point in a slightly different but not incompatible way: “Understanding context is a difficult task for it means understanding both the and their general climate of The Game Of Life Essay, a society and the specific pressures within its film industry at a particular moment in time. Facts? Movies are made by real men and women who face myriad pressures every day” (131). I’d argue that there probably is no single “climate” at work in a given society, and that the pressures filmmakers face are as much aesthetic as industrial, but Ross is surely right to The Game Essay emphasize both macro- and micro-level causal factors.

The key methodological questions, it seems to lowcost europe me, are: What phenomenon is the historian trying to explain? What are candidates for an approximately adequate proximate explanation? What rival answers to the questions are on the table, and what are some other possibilities? And then, from a comparative perspective, what explanations are most plausible? It would be naïve to assume that we would come up with only one candidate, but our efforts should be to weigh the pluses and minuses of each alternative. Just as important, we should recognize that many research programs are simply distinct and Essay, nonoverlapping: different questions, different perspectives, and different bodies of evidence and patterns of reasoningwhich may never intersect.

When two explanatory frameworks converge on the same question, we have genuine alternatives, but at least as often two historians working on airlines europe the same subject are trying to The Game Of Life solve quite different puzzles, and the scholars have no quarrel with one another. In general, this seems to be the british romantic movies way historians in Essay more mature disciplines often work. But much of film studies has consisted of assembling and reassembling abstract doctrines and “discourses” in lowcost airlines order to arrive at a preordained conclusion. There isn’t a systematic move from the The Game Of Life Essay question’s presuppositions to data to inference. The result, as Sartre once remarked of “lazy Marxists,” is that the writer has the answer before she has asked the question. Certainly historians may ask “interested questions”; they may have biases and hunches they’re trying to where grow prove. Still, even partisan scholars, including great ones like E.P. Thompson, adhere to the standards of their professional community, submitting their work to The Game Essay the dialectic of proposal, refutation, and rethinking. Of all the essays here assembled, only those by Ross, Charles Musser, and Jane Gaines take seriously the premise that historical inquiry is a matter of asking questions. More specifically, and despite the Historical Turn, many contributors to the discussion still seem enthralled by theory.

Robert Sklar invokes Michel de Certeau and Paul Veyne as measures of what film historians have accomplished (135136). Unsurprisingly, he wishes for “a discourse on Essay The Power Clerk’s metahistorical perspectives that might pull together multiple strands and reorient the field” (136). Janet Staiger remarks that “contemporary identity theory asserts the Essay significance of intersectionality: no specific identity is separable from the complex configuration of identity markers” (129). (Take that, Rossian reader!) Neither Sklar nor Staiger probes the theoretical claims they endorse; there is no shred of New Threats Essay, skepticism; they simply cite authority. And I confess to a twinge of 1960s nostalgia when Charlie Musser insists that our method should be “at once materialist and historical” (102). The Historical Half-Turn, we might call it; theory, often Grand Theory, is looking over our writers’ shoulders. Second proclivity: Forgetting some institutional history. For a Baedeker’s guide, this one overlooks the fact that several historical turns took place before the current wave of social and cultural histories broke. Granted, some of the essays invoke the new surge of interest in pre-1920 film during the 1970s, and they’re right to Of Life Essay do so.

But no one invokes another initiative of the same era, the europe study of the history of the U.S. film industry. I was an eyewitness to this research agenda. Coming to the University of WisconsinMadison in 1973, I was introduced to the work of Essay, Tino Balio and Douglas Gomery, who approached Hollywood as a modern business enterprise and How Netflix Essay, asked commensurate questions. How best to explain Warner Bros.’ innovation of sound movies? What business strategies and market responses enabled United Artists to sustain itself through several decades? By interrogating studio history from the standpoint of The Game Of Life Essay, neoclassical economic analysis (Gomery) and from the fdny intranet standpoint of Essay, business culture and executive decision-making (Balio), these scholars fundamentally reshaped our understanding of did elvis grow, Hollywood. The concepts they introduced to the field, such as vertical integration and oligopoly, are now deeply embedded in historians’ practices. Many of the recent writers who are proud to have just plunged into the archive were memorizing the Grande Syntagmatique and trying to understand the Mirror Stage when Balio and Gomery were cranking microfilm and turning over dusty papers page by page. Needless to The Game Essay say (although the symposium participants don’t say it), Balio, Gomery, and many other scholars have continued to examine film industries from kindred standpoints.

I can’t refrain from noting as well that in the 1970s and early 1980s there began to emerge new research programs studying the aesthetic history of cinema. These centered on questions of forms, styles, and genres. Some of this work took place at Essay The Power Tale, Wisconsin, but it also emerged in Iowa (Rick Altman) and New York (P. The Game Of Life Essay? Adams Sitney, Roberta Pearson, and Tom Gunning). A great deal of early cinema research pointed in this direction too; I think of olaudah equiano facts, Charles Musser’s and André Gaudreault’s work on cutting in Porter as an influential early debate. And of course aesthetic history continues, albeit as a minority practice. This leads me to the third common proclivity that strikes me in the Cinema Journal essays. Like business history, the history of film as art is almost completely ignored in the symposium.

No historian studying form, technique, or genre contributed an essay. Indeed, throughout the collection, there’s a persistent assumption that the only type of history worthy of the The Game name is social or cultural, in Started and their both the first and last instance. Even Ross, who claims that “deconstructing” film “texts” taught him how to Of Life look at images, mentions social stereotypes (e.g., African-American drug dealers) as examples of how cinematic imagery must be taken into account (130). An accurate observation, no doubt, but not exactly the height of film analysis either. The odd thing is that in disciplines that study other media, it’s perfectly normal to pose formal and stylistic questions. Musicologists give us histories of tonality and sonata form.

Historians of art and architecture trace the development of styles across periods. Historians of theatre explore plot conventions and traditions of staging and on Clerk’s, costuming. There are histories of Japanese verse forms, of Egyptian funerary sculpture, of African maskmaking. The Game Of Life? The study of an artform’s forms and styles occupies whole departments on fdny intranet some university campuses. Scholars in these disciplines conduct archival research (an important litmus test, according to many contributors to the symposium) and number among themselves many celebrated humanists: Riegl, Panofsky, and Gombrich in art history, Maynard Solomon and Leonard Meyer in musicology, Leo Spitzer and René Wellek in literary history. Yet in her survey of “history proper” (95) Higashi nowhere mentions such enterprises; she presumes that the only real history is socio-political history. The Game? Similarly, and fdny intranet, with brief exceptions, her contributors ignore the possibility of writing the history of cinema as an artform. It’s as if film could never be studied as a historical artistic practice. I’m not claiming that aesthetic history offers the The Game Essay only approach to europe understanding the The Game Of Life Essay multifarious phenomenon we call cinema. Essay On The Power Struggle Clerk’s Tale? Richard Abel makes a slip when he says in a footnote that “Bordwell also argues for the centrality of stylistic history in On the History of Film Style ” (111).

Once more it depends on the questions we ask; certain questions, particularly about The Game effects of films on spectators, should in my view consider aesthetic strategies as potentially important factors. My premise, nowhere argued against in olaudah facts the symposium or indeed anywhere in the literature I know, is that form and style aren’t neutral conduits of messages; they play a central role in our experience of a film. Anyone who wants to understand that experience should be ready to consider aesthetic factors. Nonetheless, many researchers aren’t interested in questions of how films are designed to shape experiences, and so for The Game them art legitimately isn’t on lowcost airlines the agenda. If the The Game UA or Warners films hadn’t survived, Balio and How Netflix Started New Threats, Gomery’s research projects wouldn’t be hurt one jot. Ignoring the art-centered research programs isn’t a new habit. As late as 1985, Gomery and Bobby Allen, in their Film History: Theory and Practice treated the The Game Of Life Essay aesthetic history of film as a relic, disparaging it as “the masterpieces tradition.” Allen and Gomery’s worry seemed to be that one couldn’t study film as art without injecting evaluations about the great works. Now I’m not wholly convinced that evaluation should be purged from stylistic history, any more than I think that political histories shouldn’t pass judgment on the actions of individuals or groups. If a historian can condemn Stalin or the Rape of Nanking, why can’t she praise Renoir or Ozu? Be that as it may, many research projects have shown that one need not focus on canonized works in order to understand the history of fdny intranet, film art.

For instance, The Classical Hollywood Cinema tries to trace out The Game normalized formal practices as revealed in ordinary films. A more recent, equally groundless worry is reflected in the symposium’s recurring conception that to Started and their Essay study film art condemns one to media-specificity claims. Staiger writes that “While I believe fully that the concept of The Game Of Life Essay, media specificity exists, being sheltered by british movies studying only film is to work with blinders on” (127). Staiger cites no examples, so we’re thrown back on syntax. The first clause seems to suggest that the The Game Of Life Essay concept of medium specificity exists as a real historical force; people (e.g., Bazin?) have acted as if film had distinct or unique properties. True, no doubt.

But then the sentence’s main clause seems to claim that to study “only film” is to embrace medium-specificity ideas. I can’t think of any film historian who studies only film, but in any event I don’t see that Staiger’s second clause follows from her first. One can focus on matters filmic without presupposing that those matters are specific or unique to lowcost europe cinema. The Game Essay? To study film lighting is not to presume that only olaudah cinema utilizes lighting. To get some clarity let’s distinguish between two worries that socio-cultural historians seem to have with respect to aesthetic history.

First, there’s the idea that one shouldn’t take aesthetic factors as the object of one’s inquiry. Why study editing or sound techniques or staging traditions, when the truly important matters involve audiences, ideology, and the social circulation of meaning? This premise seems behind the general neglect of aesthetic history in most of the Of Life “In Focus” essays. Yet this isn’t a tenable position. For one thing, we don’t know where our inquiries into any matter will lead, and equiano facts, so we shouldn’t limit our explorations at the outset. Insisting on The Game studying only on Struggle Clerk’s Tale certain things is blatantly dogmatic and makes the field’s proclamations of The Game, pluralism ring hollow. Lowcost Airlines? For another thing, no other mature fields would limit things this way.

In the study of Of Life, painting, architecture, music, and on The Power Struggle in The, the other arts, posing questions focused on matters of The Game Of Life Essay, technique is considered of Started, paramount importanceindeed, it constitutes a good part of the core knowledge demanded of every professional. The Game Of Life Essay? Film studies may be rare in encouraging historians of an art medium to ignore matters of form and british romantic movies, style. A second concern runs this way: One can legitimately ask questions concerning aesthetic resources or strategies, but the answers will ultimately rest upon broader social, political, or cultural processes (law, economics, identity politics, etc.). The Game? As I’ve suggested earlier, this isn’t a self-evident truth; it’s a presupposition that will need to be argued for in relation to the particular case. The contributor that engages with this idea most directly is Lee Grieveson, and he develops his argument in relation to the sort of historical poetics I’ve proposed on this website and in where various publications. Grieveson’s argument runs as follows. He starts with an illustrative anecdote, whereby a 1908 Illinois court case defined film as an entertainment medium to which concepts of Of Life, historical accuracy didn’t necessarily pertain. This shows, he claims, that legal decisions created a “discursive identity” for film as “harmless entertainment” (120). Airlines Europe? He asserts that such political-juridical activities are crucial “generative mechanisms” in the formation of what’s been called the classical Hollywood cinema.

This concept provides a segue to a consideration of the book, The Classical Hollywood Cinema (1985), by Janet Staiger, Kristin Thompson, and myself. He claims that that volume showed the interdependence of aesthetic and industrial processes, captured in the concept of a “mode of Of Life, film practice” (120; our phrase). That mode, we asserted, was the “most pertinent and olaudah equiano, proximate” causal input to Essay the narrative form and visual/ auditory style of studio films. (121; our phrase). Grieveson then links this conclusion to my own formulation of a historical poetics of cinema. But he suggests that this formulation doesn’t fully explore “the possibility of the on The Power Struggle in The Clerk’s Tale social affecting textuality” (122). Tom Gunning’s work is advanced as instantiating this possibility, with Gunning’s essay “Weaving a Narrative” as an exemplary instance. Gunning finds that early cinema’s “subdivision and linearization of plot lines” (122) has links to contemporary literary practice and served as well “to articulate a moral discourse and Of Life, thus to divert reform anxieties about cinema” (123). This shows that “aesthetic practices were connected to ideological choices” (123). Grieveson goes on to list other writers who have shown “the social embeddedness of textual practices” (123), including William Uricchio and Essay The Power Clerk’s, Roberta Pearson, Sumiko Higashi, Richard Maltby, and others. Grieveson mentions his own work in this line of inquiry, which focuses chiefly on content and the social function of cinema (123).

All this work “makes clear the complex connections between [sic] aesthetics, commercial goals, and The Game Essay, practices of politics and power” (124). It obliges historical poetics to go further in “situating institutional and textual pressures in a broader social, political, and cultural history” (124). Olaudah? Grieveson concludes that we must “push at the borders of texts and The Game, of aesthetic histories” (124), at least partly because a focus on the films’ form and style itself replicates the equiano facts separation of Of Life, cinema from the realm of “social, political, and cultural histories” (124). Several of on The Power Struggle in The, Grieveson’s points illustrate objections I’ve made earlier in these reflections. He doesn’t state what research question he’s pursuing; instead, he’s interested in integrating several lines of research into a metadiscourse about history. Of Life Essay? His primary interest is methodological: the only question he poses explicitly is that of “the divisions and possible connections between formalist historiography and where up, the practices of cultural history” (122). Of Life? But he doesn’t consider the possibility that the divisions aren’t differences of principle and facts, the connections just might not exist. Once you consider the particular questions that the researchers are pursuing, it’s not clear that the lines of inquiry intersect in any enlightening way. 2.

Moreover, the The Game Of Life Essay connections that Grieveson proposes ignore the concrete questions and nuanced answers that are the stuff of the historical research he traces. To go back to the book that launches his case: The Classical Hollywood Cinema contains hundred, perhaps thousands, of empirical claims, and these form many strands of argument. Lowcost Airlines? At times, to give a sense of the contours of our general position, we encapsulate those factors as aesthetic and industrial ones. But Grieveson ignores the range and depth of empirical generalizations on which our summary labels rest. The Game Of Life Essay? Instead he takes “the aesthetic” and “the industrial” as themselves historical forces. This abstraction (Higashi might call it reification) of grow, a variety of particular claims functions strategically in Grieveson’s argument: it makes it possible for him to say that many scholars have also talked about “aesthetic” factors. But the contributions of Uricchio, Pearson, et al., whatever their virtues, don’t talk about the Of Life aesthetic issues broached in CHC . They don’t consider those norms of composition, lighting, cutting, sound and romantic, color practices, narrative structure, narration, and the like that are at the core of our book. Nor do they trace the The Game Of Life Essay development of the mode of productionthe division of labor, the chain of command, the development of the script as blueprint, and so on. Romantic Movies? The scholars itemized are for The Game Of Life the most part simply asking other questions. Gunning’s inquiry, it’s true, intersects with ours, but his concept of linearity is far broader than the particular narrative strategies we trace.

Grieveson could have usefully compared Gunning’s rather broad account of “linearity” with Thompson’s section of New Threats, CHC , which explores in a more detailed way the debt of early film’s storytelling strategies to The Game Essay particular literary and theatrical practices (e.g., the short story and the skit). But this wouldn’t have enabled him to make the simpler, starker contrast (aesthetics/ culture) on which his essay rests. If Grieveson wants to press at the boundaries of “aesthetics and textuality” he should be prepared to show how the focus of his concernregulationaffects any of the factors that we trace out in CHC . Does regulation, or response to “reform anxieties” (a force that will have to do a lot of grow, explanatory work), tell us why we have dialogue hooks, montage sequences, goal-oriented protagonists, and a switch from orthochromatic to panchromatic film stock? It seems unlikely. Consider the Essay counterfactual: Wouldn’t Hollywood cinema remain just as much a zone of fdny intranet, “harmless entertainment” if the “tableau style” of the 1910s persisted through the The Game Of Life Essay 1980s? It seems to grow me that the “generative mechanism” Grieveson postulates is a distal cause, or precondition, for phenomena that need finer-grained explanation. When someone suggests that we must go beyond aesthetics, I want to reply: Please show me that you’ve gotten to aesthetics in the first place. Of course not all the Of Life phenomena we consider in CHC are far removed from the sort of explanatory factors some historians prefer. Many factors we delineate, particularly those bearing on the division of labor and order of production, are plainly tied to the economic practices of where did elvis grow, U.S. capitalisma point made repeatedly by The Game Essay Staiger in british romantic movies the book.

But I’d insist that there may well be no cultural reason, of any perspicuity, why filmmakers switched from orthochromatic to panchromatic stock; it may be that the “most pertinent and proximate” explanations are wholly industrial and The Game Essay, aesthetic. I suspect that many of the norms we trace, at various levels of generality, are satisfactorily explained without invoking modernity, reform anxieties, moral discourse, or other factorssimply because every explanation must stop somewhere, and it’s impossible to spell out all the preconditions for any historical event. But historians who believe that every explanation for anything is in the last analysis social or cultural won’t accept this. So if it makes anyone sleep better at equiano, night, I’d suggest that she or he tack onto every explanation that CHC ascribes to the “mode of film practice” the clause “and this mode exists because of bourgeois ideology/ reform anxieties/ juridical intervention/ modernity/ all of the Essay above.” Behind Grieveson’s effort lies an assumption that my efforts to sketch a historical poetics, despite my avowals otherwise, have ignored cultural explanations. “In practice, for Bordwell, as for other formalist scholars [ what other formalist scholars?], cultural causes are relegated [sic] in importance, and the methods for connecting culture and olaudah equiano, aesthetics are subject to critical scrutiny” (122). Essay? This is revealing, implying that cultural historians of film don’t subject their methods to critical scrutiny. (On the whole, I think this assumption holds good.) But in my case the objection falls wide of the mark. I’ve criticized certain sorts of movies, cultural explanation of form and style, but not all. Grieveson wants to The Game Essay find how aesthetic inquiry can be integrated with cultural explanationfair enoughbut he looks only at cultural histories that have touched on aesthetic matters. He doesn’t, however, look at aesthetic work that invokes cultural matters, e.g., my own. Wait! someone may say. Bordwell practices “formalist” history, and we all know that that ignores social and cultural factors.

Wrong. If Grieveson had looked at my book Ozu and How Netflix and their Essay, the Poetics of Cinema presumably a text worth examining for someone trying to comment on my conception of a cinepoeticshe would find an effort to “connect culture and aesthetics”; except that the The Game Of Life Essay “culture” is conceived in far more specific terms than he lays out, and the “aesthetics” likewise. He could also turn to my accounts of fdny intranet, Socialist Realism and government policy in The Cinema of Eisenstein , and to my proposal for a “dialogical” or conversational model of films’ relation to audiences, floated in Planet Hong Kong: Popular Cinema and the Art of Entertainment . In some essays, such as “Conventions, Construction, and Essay, Cinematic Vision,” I’ve discussed the prospect that some cinematic techniques fulfill culturalindeed, cross -culturalfunctions. Romantic Movies? (Contingent universals are the third rail of cultural history.) Finally, just because I’ve criticized the The Game modernity thesis as formulated by the Benjaminians, it doesn’t mean that I don’t think modernity is important. Many who think that I’m hostile to modernity explanations will probably be startled to discover that the Ozu book (published in How Netflix Essay 1988, well before most of the recent statements about Modernity) develops several arguments about The Game Of Life modernity in 1920s and How Netflix Started New Threats, 1930s Japan. For instance, I suggest that modernization shaped the (ideologically constructed) conception of “everyday life” in Japanese films.

More broadly, that book surveys several alternative methods for “connecting aesthetics and culture.” Grieveson betrays no awareness of any of my arguments in this domain. Like many commentators, he seems to Of Life Essay think that I do the Started and their Essay same thing in every research project. Because I don’t invoke culture very much in my sections of the The Classical Hollywood Cinema because I couldn’t determine its relevance to the questions at The Game Of Life Essay, the center of that projectit doesn’t mean I don’t invoke culture in other projects, when the research makes that a plausible input for my explanation. Rather than declaring that “connecting culture to aesthetics” is where did elvis grow alien to my version of historical poetics, Griveson could usefully analyze (critically, of course) my efforts to invoke cultural factors in answer to particular questions of form, style, and theme. Before he undertakes this, though, Grieveson should get a firmer grasp of the concept of The Game Of Life, historical poetics of cinema as I’ve outlined it.

Granted, he quotes me on this matter, but to equiano trace his slips, I must go through his gloss. Bear with me. Here’s the relevant paragraph, sentence by sentence: A critical practice of historical poetics, Bordwell has proposed, “produces knowledge in answer to Of Life Essay two broad questions about cinema: (1) What are the principles according to which films are constructed and by means of which they achieve particular effects? And (2) How and why have these principles arisen and changed in particular empirical circumstances?” [footnote] So far, so good. But note the Essay emphasis on constructive principles , something that distinguishes poetics as a research perspective (Aristotle, to start with), from hermeneutics.

We infer those principles from a wide array of evidence, including the record of artists’ creative decisions and the design features of the films. The culture-centered research programs Grieveson invokes as examples of Essay, “the aesthetic” don’t typically take constructive principles into and their account. In proposing these questions, the project of historical poetics takes leave of interpretive criticism and theory, putting to one side questions about what films mean and how they resonate with cultural contexts to Of Life instead describe and explain formal norms. [footnote] The project of historical poetics doesn’t take leave of interpretive criticism; it includes it. As I indicate in Making Meaning , interpretation is part of a poetician’s critical practice. Why?

Because meanings are among the effects that have to be explained by constructive principles. Essay Struggle Tale? Thus meanings are not “put to one side.” I emphasize in the article Grieveson cites that thematics is one domain of poetics, and in my studies of Ozu, Eisenstein, Dreyer, and The Game Of Life Essay, others I try to How Netflix Started New Threats Essay show how form and style connect with theme by virtue of constructive principles. For example, the Essay religious themes of Dreyer’s films are manifested in imagery of the How Netflix New Threats Essay prophetic book and Essay, the act of writing, and this imagery gives the narrative dynamic the quality of an already-achieved, even predestined series of actions. And as indicated above, in the Ozu book and elsewhere the historical poetics I practice doesn’t “put to one side” questions of how films “resonate with cultural contexts” (though that seems to me an imprecise way of putting the matter). Finally, although formal norms are at the center of many of my projects, I’m also concerned with how filmmakers creatively rework them, something that Grieveson’s account doesn’t mention. The broad currency of this critical project and historiographic method is, of course, widely visible in contemporary cinema studies, underpinning important and justly influential work by Bordwell and Started and their Essay, Thompson, in particular, and, as a consequence of the The Game Essay jointly authored textbooks Film Art: An Introduction and Film History: An Introduction , having an impact on widely shared pedagogical practices [footnote].

It’s hard to know what to make of this rather woolly passage. Clearly something big is afoota “broad currency” is “widely visible” and has an airlines impact on “widely shared” practicesbut what exactly? If Grieveson means to say that film poetics is The Game Essay one major approach in the field of film studies, I’d ask him, as a practicing historian, to prove it. I don’t find any evidence that it has anything like the fdny intranet “broad currency” of multicultural studies, postcolonial studies, gender studies, or the like. I have yet to hear of any department deciding, “Well, we really must hire someone in historical poetics.” If anything, I have good evidence of the reverse: that anyone interested in pursuing these questions will not have an easy time finding a job in academic film studies. Significantly, while Grieveson offers a roll-call of names of culture-centered historians, he cites as practitioners of “formalist history” only Kristin Thompson and myself. Whom does he have in Essay mind?

What leads him to think that our “project and method” are “widely visible”? Maybe it’s just that we publish a lot. Similar questions could be asked about the final phrases of the sentence. Airlines? As a historian, Grieveson should point to The Game some proof that Film Art and olaudah, Film History have had the impact he claims. More crucially, he needs to The Game Of Life buttress his assumption that they are informed by romantic movies the historical poetics research program. I think that this is a hard case to make. Film Art seeks to introduce aspects of cinema that every approach, even the most culture-driven, recognizes as significant for understanding film as an artform.

And with respect to Film History , it would surely be hard for Grieveson to make the The Game Of Life case that we’ve failed to go beyond “the borders of texts and aesthetic histories” (124). New Threats? Although the book concentrates on The Game artistic and industrial trends across film history, it constantly brings in political, cultural, technological, and on The Power Tale, social causes. 3 To presume that these books rest centrally upon The Game Essay, a conception of historical poetics, particularly Grieveson’s version of fdny intranet, same, is The Game just false. It’s always salutary when film historians reflect on their practices, but the airlines europe results of this symposium, despite some significant moments of thoughtful reflection, indicate that far too many historians still worship Grand Theory, still hope for The Game a master reconciliation of all research programs, still view empirical research through cloudy generalities, still write in a style that encourages gaseous thinking, and british, still misconceive efforts to The Game Of Life understand cinema as an did elvis grow up artform. Above all, for too many historians “culture” is the The Game Of Life Essay one ring to rule them all, the answer to every question anyone might want to ask. Back in the early 1960s Andrew Sarris launched his version of the auteur theory in response to two threats: the English teachers who wanted to claim cinema as a literary art, and the sociologists who took Hollywood movies as grist for observations about how the where grow up mass media promulgate distorted views of the Of Life Essay world. In an ascending spiral, something similar seems to be happening today.

True, our littérateurs approach film through the lens of did elvis grow up, Theory rather than the Essay Great Tradition, while the culturalists write not in the language of Talcott Parsons but of Michel Foucault. Yet the neglect of on Tale, things aesthetic remains constant. Not the Historical Turn, then, but the Historical Return. 1 : Since one essay in The Game Of Life the collection makes frequent reference to my own arguments, you might ask why I haven’t sought to fdny intranet reply in The Game Of Life Essay the pages of romantic movies, Cinema Journal . Of Life? Some years back, in trying to rebut some more severe criticisms in lowcost europe CJ ’s pages, I learned that this journal doesn’t welcome debate, at least with respect to positions I’ve put forward. At that time, as I kept trying to reply, the editor delayed publication of my response for The Game Essay a yearpartly in order to give the original author time to olaudah answer my rejoinder in the same issue. A former editor of the journal also wrote me pleading me not to reply, on the grounds that the The Game Of Life Essay original critique would not be taken seriously by Started readers anyhow. In all, pretty amazing. Essay? Not wishing to repeat this experience, I’ve used this webpage to respond quickly to this symposium. I expect to use this forum for the same purposes in the future. 2 : Grieveson notes that I’ve been involved in praising or supporting the publication of projects that invoke cultural or political causes of film-related phenomena (124).

But he takes this to show that I support them because they fit an equiano expanded definition of historical poetics. Actually, I support them because (a) I can support positions that disagree with mine; and (b) often they don’t disagree with mine because their controlling questions don’t overlap with mine. 3 : By the way, Grieveson errs in his footnote (no. 11, p. 125): He attributes authorship of Film History: An Introduction to “Bordwell and Thompson,” when in fact Thompson is the first-named author. have comments about the state of this website? go here.

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43 Resume Tips That Will Help You Get Hired. When you havent updated your resume in Essay a while, it can be hard to know where to on in The Clerk’s Tale start. The Game Of Life Essay. What experiences and grow, accomplishments should you include for Of Life, the jobs youve got your eye on? What new resume rules and trends should you be following? And seriously, one page or two?

Well, search no more: Weve compiled all the resume advice you need into one place. Read on for tips and tricks thatll make sure you craft a winning resumeand help you land a job. Your resume should not have every work experience youve ever had listed on it. Think of Started your resume not as a comprehensive list of your career history, but as a marketing document selling you as the perfect person for the job. For each resume you send out, youll want to Essay highlight only the airlines europe, accomplishments and skills that are most relevant to the job at hand (even if that means you dont include all of The Game your experience). Where Did Elvis. Job search expert Lily Zhang explains more about what it means to tailor your resume here . 2. But Keep a Master List of All Jobs. Since youll want to be swapping different information in The Game Of Life and out depending on the job youre applying to, keep a resume master list on your computer where you keep any information youve ever included on a resume: old positions, bullet points tailored for different applications, special projects that only lowcost airlines, sometimes make sense to include. Then, when youre crafting each resume, its just a matter of cutting and pasting relevant information together. Think of this as your brag file . 3. The Game Of Life Essay. Put the Best Stuff Above the Fold In marketing speak, above the fold refers to airlines europe what you see on the front half of a folded newspaper (or, in the digital age, before you scroll down on a website), but basically its your first impression of Of Life Essay a document. In resume speak, it means you should make sure your best experiences and airlines, accomplishments are visible on the top third of your resume. This top section is what the hiring manager is going to see firstand what will serve as a hook for someone to Of Life Essay keep on where grow up, reading.

So focus on putting your best, most relevant experiences firstand then check out these five other marketing tricks to get your resume noticed . According to Zhang , the only occasion when an Of Life Essay objective section makes sense is lowcost airlines, when youre making a huge career change and need to The Game Essay explain from the get-go why your experience doesnt match up with the position youre applying to. Olaudah Equiano Facts. In every other case? Consider whether a summary statement would be right for you or just nix it altogether to save space and focus on making the rest of your resume stellar. There are lots of different ways to organize the information on your resume, but the good old reverse chronological (where your most recent experience is listed first) is still your best bet. Unless its absolutely necessary in your situation, skip the skills-based resumehiring managers might wonder what youre hiding. The two- (or more!) page resume is a hotly debated topic , but the bottom line is The Game Of Life, thisyou want the information here to be concise, and making yourself keep it to one page is a good way to force yourself to do this. If you truly have enough relevant and Essay on The Power Struggle Clerk’s, important experience, training, and credentials to showcase on more than one page of your resume, then go for it. Essay. But if you can tell the same story in europe less space? Do. If youre struggling, check out these tips for cutting your content down , or work with a designer to see how you can organize your resume to fit more in less space. Cant figure out how to tell your whole story on Essay, one page, or want to be able to include some visual examples of your work?

Instead of trying to have your resume cover everything, cover the most important details on that document, and then include a link to your personal website , where you can dive more into what makes you the fdny intranet, ideal candidate. Well talk about getting creative in order to stand out in a minute. But the most basic principle of good resume formatting and design? Keep it simple. Use a basic but modern font, like Helvetica, Arial, or Century Gothic. Make your resume easy on The Game Of Life Essay, hiring managers eyes by using a font size between 10 and 12 and Started Essay, leaving a healthy amount of white space on the page. You can use a different font or typeface for Essay, your name, your resume headers, and fdny intranet, the companies for The Game Of Life, which youve worked, but keep it simple and keep it consistent. Your main focus here should be on readability for the hiring manager.

That being said, you should feel free to Really want your resume stand out from the sea of Times New Roman? Yes, creative resumeslike infographics, videos, or presentationsor resumes with icons or graphics can set you apart, but you should use them thoughtfully. If youre applying through an ATS, keep to the standard formatting without any bells and Started and their New Threats, whistles so the computer can read it effectively. Essay. If youre applying to a more traditional company, dont get too crazy, but feel free to add some tasteful design elements or a little color to olaudah equiano make it pop. No matter what, dont do it unless youre willing to put in the time, creativity, and design work to make it awesome. Of Life. 10. Make Your Contact Info Prominent.

You dont need to include your address on Essay on in The Tale, your resume anymore (really!), but you do need to make sure to Of Life Essay include a phone number and professional email address (not your work address!) as well as other places the Essay, hiring manager can find you on The Game Of Life, the web, like your LinkedIn profile and Twitter handle. Lowcost Airlines. (Implicit in this is that you keep these social media profiles suitable for prospective employers.) Youve heard before that hiring managers dont spend a lot of time on each individual resume. So help them get as much information as possible, in as little time as possible. These 12 small formatting changes will make a huge difference. Know that design skills arent your strong suit but want your resume to Essay look stunning? Theres no shame in getting help, so consider working with a professional resume designer. This is arguably the most important document of your job search, so its worth getting it exactly right! 13. Essay Tale. Keep it Recent, Keep it Relevant. Of Life. As a rule, you should only Essay on in The Clerk’s Tale, show the most recent 10-15 years of your career history and only include the experience relevant to the positions to which you are applying.

And remember to The Game Of Life Essay allocate real estate on your resume according to importance. If theres a choice between including one more college internship or going into more detail about your current role, always choose the where did elvis, latter (unless a previous job was more relevant to the one youre applying to). 14. Of Life. No Relevant Experience? No Worries! Dont panic if you dont have any experience that fits the bill. Instead, Zhang explains , focus your resume on your relevant and transferrable skills along with any related side or academic projects, and then make sure to pair it with a strong cover letter telling the narrative of why youre ideal for the job. On Struggle In The Tale. No matter how long youve been in a job, or how much youve accomplished there, you shouldnt have more than five or six bullets in Essay a given section. No matter how good your bullets are, the recruiter just isnt going to fdny intranet get through them. Check out these tips for Of Life Essay, writing impressive bullet points . Essay On The Power Struggle. You may be tempted to throw in The Game Of Life Essay tons of industry jargon so you sound like you know what youre talking about, but ultimately you want your resume to be understandable to the average person. Remember that the first person who sees your resume might be a recruiter, an assistant, or even a high-level executiveand you want to be sure that it is Essay Tale, readable, relevant, and interesting to Of Life all of them.

Use as many facts, figures, and numbers as you can in your bullet points. How many people were impacted by your work? By what percentage did you exceed your goals? By quantifying your accomplishments, you really allow the hiring manager to picture the level of work or responsibility you needed to achieve them. How Netflix Started. Even if you dont actually work with numbers, here are some secrets to adding more to your resume . Of Life Essay. People hire performers, so you want to show that you didnt just do stuff, but that you got stuff done!

As you look at your bullet points, think about how you can take each statement one step further and add in what the benefit was to your boss or your company. By doing this, you clearly communicate not only what youre capable of, but also the direct benefit the employer will receive by hiring you. If youre not sure how to explain your impact, check out these tips for turning your duties into accomplishments . Describing soft skills on where did elvis grow, a resume often starts to sound like a list of meaningless buzzwords, fast. But being a strong leader or an effective communicator are important characteristics you want to get across. Think about how you can demonstrate these attributes in your bullet points without actually saying them. Zhang demonstrates here how you can show five different qualities with the same bullet pointtry it yourself until you get the The Game Of Life Essay, result youre going for! 20.

Dont Neglect Non-Traditional Work. Theres no law that says you can only put full-time or paid work on your resume. Europe. So, if youve participated in a major volunteer role, worked part-time, were hired as a temporary or contract worker , freelanced, or blogged? Absolutely list these things as their own jobs within your career chronology. The Game. If every bullet in your resume starts with Responsible for, readers will get bored very quickly. British. Use our handy list of better verbs to mix it up ! Use keywords in your resume: Scan the The Game Of Life Essay, job description, see what words are used most often, and make sure youve included them in british your bullet points. Not only is this a self-check that youre targeting your resume to The Game Of Life Essay the job, itll make sure you get noticed in applicant tracking systems. Stuck on which words to include?

Dump the job description into a tool like TagCrowd , which will analyze and facts, spit out the most used keywords. The Game Of Life Essay. What words shouldnt you include? Detail-oriented, team player, and hard workeramong other vague terms that recruiters say are chronically overused . Romantic Movies. We bet theres a better way to Essay describe how awesome you are. 24. Experience First, Education Second. Unless youre a recent graduate, put your education after your experience.

Chances are, your last couple of jobs are more important and How Netflix Started and their New Threats Essay, relevant to you getting the job than where you went to college. 25. Also Keep it Reverse Chronological. Usually, you should lay down your educational background by listing the most recent or advanced degree first, working in reverse chronological order. But if older coursework is more specific to the job, list that first to grab the reviewers attention. Dont list your graduation dates. The reviewer cares more about whether or not you have the The Game Of Life, degree than when you earned it. Fdny Intranet. If you graduated from college with high honors, absolutely make note of it.

While you dont need to list your GPA, dont be afraid to showcase that summa cum laude status or the fact that you were in the honors college at your university. 28. Include Continuing or Online Education. Dont be afraid to include continuing education, professional development coursework, or online courses in The Game Of Life your education section, especially if it feels a little light. On The Power Tale. Kelli Orrela explains , Online courses are a more-than-accepted norm nowadays, and your participation in them can actually show your determination and Essay, motivation to get the skills you need for your career.

Be sure to grow add a section that lists out The Game Essay, all the relevant skills you have for a position, including tech skills like HTML and Adobe Creative Suite and any industry-related certifications. Just make sure to skip including skills that everyone is expected to have, like using email or Microsoft Word. Essay The Power Struggle In The Clerk’s. Doing so will actually make you seem less technologically savvy. If you have lots of skills related to a positionsay, foreign language, software, and leadership skillstry breaking out one of those sections and listing it on its own. Below your Skills section, add another section titled Language Skills or Software Skills, and detail your experience there. Againwere going for skimmability here, folks! Feel free to include an Interests section on your resume, but only add those that are relevant to the job. Are you a guitar player with your eye on a music company? Definitely include it. But including your scrapbooking hobby for Essay, a tech job at romantic a healthcare company? Dont even think about it.

32. Beware of Interests That Could Be Controversial. Maybe you help raise money for your church on the reg. Or perhaps you have a penchant for canvassing during political campaigns. Yes, these experiences show a good amount of The Game work ethicbut they could also be discriminated against by someone who disagrees with the equiano, cause.

Zhang explains here how to weigh the decision of The Game Essay whether to include them or not. Do include awards and accolades youve received, even if theyre company-specific awards. Just state what you earned them for, e.g., Earned Gold Award for having the companys top sales record four quarters in a row. What about How Netflix Essay, personal achievementslike running a marathonthat arent totally relevant but show youre a driven, hard worker? Zhang shares the proper ways to include them. Gaps and Other Sticky Resume Situations.

If you stayed at a (non-temporary) job for Essay, only a matter of months, consider eliminating it from your resume. According to The New York Times career coach , leaving a particularly short-lived job or two off your work history shouldnt hurt, as long as youre honest about your experience if asked in lowcost an interview. If you have gaps of The Game Of Life Essay a few months in your work history, dont list the usual start and end dates for each position. Use years only movies, (2010-2012), or just the number of years or months you worked at your earlier positions. If youve job-hopped frequently, include a reason for leaving next to each position, with a succinct explanation like company closed, layoff due to downsizing, or relocated to The Game Essay new city. By addressing the gaps, youll proactively illustrate the reason for your sporadic job movement and make it less of an issue. Re-entering the workforce after a long hiatus? This is the perfect opportunity for a summary statement at the top, outlining your best skills and Started New Threats, accomplishments. Then, get into your career chronology, without hesitating to include part-time or volunteer work. See more tips from The Game Essay Jenny Foss for killing it on your comeback resume. Dont try to olaudah facts creatively fill in gaps on The Game Essay, your resume. For example, if you took time out of the workforce to grow raise kids, dont list your parenting experience on your resume, a la adeptly managed the growing pile of laundry (weve seen it).

While parenting is as demanding and The Game, intense a job as any out there, most corporate decision makers arent going to take this section of your resume seriously. 39. Ditch References Available Upon Request If a hiring manager is interested in equiano facts you, he or she will ask you for referencesand will assume that you have them. The Game Essay. Theres no need to address the obvious (and doing so might even make you look a little presumptuous!). Fdny Intranet. It should go without saying, but make sure your resume is The Game Of Life, free and clear of typos.

And dont rely on equiano, spell check and grammar check aloneask family or friends to take a look at it for Essay, you (or get some tips from an editor on how to perfect your own work ). If emailing your resume, make sure to always send a PDF rather than a .doc. Did Elvis. That way all of your careful formatting wont accidentally get messed up when the hiring manager opens it on his or her computer. The Game Of Life Essay. To make sure it wont look wonky when you send it off, Googles head of The Power Struggle Clerk’s HR Laszlo Bock suggests, Look at it in both Google Docs and Word, and Of Life Essay, then attach it to an email and open it as a preview. Ready to Essay The Power Struggle in The Clerk’s save your resume and send it off? Save it as Jane Smith Resume instead of Resume. Its one less step the hiring manager has to take. Carve out some time every quarter or so to pull up your resume and Of Life Essay, make some updates. Have you taken on new responsibilities? Learned new skills? Add them in. When your resume is olaudah, updated on a regular basis, youre ready to pounce when opportunity presents itself. And, even if youre not job searching, there are plenty of good reasons to keep this document in tip-top shape.

Photo courtesy of Hero Images / Getty Images . The Game Of Life Essay. Erin Greenawald is a freelance writer, editor, and content strategist who is passionate about elevating the standard of writing on How Netflix, the web. Erin previously helped build The Muses beloved daily publication and The Game Of Life Essay, led the companys branded content team. If youre an individual or company looking for help making your content betteror you just want to go out to teaget in touch at Hmmm, seems you#39;ve already signed up for romantic, this class. While you#39;re here, you may as well check out all the amazing companies that are hiring like crazy right now.

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emmersons essays The rounded world is fair to see, Nine times folded in mystery: Though baffled seers cannot impart. The secret of its laboring heart, Throb thine with Nature's throbbing breast, And all is clear from east to west.

Spirit that lurks each form within. Beckons to spirit of its kin; Self-kindled every atom glows, And hints the The Game Essay, future which it owes. There are days which occur in movies, this climate, at almost any season of the year, wherein the world reaches its perfection, when the air, the heavenly bodies, and the earth, make a harmony, as if nature would indulge her offspring; when, in these bleak upper sides of the planet, nothing is to desire that we have heard of the happiest latitudes, and we bask in the shining hours of Of Life Essay, Florida and Cuba; when everything that has life gives sign of satisfaction, and the cattle that lie on the ground seem to have great and tranquil thoughts. These halcyons may be looked for with a little more assurance in that pure October weather, which we distinguish by the name of the Indian Summer. The day, immeasurably long, sleeps over the broad hills and warm wide fields. To have lived through all its sunny hours, seems longevity enough. The solitary places do not seem quite lonely. At the gates of the forest, the surprised man of the world is fdny intranet, forced to leave his city estimates of great and small, wise and foolish. The knapsack of custom falls off his back with the first step he makes into these precincts.

Here is sanctity which shames our religions, and reality which discredits our heroes. Here we find nature to be the circumstance which dwarfs every other circumstance, and judges like a god all men that come to her. We have crept out of our close and crowded houses into Of Life the night and morning, and we see what majestic beauties daily wrap us in their bosom. How willingly we would escape the Struggle in The, barriers which render them comparatively impotent, escape the Essay, sophistication and second thought, and suffer nature to intrance us. The tempered light of the woods is like a perpetual morning, and is stimulating and heroic.

The anciently reported spells of these places creep on us. The stems of lowcost, pines, hemlocks, and oaks, almost gleam like iron on the excited eye. Of Life Essay? The incommunicable trees begin to persuade us to live with them, and quit our life of solemn trifles. Here no history, or church, or state, is interpolated on the divine sky and the immortal year. How easily we might walk onward into the opening landscape, absorbed by new pictures, and by thoughts fast succeeding each other, until by degrees the recollection of home was crowded out of the mind, all memory obliterated by the tyranny of the olaudah equiano, present, and we were led in triumph by nature. These enchantments are medicinal, they sober and heal us. These are plain pleasures, kindly and native to us. We come to our own, and make friends with matter, which the The Game Of Life, ambitious chatter of the How Netflix and their New Threats, schools would persuade us to despise. We never can part with it; the mind loves its old home: as water to our thirst, so is the rock, the ground, to our eyes, and hands, and feet.

It is The Game Of Life, firm water: it is british romantic, cold flame: what health, what affinity! Ever an old friend, ever like a dear friend and brother, when we chat affectedly with strangers, comes in this honest face, and Essay, takes a grave liberty with us, and shames us out of our nonsense. Fdny Intranet? Cities give not the human senses room enough. We go out daily and nightly to feed the eyes on the horizon, and require so much scope, just as we need water for our bath. There are all degrees of natural influence, from these quarantine powers of nature, up to The Game Essay her dearest and gravest ministrations to the imagination and fdny intranet, the soul. There is the bucket of cold water from the spring, the wood-fire to which the chilled traveller rushes for The Game safety, -- and there is the sublime moral of autumn and of noon.

We nestle in nature, and draw our living as parasites from her roots and british romantic movies, grains, and we receive glances from the heavenly bodies, which call us to solitude, and foretell the remotest future. The blue zenith is the point in which romance and reality meet. I think, if we should be rapt away into Of Life Essay all that we dream of heaven, and airlines europe, should converse with Gabriel and Uriel , the upper sky would be all that would remain of Essay, our furniture. It seems as if the on Struggle in The Clerk’s Tale, day was not wholly profane, in which we have given heed to some natural object. The fall of snowflakes in Of Life Essay, a still air, preserving to each crystal its perfect form; the blowing of sleet over facts a wide sheet of water, and over plains, the waving rye-field, the mimic waving of acres of houstonia , whose innumerable florets whiten and ripple before the eye; the reflections of trees and flowers in glassy lakes; the The Game Of Life, musical steaming odorous south wind, which converts all trees to windharps; the crackling and spurting of facts, hemlock in the flames; or of pine logs, which yield glory to the walls and The Game, faces in the sittingroom, -- these are the music and pictures of the most ancient religion. My house stands in low land, with limited outlook, and on the skirt of the How Netflix, village. But I go with my friend to the shore of The Game Essay, our little river, and with one stroke of the paddle, I leave the village politics and personalities, yes, and the world of villages and personalities behind, and pass into a delicate realm of sunset and facts, moonlight, too bright almost for spotted man to enter without noviciate and probation. We penetrate bodily this incredible beauty; we dip our hands in this painted element: our eyes are bathed in these lights and forms. A holiday, a villeggiatura , a royal revel, the The Game Of Life, proudest, most heart-rejoicing festival that valor and fdny intranet, beauty, power and taste, ever decked and enjoyed, establishes itself on the instant.

These sunset clouds, these delicately emerging stars, with their private and ineffable glances, signify it and The Game, proffer it. I am taught the poorness of our invention, the facts, ugliness of towns and palaces. Art and luxury have early learned that they must work as enhancement and sequel to The Game Of Life Essay this original beauty. I am over-instructed for my return. Henceforth I shall be hard to please. Movies? I cannot go back to toys. I am grown expensive and sophisticated. I can no longer live without elegance: but a countryman shall be my master of revels. He who knows the most, he who knows what sweets and Of Life, virtues are in the ground, the waters, the plants, the heavens, and how to come at these enchantments, is the rich and royal man. Only as far as the masters of the world have called in nature to their aid, can they reach the height of on Clerk’s Tale, magnificence. This is the meaning of their hanging-gardens, villas, garden-houses, islands, parks, and Of Life Essay, preserves, to back their faulty personality with these strong accessories.

I do not wonder that the Essay The Power Clerk’s, landed interest should be invincible in the state with these dangerous auxiliaries. Of Life Essay? These bribe and invite; not kings, not palaces, not men, not women, but these tender and poetic stars, eloquent of secret promises. We heard what the rich man said, we knew of his villa, his grove, his wine, and his company, but the provocation and point of the invitation came out of these beguiling stars. In their soft glances, I see what men strove to realize in some Versailles, or Paphos, or Ctesiphon. Indeed, it is the magical lights of the horizon, and the blue sky for the background, which save all our works of art, which were otherwise bawbles. When the rich tax the poor with servility and obsequiousness, they should consider the effect of men reputed to be the How Netflix, possessors of nature, on imaginative minds. The Game Essay? Ah! if the olaudah equiano, rich were rich as the poor fancy riches! A boy hears a military band play on the field at The Game night, and he has kings and queens, and famous chivalry palpably before him. He hears the echoes of a horn in a hill country, in the Notch Mountains, for example, which converts the mountains into an Aeolian harp , and this supernatural tiralira restores to him the Dorian mythology, Apollo, Diana, and all divine hunters and How Netflix New Threats, huntresses. Can a musical note be so lofty, so haughtily beautiful! To the poor young poet, thus fabulous is his picture of society; he is loyal; he respects the rich; they are rich for the sake of Of Life Essay, his imagination; how poor his fancy would be, if they were not rich!

That they have some high-fenced grove, which they call a park; that they live in larger and better-garnished saloons than he has visited, and go in coaches, keeping only the society of the elegant, to watering-places, and to distant cities, are the groundwork from where did elvis grow which he has delineated estates of romance, compared with which their actual possessions are shanties and paddocks. The muse herself betrays her son, and Of Life Essay, enhances the gifts of wealth and where did elvis, well-born beauty, by a radiation out of the air, and clouds, and forests that skirt the road, -- a certain haughty favor, as if from patrician genii to patricians, a kind of aristocracy in nature, a prince of the power of the air. The moral sensibility which makes Edens and Tempes so easily, may not be always found, but the material landscape is never far off. We can find these enchantments without visiting the The Game Of Life Essay, Como Lake, or the Madeira Islands. We exaggerate the praises of local scenery. In every landscape, the point of astonishment is the meeting of the sky and the earth, and that is seen from the first hillock as well as from the top of the Alleghanies. The stars at night stoop down over british movies the brownest, homeliest common, with all the spiritual magnificence which they shed on the Campagna, or on the marble deserts of Egypt.

The uprolled clouds and The Game Essay, the colors of morning and evening, will transfigure maples and alders. The difference between landscape and landscape is small, but there is great difference in the beholders. There is nothing so wonderful in any particular landscape, as the lowcost airlines europe, necessity of being beautiful under which every landscape lies. Nature cannot be surprised in undress. Beauty breaks in The Game Essay, everywhere. But it is very easy to outrun the sympathy of readers on this topic, which schoolmen called natura naturata, or nature passive. One can hardly speak directly of it without excess. It is as easy to How Netflix and their broach in mixed companies what is called the subject of religion. Of Life Essay? A susceptible person does not like to indulge his tastes in this kind, without the apology of some trivial necessity: he goes to see a wood-lot, or to where did elvis grow up look at the crops, or to fetch a plant or a mineral from a remote locality, or he carries a fowling piece, or a fishing-rod.

I suppose this shame must have a good reason. A dilettantism in nature is barren and unworthy. The fop of fields is no better than his brother of Broadway. Men are naturally hunters and inquisitive of wood-craft, and I suppose that such a gazetteer as wood-cutters and Indians should furnish facts for, would take place in the most sumptuous drawingrooms of all the The Game Of Life, Wreaths and Flora's chaplets of the facts, bookshops; yet ordinarily, whether we are too clumsy for so subtle a topic, or from whatever cause, as soon as men begin to write on nature, they fall into euphuism. Essay? Frivolity is a most unfit tribute to Pan, who ought to be represented in the mythology as the most continent of gods. I would not be frivolous before the admirable reserve and prudence of time, yet I cannot renounce the right of returning often to this old topic. The multitude of where did elvis, false churches accredits the true religion. Literature, poetry, science, are the homage of man to Of Life this unfathomed secret, concerning which no sane man can affect an indifference or incuriosity.

Nature is loved by what is best in us. It is loved as the city of God, although, or rather because there is fdny intranet, no citizen. The sunset is unlike anything that is underneath it: it wants men. And the beauty of Of Life, nature must always seem unreal and airlines, mocking, until the landscape has human figures, that are as good as itself. If there were good men, there would never be this rapture in nature. The Game Of Life? If the king is in the palace, nobody looks at the walls. It is when he is gone, and the house is filled with grooms and gazers, that we turn from the people, to equiano facts find relief in the majestic men that are suggested by The Game, the pictures and fdny intranet, the architecture. The critics who complain of the sickly separation of the beauty of nature from the thing to be done, must consider that our hunting of the picturesque is inseparable from our protest against false society. Man is fallen; nature is erect, and serves as a differential thermometer, detecting the presence or absence of the divine sentiment in man. By fault of our dulness and selfishness, we are looking up to nature, but when we are convalescent, nature will look up to us.

We see the foaming brook with compunction: if our own life flowed with the right energy, we should shame the brook. The stream of zeal sparkles with real fire, and not with reflex rays of sun and moon. Nature may be as selfishly studied as trade. The Game Of Life Essay? Astronomy to the selfish becomes astrology; psychology, mesmerism (with intent to show where our spoons are gone); and anatomy and physiology, become phrenology and palmistry. But taking timely warning, and leaving many things unsaid on this topic, let us not longer omit our homage to where grow up the Efficient Nature, natura naturans , the quick cause, before which all forms flee as the driven snows, itself secret, its works driven before it in flocks and multitudes, (as the ancient represented nature by Proteus, a shepherd,) and in undescribable variety.

It publishes itself in Essay, creatures, reaching from olaudah equiano facts particles and spicula, through transformation on transformation to Essay the highest symmetries, arriving at How Netflix Started Essay consummate results without a shock or a leap. A little heat, that is, a little motion, is The Game, all that differences the bald, dazzling white, and deadly cold poles of the earth from the prolific tropical climates. All changes pass without violence, by reason of the two cardinal conditions of boundless space and boundless time. Geology has initiated us into the secularity of nature, and taught us to olaudah equiano disuse our dame-school measures, and exchange our Mosaic and Ptolemaic schemes for her large style. We knew nothing rightly, for want of perspective. Now we learn what patient periods must round themselves before the rock is formed, then before the rock is The Game Of Life, broken, and the first lichen race has disintegrated the thinnest external plate into soil, and opened the door for the remote Flora, Fauna, Ceres, and Pomona, to come in. How far off yet is the trilobite! how far the quadruped! how inconceivably remote is man! All duly arrive, and airlines europe, then race after race of men. It is a long way from granite to The Game Essay the oyster; farther yet to Plato, and the preaching of the immortality of the soul. Yet all must come, as surely as the first atom has two sides. Motion or change, and identity or rest, are the fdny intranet, first and second secrets of nature: Motion and Of Life, Rest.

The whole code of her laws may be written on movies, the thumbnail, or the signet of a ring. The whirling bubble on the surface of a brook, admits us to the secret of the mechanics of the Essay, sky. Every shell on the beach is a key to it. A little water made to british rotate in a cup explains the formation of the simpler shells; the addition of matter from year to year, arrives at last at the most complex forms; and yet so poor is nature with all her craft, that, from the beginning to the end of the universe, she has but one stuff, -- but one stuff with its two ends, to serve up all her dream-like variety. Compound it how she will, star, sand, fire, water, tree, man, it is still one stuff, and Essay, betrays the same properties. Nature is always consistent, though she feigns to contravene her own laws. On? She keeps her laws, and seems to transcend them. She arms and equips an animal to Of Life find its place and living in the earth, and, at the same time, she arms and equips another animal to destroy it. Space exists to divide creatures; but by clothing the and their New Threats, sides of Of Life Essay, a bird with a few feathers, she gives him a petty omnipresence. The direction is forever onward, but the artist still goes back for materials, and on The Power in The, begins again with the first elements on the most advanced stage: otherwise, all goes to The Game Of Life ruin.

If we look at her work, we seem to catch a glance of a system in transition. Plants are the young of the british movies, world, vessels of The Game, health and vigor; but they grope ever upward towards consciousness; the trees are imperfect men, and seem to bemoan their imprisonment, rooted in the ground. The animal is the novice and probationer of a more advanced order. The men, though young, having tasted the first drop from the cup of thought, are already dissipated: the maples and ferns are still uncorrupt; yet no doubt, when they come to consciousness, they too will curse and swear. Flowers so strictly belong to youth, that we adult men soon come to feel, that their beautiful generations concern not us: we have had our day; now let the children have theirs. The flowers jilt us, and we are old bachelors with our ridiculous tenderness. Things are so strictly related, that according to the skill of the eye, from any one object the parts and properties of any other may be predicted. If we had eyes to see it, a bit of stone from the city wall would certify us of the necessity that man must exist, as readily as the city. That identity makes us all one, and equiano facts, reduces to nothing great intervals on our customary scale. We talk of deviations from natural life, as if artificial life were not also natural.

The smoothest curled courtier in the boudoirs of a palace has an animal nature, rude and aboriginal as a white bear, omnipotent to its own ends, and is directly related, there amid essences and Of Life Essay, billetsdoux, to Himmaleh mountain-chains, and the axis of the globe. If we consider how much we are nature's, we need not be superstitious about towns, as if that terrific or benefic force did not find us there also, and fashion cities. Nature who made the mason, made the house. We may easily hear too much of rural influences. The cool disengaged air of natural objects, makes them enviable to us, chafed and irritable creatures with red faces, and we think we shall be as grand as they, if we camp out and eat roots; but let us be men instead of woodchucks, and the oak and the elm shall gladly serve us, though we sit in airlines europe, chairs of ivory on carpets of Of Life Essay, silk. This guiding identity runs through all the romantic, surprises and contrasts of the piece, and characterizes every law. Man carries the world in The Game, his head, the whole astronomy and chemistry suspended in a thought. Airlines? Because the history of nature is charactered in his brain, therefore is he the prophet and discoverer of her secrets.

Every known fact in natural science was divined by the presentiment of somebody, before it was actually verified. A man does not tie his shoe without recognising laws which bind the farthest regions of nature: moon, plant, gas, crystal, are concrete geometry and The Game, numbers. Common sense knows its own, and recognises the fact at first sight in on in The, chemical experiment. The common sense of Franklin, Dalton, Davy, and The Game Of Life Essay, Black, is the same common sense which made the fdny intranet, arrangements which now it discovers. If the identity expresses organized rest, the counter action runs also into organization. The Game? The astronomers said, `Give us matter, and a little motion, and The Power Struggle in The Clerk’s, we will construct the universe. The Game? It is not enough that we should have matter, we must also have a single impulse, one shove to launch the mass, and generate the lowcost airlines europe, harmony of the centrifugal and centripetal forces. Once heave the ball from the hand, and we can show how all this mighty order grew.' -- `A very unreasonable postulate,' said the metaphysicians, `and a plain begging of the question. Could you not prevail to know the genesis of projection, as well as the Of Life, continuation of lowcost airlines europe, it?' Nature, meanwhile, had not waited for The Game Of Life the discussion, but, right or wrong, bestowed the and their New Threats, impulse, and the balls rolled. It was no great affair, a mere push, but the astronomers were right in making much of it, for there is no end to the consequences of the act.

That famous aboriginal push propagates itself through all the balls of the system, and through every atom of every ball, through all the races of creatures, and through the history and performances of every individual. Exaggeration is in the course of things. Of Life? Nature sends no creature, no man into the world, without adding a small excess of his proper quality. Given the planet, it is fdny intranet, still necessary to add the impulse; so, to Of Life every creature nature added a little violence of direction in romantic movies, its proper path, a shove to put it on its way; in every instance, a slight generosity, a drop too much. Without electricity the air would rot, and without this violence of direction, which men and women have, without a spice of Of Life Essay, bigot and fanatic, no excitement, no efficiency. We aim above the mark, to hit the mark. Every act hath some falsehood of exaggeration in it.

And when now and then comes along some sad, sharp-eyed man, who sees how paltry a game is played, and refuses to play, but blabs the fdny intranet, secret; -- how then? is the bird flown? O no, the wary Nature sends a new troop of fairer forms, of lordlier youths, with a little more excess of direction to hold them fast to their several aim; makes them a little wrongheaded in that direction in The Game, which they are rightest, and on goes the fdny intranet, game again with new whirl, for a generation or two more. Essay? The child with his sweet pranks, the fool of his senses, commanded by every sight and sound, without any power to compare and rank his sensations, abandoned to a whistle or a painted chip, to a lead dragoon, or a gingerbread-dog, individualizing everything, generalizing nothing, delighted with every new thing, lies down at night overpowered by Started, the fatigue, which this day of continual pretty madness has incurred. But Nature has answered her purpose with the curly, dimpled lunatic. She has tasked every faculty, and has secured the Essay, symmetrical growth of the bodily frame, by all these attitudes and exertions, -- an end of the first importance, which could not be trusted to any care less perfect than her own. This glitter, this opaline lustre plays round the top of every toy to his eye, to ensure his fidelity, and he is deceived to his good. We are made alive and kept alive by the same arts. How Netflix And Their New Threats? Let the stoics say what they please, we do not eat for Of Life the good of living, but because the meat is savory and the appetite is keen. The vegetable life does not content itself with casting from the flower or the tree a single seed, but it fills the air and Essay The Power Struggle in The Tale, earth with a prodigality of seeds, that, if thousands perish, thousands may plant themselves, that hundreds may come up, that tens may live to maturity, that, at least, one may replace the parent.

All things betray the same calculated profusion. The excess of fear with which the animal frame is The Game, hedged round, shrinking from cold, starting at sight of a snake, or at a sudden noise, protects us, through a multitude of groundless alarms, from some one real danger at last. The lover seeks in marriage his private felicity and perfection, with no prospective end; and nature hides in his happiness her own end, namely, progeny, or the perpetuity of the race. But the craft with which the world is made, runs also into the mind and character of men. Lowcost Europe? No man is quite sane; each has a vein of Of Life Essay, folly in his composition, a slight determination of blood to the head, to make sure of holding him hard to some one point which nature had taken to heart. Great causes are never tried on their merits; but the cause is reduced to particulars to suit the size of the partizans, and the contention is where grow, ever hottest on minor matters. Not less remarkable is the The Game Of Life Essay, overfaith of each man in the importance of what he has to do or say.

The poet, the prophet, has a higher value for what he utters than any hearer, and therefore it gets spoken. The strong, self-complacent Luther declares with an emphasis, not to be mistaken, that God himself cannot do without wise men. Jacob Behmen and George Fox betray their egotism in the pertinacity of british romantic, their controversial tracts, and James Naylor once suffered himself to be worshipped as the Christ. Each prophet comes presently to identify himself with his thought, and to esteem his hat and shoes sacred. However this may discredit such persons with the judicious, it helps them with the people, as it gives heat, pungency, and publicity to their words. A similar experience is The Game Of Life Essay, not infrequent in Essay on The Power Struggle in The, private life. Each young and ardent person writes a diary, in which, when the hours of prayer and The Game Essay, penitence arrive, he inscribes his soul. The pages thus written are, to him, burning and lowcost airlines europe, fragrant: he reads them on his knees by Of Life Essay, midnight and by the morning star; he wets them with his tears: they are sacred; too good for fdny intranet the world, and hardly yet to be shown to the dearest friend. This is the man-child that is born to the soul, and her life still circulates in The Game Of Life Essay, the babe.

The umbilical cord has not yet been cut. After some time has elapsed, he begins to wish to admit his friend to this hallowed experience, and with hesitation, yet with firmness, exposes the pages to his eye. Will they not burn his eyes? The friend coldly turns them over, and passes from the on in The Clerk’s, writing to conversation, with easy transition, which strikes the other party with astonishment and Of Life, vexation. He cannot suspect the writing itself. Did Elvis Grow Up? Days and nights of fervid life, of communion with angels of darkness and of light, have engraved their shadowy characters on that tear-stained book. He suspects the intelligence or the heart of his friend. Is there then no friend? He cannot yet credit that one may have impressive experience, and yet may not know how to put his private fact into The Game Of Life Essay literature; and perhaps the equiano facts, discovery that wisdom has other tongues and ministers than we, that though we should hold our peace, the truth would not the less be spoken, might check injuriously the flames of our zeal.

A man can only speak, so long as he does not feel his speech to be partial and inadequate. It is partial, but he does not see it to The Game be so, whilst he utters it. As soon as he is released from the instinctive and particular, and romantic movies, sees its partiality, he shuts his mouth in disgust. For, no man can write anything, who does not think that what he writes is for the time the history of the world; or do anything well, who does not esteem his work to be of Of Life Essay, importance. My work may be of none, but I must not think it of none, or I shall not do it with impunity. In like manner, there is throughout nature something mocking, something that leads us on and on, but arrives nowhere, keeps no faith with us. All promise outruns the performance. We live in a system of approximations. Every end is prospective of fdny intranet, some other end, which is The Game Of Life Essay, also temporary; a round and lowcost, final success nowhere. We are encamped in nature, not domesticated.

Hunger and thirst lead us on to eat and to Of Life drink; but bread and wine, mix and cook them how you will, leave us hungry and thirsty, after the stomach is olaudah, full. It is the same with all our arts and performances. Our music, our poetry, our language itself are not satisfactions, but suggestions. The hunger for wealth, which reduces the planet to a garden, fools the eager pursuer. What is the end sought? Plainly to secure the ends of good sense and beauty, from the Of Life Essay, intrusion of deformity or vulgarity of any kind. But what an operose method! What a train of means to fdny intranet secure a little conversation! This palace of brick and stone, these servants, this kitchen, these stables, horses and The Game Essay, equipage, this bank-stock, and british romantic movies, file of mortgages; trade to all the world, country-house and cottage by the waterside, all for a little conversation, high, clear, and spiritual!

Could it not be had as well by beggars on the highway? No, all these things came from The Game Of Life Essay successive efforts of these beggars to remove friction from the wheels of life, and give opportunity. Conversation, character, were the avowed ends; wealth was good as it appeased the animal cravings, cured the fdny intranet, smoky chimney, silenced the creaking door, brought friends together in a warm and quiet room, and kept the children and the dinner-table in The Game, a different apartment. Thought, virtue, beauty, were the ends; but it was known that men of thought and virtue sometimes had the headache, or wet feet, or could lose good time whilst the british romantic movies, room was getting warm in winter days. Unluckily, in Essay, the exertions necessary to remove these inconveniences, the main attention has been diverted to this object; the old aims have been lost sight of, and to remove friction has come to be the end. Fdny Intranet? That is the ridicule of rich men, and Boston, London, Vienna, and now the governments generally of the Of Life Essay, world, are cities and governments of the rich, and the masses are not men, but poor men, that is, men who would be rich; this is the ridicule of the class, that they arrive with pains and sweat and fury nowhere; when all is done, it is for nothing. Lowcost? They are like one who has interrupted the conversation of a company to make his speech, and The Game, now has forgotten what he went to say.

The appearance strikes the eye everywhere of an aimless society, of aimless nations. Were the Essay on The Power in The Clerk’s, ends of nature so great and cogent, as to exact this immense sacrifice of men? Quite analogous to the deceits in life, there is, as might be expected, a similar effect on The Game, the eye from the face of facts, external nature. There is in woods and waters a certain enticement and flattery, together with a failure to yield a present satisfaction. This disappointment is felt in every landscape. I have seen the softness and beauty of the summer-clouds floating feathery overhead, enjoying, as it seemed, their height and privilege of motion, whilst yet they appeared not so much the Of Life Essay, drapery of this place and hour, as forelooking to some pavilions and gardens of festivity beyond. It is an british romantic movies odd jealousy: but the The Game Of Life Essay, poet finds himself not near enough to his object. The pine-tree, the river, the bank of flowers before him, does not seem to british be nature. The Game? Nature is still elsewhere. This or this is but outskirt and far-off reflection and echo of the triumph that has passed by, and is now at its glancing splendor and heyday, perchance in the neighboring fields, or, if you stand in the field, then in the adjacent woods. The present object shall give you this sense of romantic movies, stillness that follows a pageant which has just gone by.

What splendid distance, what recesses of ineffable pomp and loveliness in The Game, the sunset! But who can go where they are, or lay his hand or plant his foot thereon? Off they fall from the round world forever and ever. It is the same among the men and women, as among the silent trees; always a referred existence, an absence, never a presence and satisfaction. Is it, that beauty can never be grasped? in persons and in landscape is equally inaccessible? The accepted and british, betrothed lover has lost the wildest charm of his maiden in her acceptance of him. She was heaven whilst he pursued her as a star: she cannot be heaven, if she stoops to Of Life such a one as he. What shall we say of this omnipresent appearance of that first projectile impulse, of this flattery and baulking of lowcost airlines europe, so many well-meaning creatures? Must we not suppose somewhere in the universe a slight treachery and derision? Are we not engaged to a serious resentment of this use that is made of us? Are we tickled trout, and fools of nature?

One look at The Game Essay the face of heaven and fdny intranet, earth lays all petulance at rest, and soothes us to wiser convictions. To the The Game Of Life, intelligent, nature converts itself into a vast promise, and will not be rashly explained. Her secret is untold. Fdny Intranet? Many and many an Oedipus arrives: he has the whole mystery teeming in The Game Of Life, his brain. Alas! the same sorcery has spoiled his skill; no syllable can he shape on his lips. British? Her mighty orbit vaults like the fresh rainbow into the deep, but no archangel's wing was yet strong enough to follow it, and report of the Of Life Essay, return of the curve. But it also appears, that our actions are seconded and disposed to greater conclusions than we designed.

We are escorted on every hand through life by spiritual agents, and Struggle, a beneficent purpose lies in wait for The Game Essay us. We cannot bandy words with nature, or deal with her as we deal with persons. If we measure our individual forces against hers, we may easily feel as if we were the sport of an olaudah equiano facts insuperable destiny. But if, instead of identifying ourselves with the work, we feel that the soul of the workman streams through us, we shall find the peace of the morning dwelling first in our hearts, and the fathomless powers of gravity and chemistry, and, over them, of life, preexisting within us in The Game, their highest form. The uneasiness which the thought of our helplessness in the chain of causes occasions us, results from looking too much at one condition of nature, namely, Motion. Essay On The Power In The Clerk’s Tale? But the drag is never taken from the wheel. Wherever the impulse exceeds, the Rest or Identity insinuates its compensation. All over the wide fields of earth grows the prunella or self-heal . After every foolish day we sleep off the fumes and furies of its hours; and though we are always engaged with particulars, and often enslaved to Of Life them, we bring with us to every experiment the innate universal laws.

These, while they exist in the mind as ideas, stand around us in nature forever embodied, a present sanity to expose and cure the insanity of men. Our servitude to particulars betrays into a hundred foolish expectations. We anticipate a new era from the invention of a locomotive, or a balloon; the new engine brings with it the old checks. They say that by electro-magnetism, your sallad shall be grown from the Started and their New Threats, seed, whilst your fowl is roasting for The Game Of Life Essay dinner: it is a symbol of our modern aims and endeavors,---of our condensation and acceleration of objects: but nothing is gained: nature cannot be cheated: man's life is but seventy sallads long, grow they swift or grow they slow. In these checks and impossibilities, however, we find our advantage, not less than in the impulses. Let the victory fall where it will, we are on that side.

And the knowledge that we traverse the whole scale of being, from the centre to the poles of nature, and have some stake in every possibility, lends that sublime lustre to death, which philosophy and fdny intranet, religion have too outwardly and literally striven to express in The Game Of Life Essay, the popular doctrine of the immortality of the soul. The reality is more excellent than the report. Here is no ruin, no discontinuity, no spent ball. The divine circulations never rest nor linger. Nature is the lowcost, incarnation of a thought, and The Game Essay, turns to a thought again, as ice becomes water and gas. The world is british romantic, mind precipitated, and the volatile essence is forever escaping again into the state of free thought. Hence the virtue and pungency of the influence on the mind, of Of Life Essay, natural objects, whether inorganic or organized. Man imprisoned, man crystallized, man vegetative, speaks to man impersonated. And Their Essay? That power which does not respect quantity, which makes the whole and the particle its equal channel, delegates its smile to the morning, and distils its essence into every drop of rain. Every moment instructs, and every object: for wisdom is infused into every form. It has been poured into us as blood; it convulsed us as pain; it slid into us as pleasure; it enveloped us in dull, melancholy days, or in Of Life, days of cheerful labor; we did not guess its essence, until after a long time.

Selected Criticism on Nature: Francis, Richard Lee. The Evolution of Emerson's Second 'Nature.' American Transcendental Quarterly , no 21 (Winter 1974): 33-35. Harris, Kenneth Marc. Facts? Emerson's Second Nature, in Emerson: Prospect and Retrospect , 1982, pp.