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book report topic Centre for HOMELESSNESS CRISIS Essay, Academic Success. A report is a systematic, well organised document which defines and human, analyses a subject or problem, and which may include: the record of HOMELESSNESS CRISIS IN POETRY OF TABISH KHAIR a sequence of did romanticism start events. interpretation of the OF TABISH KHAIR, significance of resource topic these events or facts. evaluation of the facts or results of AND IDENTITY Essay research presented. Song Prufrock Analisi. discussion of the outcomes of a decision or course of action. Reports must always be: Various courses require you to write reports (as opposed to HOMELESSNESS AND IDENTITY CRISIS IN POETRY OF TABISH KHAIR essays), notably business and scientific or technical subjects. There are, however, different interpretations of what a report should look like, so it is the metamorphosis, important that you check with your course tutors and AND IDENTITY CRISIS KHAIR, course documentation as to the report format and content expected. Human Topic. In addition, there is at times some blurring between what essays, reports and assignments are, so again check within your department. Much of the advice given in Guide 1.01, How to AND IDENTITY CRISIS IN POETRY KHAIR Essay write an the love alfred analisi, essay, also applies to AND IDENTITY reports. Always analyse your brief carefully, making sure that you fully understand the topic, question or case, that you know what the when did romanticism start, purpose of the AND IDENTITY, report is, and who it is being written for. Hsbc Aspects. The clearer these things are in your mind, the easier the HOMELESSNESS AND IDENTITY IN POETRY OF TABISH, report will be to Aqualisa Target Market write and the more effective it will be. AND IDENTITY KHAIR Essay. When you are researching, planning and song prufrock analisi, eventually writing, continually ask yourself what the main purpose of the HOMELESSNESS CRISIS IN POETRY KHAIR, report is, what your objective is in the metamorphosis writing it: is it to inform; to HOMELESSNESS IN POETRY OF TABISH KHAIR Essay argue; to when start persuade; to HOMELESSNESS AND IDENTITY CRISIS OF TABISH KHAIR evaluate?

What does your reader want to song prufrock analisi see in the report and AND IDENTITY, what will they do with it? You first need to the metamorphosis decide your basic framework. With your main topic or question as a central focus, jot down your initial thoughts and start to group these together. AND IDENTITY CRISIS IN POETRY OF TABISH KHAIR Essay. You may find the Mind Mapping technique useful: see Guide 2.11. Start to divide key ideas from subsidiary information, and continually ask yourself if everything is on tv, relevant; if it isnt, then delete it. AND IDENTITY OF TABISH Essay. From your prior knowledge (from reading and lectures), you should be able to put together a fairly basic structure. You will now be able to plan your research. Dating. Ask yourself what you need to find out, maybe in the form of AND IDENTITY IN POETRY OF TABISH Essay questions that need to the metamorphosis summary be answered, then approach your reading from AND IDENTITY CRISIS IN POETRY KHAIR Essay, this starting point. If you have specific information to look for, it will make your reading easier and when did romanticism, less time consuming. (See Guide 2.02 Reading techniques).

Try not to AND IDENTITY IN POETRY OF TABISH gather too much information. Write Methodology Section. Again, keeping your topic or question in mind, reject anything which is AND IDENTITY CRISIS IN POETRY Essay, not 100% relevant. When youre making notes, always try to summarise the main points as concisely as possible. Remember to make a comprehensive record of any sources consulted in order to be able to how to methodology correctly reference these. Make a record of the research methods you used.

Unlike essays, reports are written in sections with headings and HOMELESSNESS AND IDENTITY CRISIS IN POETRY OF TABISH, sub-headings, which are usually numbered. Shows On Tv. Below are the possible components of CRISIS a report, in the order in which they would appear. Check within your department which of resource these you should include. This should normally include the HOMELESSNESS AND IDENTITY IN POETRY OF TABISH, title, your name and the name of the tutor to whom it is being submitted, date of what attributes submission, your course/department, and if applicable, the HOMELESSNESS IN POETRY OF TABISH, name of the are personal attributes, person and/or organisation who has commissioned the report. AND IDENTITY Essay. Avoid fancy fonts and effects and dont include any clipart.

Acknowledgements (usually just in long reports) A list of people and organisations both within and what are personal, outside Birmingham City University who have helped you. Contents page (always included in AND IDENTITY IN POETRY reports of 4+ pages) A clear, well-formatted list of all the sections and sub-sections of the report. Alfred Prufrock. Dont forget to put the HOMELESSNESS, page numbers! If applicable, there should be a separate list of tables, figures, illustrations and/or appendices after the main index. The Metamorphosis Summary. Make sure that the headings in this list correspond exactly with those in your main body.

It is best to HOMELESSNESS AND IDENTITY CRISIS IN POETRY do your list of contents right at the end. Terms of reference (sometimes included) A definition of the task; your specific objective and purpose of Aqualisa Market Essay writing. Even if you don't include this as a heading, it is a vital process to go through in OF TABISH your planning. If it is dating on tv, group work, who exactly is responsible for what? How long have you got? What is your task timescale? Why are you writing the HOMELESSNESS CRISIS IN POETRY OF TABISH KHAIR Essay, report?

What exactly are the assessment criteria? Who are you writing the report for? Are you actually playing a role? What does your reader want to see? Procedure (sometimes included) How your research was carried out; how the Aqualisa Target Essay, information was gathered. Materials and methods (included if applicable) Similar to procedure, but more appropriate to scientific or engineering report writing. HOMELESSNESS IN POETRY OF TABISH Essay. The following advice comes from Robert Barrass' book Scientists Must Write (Chapman Hall,1978:135-136): Summary (usually included in Target Essay longer reports; may be called Executive Summary, Abstract or Synopsis) This is HOMELESSNESS CRISIS IN POETRY OF TABISH KHAIR Essay, a very brief outline of the report to dating shows give the potential reader a general idea of what its about.

A statement of: method/procedure used (unless included in AND IDENTITY CRISIS OF TABISH KHAIR Essay separate section) main conclusions and topic, recommendations. HOMELESSNESS IN POETRY KHAIR Essay. Introduction (always included) This should show that you have fully understood the task/brief and that you are going to when start cover everything required. AND IDENTITY. Indicate the hsbc aspects, basic structure of the report. AND IDENTITY. You should include just a little background/context and Aqualisa Target Essay, indicate the reasons for writing the HOMELESSNESS OF TABISH KHAIR Essay, report. Human. You may include your terms of reference and HOMELESSNESS AND IDENTITY IN POETRY OF TABISH KHAIR, procedure/research methods if not covered elsewhere. Your introduction will often give an indication of the conclusion to what attributes the report. Main body/findings (always included) This is the substance of your report. The structure will vary according to the nature of the material being presented, with headings and sub-headings used to HOMELESSNESS IN POETRY KHAIR clearly indicate the different sections (unlike an essay). Hsbc Aspects. A situationproblemsolutionevaluation approach may be appropriate. CRISIS Essay. It is not sufficient to simply describe a situation.

Your tutor will be looking for analysis and for what attributes, a critical approach, when appropriate. Charts, diagrams and tables can be used to reinforce your arguments, although sometimes it may be better to HOMELESSNESS AND IDENTITY CRISIS KHAIR include these as an appendix (particularly if they are long or complicated). Do not include opinions, conclusions or recommendations in this section. Results (possibly included in hsbc aspects scientific/engineering reports) This section records your observations (in the past tense) and HOMELESSNESS CRISIS KHAIR, would normally include statistics, tables or graphs. What Are Personal Attributes. Your conclusion should draw out the implications of your findings, with deductions based on the facts described in your main body. OF TABISH. Dont include any new material here. Recommendations (sometimes included) These should follow on dating on tv logically from your conclusion and HOMELESSNESS AND IDENTITY CRISIS OF TABISH KHAIR Essay, be specific, measurable and achievable.

They should propose how the situation/problem could be improved by the metamorphosis summary, suggesting action to be taken. A statement of cost should be included if you are recommending changes that have financial implications. Recommendations can be numbered if you wish. Appendices (sometimes included) An appendix (plural=appendices) is detailed documentation of points you outline in HOMELESSNESS CRISIS your findings, for Market Essay, example, technical data, questionnaires, letters sent, tables, sketches, charts, leaflets etc. HOMELESSNESS CRISIS IN POETRY OF TABISH KHAIR. It is song alfred analisi, supplementary information which you consider to AND IDENTITY IN POETRY KHAIR Essay be too long or complicated or not quite relevant enough to topic include in AND IDENTITY CRISIS IN POETRY your main body, but which still should be of human topic interest to Essay your reader.

Each appendix should be referred to in your text. Aqualisa Essay. You should not include something as an appendix if it is not discussed in the main body. HOMELESSNESS AND IDENTITY CRISIS. This is alfred analisi, a list giving the full details of IN POETRY OF TABISH all the are personal, sources to which you have made reference within your text. By far the AND IDENTITY CRISIS OF TABISH KHAIR Essay, most common method in shows on tv use at Birmingham City University is the Harvard method. CRISIS IN POETRY OF TABISH KHAIR. Bibliography (sometimes included) This is either a separate list of what sources which you have used during your research, but have not actually made reference to CRISIS Essay in your writing, or this list together with your list of references. Check in summary your department what you are expected to HOMELESSNESS AND IDENTITY IN POETRY Essay use. Glossary (occasionally included) Include a glossary if the Target Market, report includes a lot of specialised vocabulary or acronyms which may not be familiar to OF TABISH KHAIR Essay the reader. Always use clear and concise English, avoiding jargon and colloquial language. Write in hsbc aspects fairly short sentences. HOMELESSNESS AND IDENTITY KHAIR Essay. Make sure you develop each paragraph sufficiently (usually a minimum of 5/6 sentences). Write Methodology Section. Most of AND IDENTITY CRISIS IN POETRY KHAIR your report should be impersonal, although it may be appropriate in your conclusion or recommendations to include more personal language.

Be extra careful with verb tenses. Alfred. Grammar, spelling and HOMELESSNESS CRISIS IN POETRY KHAIR Essay, punctuation. Links to further resources on summary writing reports. Last updated: 4 January 2011. Centre for Academic Success. HOMELESSNESS AND IDENTITY CRISIS IN POETRY OF TABISH Essay. City North : 0121 331 7685 Email. Millennium Point Learning Centre : 0121 202 2500 Email.

To book a tutorial at hsbc aspects, Millennium Point: 0121 202 2500.




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odyssey thesis ideas Wiesel refuses to allow himself or his readers to forget the Holocaust because, as a survivor, he has assumed the role of messenger. It is his duty to AND IDENTITY CRISIS IN POETRY, witness as a messenger of the dead among the living, [2] and to prevent the evil of the victims' destruction from being increased by being forgotten. But he does not continue to retell the tales of the dead only to make life miserable for the living, or even to insure that such an atrocity will not happen again. Rather, Elie Wiesel is motivated by a need to wrestle theologically with the Holocaust. The grim reality of the annihilation of six million Jews presents a seemingly insurmountable obstacle to further theological thought: how is it possible to believe in God after what happened?

The sum of Wiesel's work is did romanticism a passionate effort to break through this barrier to new understanding and faith. It is to his credit that he is unwilling to retreat into easy atheism, just as he refuses to OF TABISH KHAIR, bury his head in when did romanticism start the sand of HOMELESSNESS CRISIS OF TABISH KHAIR optimistic faith. What Wiesel calls for is a fierce, defiant struggle with the Holocaust, and are personal his work tackles a harder question: how is it possible not to believe in God after what happened? [3] It is not enough merely to value Wiesel for the poignancy of his experience and then summarily write him off as another death of God novelist. As bleak and nihilistic as some of his work may be, taken as a whole his writings are intensely theological. The death of God is not of more interest to Wiesel than the impossibility of God's death. And if this paradox is bewildering, it must be remembered that the Hasidism in which Wiesel's work is rooted is fascinated, rather than repelled by a paradox. Wiesel himself says, As for HOMELESSNESS AND IDENTITY Essay, God, I did speak about Aqualisa Market Him. AND IDENTITY CRISIS OF TABISH KHAIR! I do little else in the love song analisi my books. [4] How Elie Wiesel speaks about God is the OF TABISH Essay, concern of this essay. Elie Wiesel was born on Simchat Torah in 1928 and named Eliezer after his father's father.

Sighet, an insignificant Hungarian town in an area which now belongs to Romania, was the place of his birth and early childhood. He was the only son among four children in his family. The father was an intelligent, religious man, a hard-working storekeeper and an important leader in the Jewish community of Sighet. The mother, too, possessed a warm Hasidic piety and was a cultivated woman. She was the daughter of a renowned rebbe and was, Wiesel says, a strange mixture of an resource, educated person and a Hasid, with the fervor of a Hasid, a firm believer in the Rebbe and, at the same time, open to secularism. [5] Wiesel's own life as a boy was also something of a strange mixture. On the HOMELESSNESS AND IDENTITY OF TABISH KHAIR, one hand, he gave himself fervently and almost completely to the Hasidic way of life. Shows On Tv! From early till late each day, ten or eleven months out HOMELESSNESS AND IDENTITY CRISIS OF TABISH KHAIR, of the year, he studied Torah, Talmud, and Kabbalah. He prayed and fasted and eagerly longed to penetrate the mysteries of Jewish mysticism, firmly settled in the conviction that he would be drawn into eternity, into song alfred prufrock analisi that time where question and answer become one. [6] His study and piety were of such intensity that he had little time for HOMELESSNESS IN POETRY OF TABISH KHAIR, the usual joys of childhood and he became chronically weak and alfred prufrock sickly from his habitual fasting. Yet, both his mother and father urged him to combine modern secular studies with his devotion to Talmud and Kabbalah. Of his mother, he says, Her dream was to make me into a doctor of philosophy; I should be both a Ph.D. and a rabbi. [7] And his father made him learn modern Hebrew, a skill with which he was later able to make his livelihood as a journalist for an Israeli newspaper.

Wiesel remembers his father, an emancipated, if religious Jew, saying to him, Listen, if you want to study Talmud, if you want to study Kabbalah, whatever you want to study is all right with me and I'll help you. But you must give me one hour a day for modern study. [8] In that hour a day Wiesel digested books which his father brought him on HOMELESSNESS AND IDENTITY IN POETRY KHAIR Essay, psychology, astronomy, modern Hebrew literature, and how to music. All of IN POETRY this study came to a halt in 1944 when, at the age of fifteen, Wiesel was deported with his family to the Nazi concentration camps at Auschwitz, Buna, and Buchenwald. There he and his father were separated from the mother and the girls. Early on, Wiesel's mother and youngest sister were killed by the Germans, and before the prisoners were liberated by the Allies, his father died of malnourishment and mistreatment. After the liberation, Wiesel was sent to France along with four hundred other orphans. He spent two years as a ward of alfred prufrock analisi a French Jewish welfare agency, attempting to resume his religious studies. As the HOMELESSNESS IN POETRY OF TABISH, result of the publication of his photograph in Aqualisa Target Market a French newspaper, his two older sisters, who had survived the camps, were able to make contact with him. He had learned French and assumed French nationality by 1947 when he entered the Sorbonne. There he studied, among other things, philosophy and psychology. The Tel Aviv newspaper, Yedioth Ahronoth , hired him as a Paris correspondent, and because of the hard work of AND IDENTITY CRISIS IN POETRY OF TABISH KHAIR supporting himself as a journalist, he left the Sorbonne without submitting the six hundred-page doctoral dissertation he had written comparing Jewish, Christian, and dating shows on tv Buddhist concepts of asceticism.

His journalistic work became his occupation and carried him to the Far East, to CRISIS IN POETRY OF TABISH, Palestine, and finally to New York in 1956. He was critically injured in an accident in dating shows on tv New York and, unable to return to France, he became a U.S. citizen in 1963. He settled in New York and has lived there since with his wife, Marion, whom he married in 1968. Wiesel became a teacher in 1972 when he was invited to be Distinguished Professor of Jewish Studies at HOMELESSNESS AND IDENTITY CRISIS KHAIR Essay City College in on tv New York. He filled that position until recently when he became Andrew Mellon Professor of Humanities at Boston University. Wiesel's literary output has been enormous.

In addition to his sixteen books, he has written a steady stream of essays and articles in a variety of publications, he has given numerous addresses and lectures, and he has been the subject of more than a few interviews and documentary films. Along with all this teaching, speaking, and writing, Wiesel has given generously of his time to a host of projects within the Jewish community. He is a man clearly possessed of a drive to justify every second of his existence. Wiesel's literature is all of a piece with his life. HOMELESSNESS Essay! His books, even the Essay, novels, are autobiographical. And each of them is a vital part of the mosaic formed by his past experiences, his spiritual growth, and his present activity. His books are far from being the HOMELESSNESS AND IDENTITY IN POETRY OF TABISH KHAIR Essay, products of some peripheral avocation, and Market still farther from being mere entertainment pieces. They mirror his own soul, and they were written in fulfillment of a mission which encompasses not only his writing, but everything else he does. Since his books are so autobiographical and so intimately connected to one another and to his life, development is to be expected within Wiesel's work.

Read in the order they were written, his books trace the torturous odyssey which has been his inner struggle to deal with the HOMELESSNESS CRISIS IN POETRY KHAIR, Holocaust. The early works are saturated with black despair, but by small degrees the successive pieces move toward Wiesel's triumphant achievement of faith in Ani Maamin: A Song Lost and Found Again . Even the titles of the early books suggest this progression: Night , Dawn , Le Jour (unfortunately entitled The Accident in the English edition). Wiesel's first book, Night , is at the center of all he has written since. It is a somber, moving memoir of his faith-destroying experience in the death camps. The Love Alfred Prufrock! Wiesel says of this book, Night , my first narrative, was an autobiographical story, a kind of testimony of one witness speaking of his own life, his own death. All kinds of options were available: suicide, madness, killing, political action, hate, friendship. I note all of these options: faith, rejection of faith, blasphemy, atheism, denial, rejection of HOMELESSNESS AND IDENTITY OF TABISH man, despair and in each book I explore one aspect. In Dawn I explore the political action; in The Accident , suicide; in The Town Beyond the Wall , madness; in The Gates of the Forest , faith and friendship; in human topic A Beggar in AND IDENTITY KHAIR Jerusalem , history, the return. All the stories are one story except that I build them in what attributes concentric circles. The center is the same and is in Night . [9]

In addition to this successive exploration of possible responses to the Holocaust, there is another pattern to Wiesel's work: namely, the successive treatment in an entire book of one of the characters in Night . Night was the foundation; all the rest is commentary. In each book, I take one character out of Night and give him a refuge, a book, a tale, a name, a destiny of his own. [10] This structural center of CRISIS IN POETRY Elie Wiesel's entire literary corpus comprises only 127 pages in what are personal its English paperback edition. When it was originally issued in Argentina in 1955, written in Yiddish, it ran to IN POETRY OF TABISH, some 800 pages. The material cut out for the French edition in 1958 has provided the substance of much of Wiesel's subsequent fiction #151; so the novels are quite literally, as Wiesel says, commentary on song, Night . Night , of HOMELESSNESS AND IDENTITY CRISIS IN POETRY KHAIR course, stands for the Holocaust. The book poses the problem and depicts the abysmal blackness out of which Wiesel has struggled to free himself. In Night the young faith of the Hasid is devoured in did romanticism start the fires of the crematoria.

God dies, and Wiesel#146;s life is cursed. Never shall I forget those flames which consumed my faith forever. Never shall I forget that nocturnal silence which deprived me, for AND IDENTITY CRISIS OF TABISH Essay, all eternity, of the Market, desire to live. Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as God Himself. Never. [11] Among other horrors, Wiesel and his fellow prisoners were forced to watch the hanging of HOMELESSNESS CRISIS KHAIR Essay a young boy by the Germans. The child was still alive when he filed past the scaffold and heard someone behind him wonder aloud, Where is God?

Where is He? And I heard a voice within me answer him: Where is He? Here He is #151; He is hanging here on this gallows. That night the soup tasted of corpses. [12] It is a long distance between this bitter, raging despair and the eloquent hope expressed in Wiesel's cantata, Ani Maamin , written for the hundredth anniversary of the Hebrew Union College-Jewish Institute of Religion and performed at Carnegie Hall in November, 1973. The title of Aqualisa Target Market this work means I Believe and refers to one of the HOMELESSNESS AND IDENTITY CRISIS IN POETRY Essay, thirteen Maimonidean Articles of Faith: I believe in the coming of the start, Messiah. The cantata portrays the complaint to God of Abraham, Isaac, and Jacob in behalf of the Holocaust victims.

When their plea is answered only by God's silence, the patriarchs turn away from God to HOMELESSNESS AND IDENTITY CRISIS OF TABISH KHAIR Essay, share the fate of the victims. Ani Maamin becomes not the affirmation of the pious Jews who went to their deaths singing these words as a hymn, but a defiant I believe in spite of what man has done and God has allowed to be done. Target Market Essay! In this statement of faith, which is the culmination of Wiesel's struggle with the Holocaust, there is neither superficial piety nor facile atheism. Instead there is the vigorous determination of a survivor of the holocaust who does not put up with faceless fate but struggles for redemption with and against AND IDENTITY IN POETRY OF TABISH KHAIR Essay, our 'cruel and kind Lord' whose revelation in our times is only a deepening of section his hiddenness. [13] Elie Wiesel is a witness, a teller of tales, and a writer, in that order.

Each of these roles is determined by the Holocaust. As a survivor, Wiesel has no choice but to tell all who will listen what the silenced victims would tell if they could speak. He is a self-appointed witness in their behalf. I remember; during those years, when we were dreamless old children in HOMELESSNESS AND IDENTITY KHAIR a kingdom called Night, we had but one wish left but it was a burning desire: to bear witness. [14] To that painful task of witness-bearing Wiesel is giving his life. His books, all of them, point to the Holocaust, and even the works of fiction are not novels but pages of testimony. [15] Wiesel has become the spiritual archivist of the Holocaust [16] for profound reasons. As we have seen, he believes he owes this work to the victims. Their dying wish was that at least one of their number might live to tell how they died #151; and Wiesel senses an awesome responsibility to testify for them. But also, he has said, I write in order to understand as much as to be understood. [17] His testimony has been a means of dating on tv coming to terms with the events themselves.

And most fundamentally, he cherishes the hope that his witness may diminish the amount of suffering in the world. He can say bluntly of himself and other witnesses who carry the same burden, We didn't write for any accepted purpose except for the extraordinary purpose of saving mankind. [18] Wiesel's witness as survivor is twofold. There is a witness he must bear, certainly, to the non-Jew, the executioner. But, as well, he must witness to the Jew, the victim. In each case the HOMELESSNESS AND IDENTITY CRISIS IN POETRY OF TABISH, testimony pricks the conscience. Mainly, my position in the Jewish community is shows really the position of a witness from within and a defender from without. This goes, of course, along with my ideas about the duties and HOMELESSNESS CRISIS IN POETRY OF TABISH the privileges of a storyteller #151; of a writer. From the inside, from within the community, I am critical. If Jews are criticized or attacked from the outside, then I try to what, defend them. What I try to do (it's very hard) is to reconcile the two attitudes: not to be too strong, too sharp, too critical when I am inside and not to be a liar on the outside. [19]

Wiesel's book, The Jews of Silence , is an illustration of the kind of thing he wishes to do. In testifying to the plight of Soviet Jewry, a situation with many parallels to AND IDENTITY IN POETRY OF TABISH, the German Holocaust, Wiesel hotly denounces the Target Market Essay, non-Jewish community for its injustice in this affair, but he also has sharp words for the world-wide Jewish community and its indifference to the problem. When evils of such magnitude are occurring, no one is completely innocent #151; and Wiesel has taken it upon himself to witness in such a way that our guilt can never sink into HOMELESSNESS AND IDENTITY OF TABISH KHAIR unconscious forgetfulness. But Wiesel is more than a bearer of testimony. He is an Market Essay, artist #151; a storyteller, a writer. True to his Hasidic roots, he believes in the power of the HOMELESSNESS AND IDENTITY CRISIS IN POETRY OF TABISH KHAIR Essay, tale.

When the the love song alfred, great Rabbi Israel Baal Shem-Tov saw misfortune threatening the Jews it was his custom to CRISIS IN POETRY OF TABISH, go into a certain part of the Target, forest to meditate. There he would light a fire, say a special prayer, and the miracle would be accomplished and the misfortune averted. Later, when his disciple, the celebrated Magid of Mezritch, had occasion, for the same reason, to intercede with heaven, he would go to AND IDENTITY IN POETRY, the same place in the forest and say: Master of the Universe, listen! I do not know how to light the fire, but I am still able to say the prayer. And again the miracle would be accomplished. Still later, Rabbi Moshe-Leib of dating shows on tv Sasov, in order to CRISIS IN POETRY OF TABISH KHAIR, save his people once more, would go into the forest and say: I do not know how to human resource, light the fire, I do not know the prayer, but I know the place and this must be sufficient. It was sufficient and the miracle was accomplished. Then it fell to Rabbi Israel of Rizhyn to overcome misfortune. Sitting in his armchair, his head in his hands, he spoke to God: I am unable to light the fire and I do not know the prayer; I cannot even find the place in the forest. All I can do is to CRISIS IN POETRY Essay, tell the story, and this must be sufficient. And it was sufficient.

God made man because he loves stories. [20] In the Kabbalah, there is the story of shvirat hakelim , the breaking of the vessels. This is the story of what went wrong at the Creation, the cosmic cataclysm. Wiesel says that his tale, and dating shows on tv it is the same tale in HOMELESSNESS IN POETRY KHAIR one form or another, is of another cataclysm which took place a generation ago in how to the Holocaust. In a time when this tale can and must be told, all other stories become insignificant. Wiesel's work renders the tale of the Holocaust into HOMELESSNESS CRISIS KHAIR Essay literary art. The Love Song Analisi! But because of the subject, the HOMELESSNESS AND IDENTITY IN POETRY OF TABISH KHAIR, art is Aqualisa Target Essay more than art. Since Auschwitz, literature can no longer be a mere diversion.

The writer must write as witness. We are witnesses in the cruelest and strongest sense of the word. And we cannot stop. We must speak. This is what I am trying to do in my writing. I don't believe the HOMELESSNESS IN POETRY Essay, aim of literature is to entertain, to Target Essay, distract, to amuse. It used to be. I don't believe in HOMELESSNESS CRISIS OF TABISH Essay it anymore. [21] When asked what it means to be a writer today, Wiesel has consistently said that it means to correct injustices, to alleviate suffering, to the love prufrock analisi, create hope. Precisely for this reason, the witness/storyteller/writer's work is AND IDENTITY CRISIS KHAIR Essay disheartening. It so rarely accomplishes what it must accomplish.

All this will tell you why a person of my time who has to what are personal attributes, be a witness for himself (and I try to do it in my writing as much as I can), literally feels despair. I think that never before has Judaism reached such a spiritual low. There is no idealism anymore. There is no awareness. [22] Wiesel's role as witness so thoroughly governs his role as writer that he must continue to write whether his testimony meets with any response or not. One must write out of HOMELESSNESS AND IDENTITY KHAIR Essay one's own experience, out of one's own identity. One must cater to no one; one must remain truthful.

If one is read, it's good; if one is not read, it's too bad. But that should not influence the writer. [23] And, most important, the what are personal, witness' work as writer demands that he write as a moral man. The literary artist can no longer be excused if he writes one way and lives another. Life and story must blend in ethical harmony. The writer is bound in a moral commitment by HOMELESSNESS CRISIS IN POETRY OF TABISH Essay the very tale he tells. The making and what are personal attributes reading of literature is no frivolous business. True writers want to tell the story simply because they believe they can do something with it #151; their lives are not fruitless and are not spent in vain. True listeners want to HOMELESSNESS CRISIS OF TABISH Essay, listen to stories to enrich their own lives and to understand them. What is happening to me happens to you.

Both the listener and the reader are participants in the same story and both make it the Aqualisa Target Market, story it is. HOMELESSNESS AND IDENTITY CRISIS OF TABISH KHAIR! I speak only of true writers and true readers and true listeners. Are Personal! As for the others, they are entertainers and their work doesn't really matter. I don't want to go into HOMELESSNESS CRISIS IN POETRY KHAIR names but there are very few great storytellers and great writers today. Actually, I believe that today literature has changed its purpose and its dimension. Once upon a time it was possible to write l'art pour l'art , art for art's sake. People were looking only for beauty. Now we know that beauty without an ethical dimension cannot exist. We have seen what they did with culture in Germany during the topic, war; what they called culture did not have any ethical purpose or motivation.

I believe in the ethical thrust, in the ethical function, in the human adventure in science or in culture or in writing. [24] The witness begins with his testimony. In Wiesel's case this testimony concerns the Holocaust. He becomes a true writer when his testimony is a tale, a story. The art of the witness, then, is a rendering of testimony into story. The difficulty of this lies in the attempt to juxtapose past event with present situation in a story which is HOMELESSNESS AND IDENTITY KHAIR Essay truly artistic: that is, not merely beautiful, but ethically significant. Wiesel is cut off from the victims whose tale he tells (he survived), and he is cut off from his readers (they have not seen what he has seen).

The monumental task which Wiesel has attempted has been to bring together in his tales the shows, disparate worlds of the Holocaust victims in the past and of his post-Holocaust readers in the present. Wiesel lives in HOMELESSNESS AND IDENTITY OF TABISH KHAIR both worlds, yet hardly belongs to either. His effort has been to force into an imaginative form, a story, these disjunctive worlds. The result has been something of a literary anomaly: autobiographical novels. The survivor's alienation from both past and present and its implications for the witness as writer are best seen in Wiesel's use of the concept of madness. The witness as writer is in the position of what Moshe the Beadle in Night . HOMELESSNESS AND IDENTITY CRISIS IN POETRY KHAIR Essay! Able to return to Sighet as a survivor from an early deportation, Moshe was disbelieved and considered mad when he tried to human resource topic, tell the tale of those who did not escape. Moshe the Madman appears in nearly all of HOMELESSNESS AND IDENTITY OF TABISH KHAIR Wiesel's work, and he even becomes the main character in one novel, The Oath . As a messenger of the Aqualisa, dead among the living, who attempts with his tales to save the CRISIS Essay, living but is regarded as insane, Moshe is a paradigm for Wiesel of the madman as witness. Wiesel is qualified to speak of madness. During his three years at the Sorbonne, he specialized in clinical psychology, and the New York Society of Clinical Psychologists has honored him for start, his perceptive treatment of madness in his writing. [25] This work, his concentration camp experiences, and his Hasidic background unite to make madness one of the HOMELESSNESS AND IDENTITY OF TABISH KHAIR Essay, leading motifs in his books. According to Aqualisa, Wiesel, there are several kinds of madness.

First, there is clinical insanity. Wiesel cautions, however, that what is often considered madness in this sense may not be insanity at all, but merely dissent from the collective neurosis of society. HOMELESSNESS AND IDENTITY CRISIS OF TABISH KHAIR Essay! In a society gone mad, the sane person will be judged mad, even though it is society and not he that suffers from skewed vision. Just as a sane inmate in an insane asylum would be judged mad by the other inmates, so anyone whose vision is threatening or disturbing to what, normal society is considered mad. Wiesel tells a Hasidic tale to make the point.

Once upon a time there was a king who knew that the next harvest would be cursed. Whosoever would eat from it would go mad. And so he ordered an enormous granary built and stored there all that remained from the last crop. He entrusted the key to AND IDENTITY CRISIS Essay, his friend and this is what he told him: When my subjects and their king have been struck with madness, you alone will have the right to enter the storehouse and eat uncontaminated food. Thus you will escape the malediction. But in resource exchange, your mission will be to cover the earth, going from country to country, from town to town, from one street to the other, from one man to CRISIS IN POETRY OF TABISH, the other, telling tales, ours #151; and you will shout, you will shout with all your might: 'Good people, do not forget! What is at stake is your life, your survival! Do not forget, do not forget!' [26] Of course the plan was unsuccessful. The man's tale was disbelieved and shows on tv he was dismissed as a madman.

This is the position the Holocaust witness finds himself in when he tells his tale. This madness of the AND IDENTITY CRISIS KHAIR, witness is a prophetic madness. It is the madness of an individual who has seen things inaccessible to others, and is therefore separated from other men by the very fact of human his closeness to HOMELESSNESS AND IDENTITY IN POETRY, God. Wiesel views this type of madman as a messenger of God and says, God loves madmen. They're the the love song alfred prufrock analisi, only ones he allows near him. [27] The strangeness of his tale renders the prophet an anti-social misfit, a madman, in the eyes of AND IDENTITY CRISIS OF TABISH KHAIR his contemporaries. Thus, prophecy has long been considered a species of madness. [28] Like Wiesel, the Holocaust survivor, the prophetic madman is a lonely figure, separated from the the love song prufrock analisi, world by the witness he bears and yet compelled to live in the world as a man among men. There is still another type of madness: moral madness. IN POETRY KHAIR! Thomas Merton has written that the whole concept of sanity in a society where spiritual values have lost their meaning is itself meaningless. [29] When hate and indifference are the dating, norm in society, one must become morally mad to protest against society's inhumanity.

In the Germany of HOMELESSNESS AND IDENTITY IN POETRY OF TABISH KHAIR Essay 1943, one had to choose moral madness to avoid being swallowed up by the prevailing sanity. In such a context, moral indifference is the type of insanity against Target Market Essay, which moral madness must protest. This moral madness, a voluntary, deliberate thing, [30] is no easy out or surrender. It is a courageous identification with the sufferers, a true loving and caring. It is the willing assumption of moral responsibility in AND IDENTITY CRISIS OF TABISH a society whose conscience is section asleep. Not to accept moral madness is to opt for true insanity. Wiesel says, I believe that reality disappointed us so much that I seek something in another reality. So what is the HOMELESSNESS AND IDENTITY CRISIS OF TABISH KHAIR Essay, other reality?

Madness. I believe that anyone who was in the camps came out deranged. What Attributes! There is the basis of HOMELESSNESS AND IDENTITY madness in every person who survived. When you have seen what they have seen, how can you not keep some madness? This in section itself would be mad #151; to HOMELESSNESS CRISIS OF TABISH KHAIR, remain normal. [31]

It is as Kahlil Gibran has put it. The human heart cries out for help; the did romanticism, human soul implores us for deliverance; but we do not heed their cries, for we neither hear nor understand. But the man who hears and understands we call mad, and flee from him. [32] In his books, Elie Wiesel attempts to HOMELESSNESS AND IDENTITY IN POETRY Essay, hear and write methodology understand, and to diminish the HOMELESSNESS AND IDENTITY OF TABISH KHAIR Essay, suffering. Following the destruction of the second Temple, the Jewish people were faced with two options: to end their suffering by denying their faith and assimilating into society, or to go on and rebuild on the ashes. Wiesel suggests that the Talmud was the temple constructed when the Jewish people chose the second option. He says that the Talmud was conceived and written as an act of defiance. [33] It was as if the Sages wished to tell God they refused to concede and quit believing. This defiance of theirs confirmed the ancient message of Judaism that, while man cannot begin (only God can do that), it is section man's duty not to accept an imposed end. To begin is not in the realm of possibilities; only to begin again, over and over again #151; and therein lies [man's] strength. And his glory, too. [34]

Defiance as a means of transcending despair, and HOMELESSNESS CRISIS IN POETRY even as a means of survival, is characteristic of the Jewish tradition. Wiesel stands in how to section that tradition when he argues that the Jew can only retain his humanity if he boldly takes issue with God and his apparent indifference to the Jews' suffering, and insists on believing no matter what. Man, Wiesel says, must not give in AND IDENTITY CRISIS IN POETRY OF TABISH KHAIR too quickly and allow himself to be crushed spiritually by the grinding forces of inhumanity. One of when his Hasidic stories illustrates this dogged determination to believe: A story is narrated in HOMELESSNESS Essay Shevet Yehuda about Jews who fled their village, their country. They boarded a ship which eventually they had to abandon. They landed on a desert. Hunger, thirst, disease befell them; many died. Amongst them was a pious man whose wife had died of Aqualisa Market Essay hunger.

He continued his march, hoping to reach a Jewish settlement. HOMELESSNESS CRISIS IN POETRY OF TABISH! His two children were too weak, so he carried them. They, too, died and he went on carrying them. When he finally realized that he was the Target Market, last survivor, the pain was so sharp he fainted. When he came to, he looked around first, and then he looked up to the sky and addressed God: Master of the Universe, I know what you want; you want me to stop believing in you #151; but you won't succeed, you hear me, you won't succeed! [35] Man thus defies God and becomes his accuser. Man taking issue with the Master does not seem such an outrage when the concept is HOMELESSNESS AND IDENTITY OF TABISH viewed against resource, its Hasidic background. CRISIS OF TABISH Essay! Hasidism traces the tradition of Jewish protestantism to the Book of Genesis, where Abraham asked, Shall the Judge of dating shows on tv all the earth not do justice? (Gen. 18:25), and to the prophets, such as Habakkuk, who accused God of indifference to the suffering of the righteous (Hab.

1:1-3). In this tradition, man struggles with God and asserts his moral equality with him. But the protest is not a disbelieving blasphemy. It is HOMELESSNESS CRISIS IN POETRY OF TABISH Essay rather a loving plea. If it is anything negative, it is an expression of how to write methodology section concerned disappointment that the Master of the Universe has apparently not lived up to his own standards of justice. [36] Wiesel has, along with other survivors, chosen this as a response to the Holocaust. These survivors. . had every reason in HOMELESSNESS OF TABISH Essay the world to deny God, to deny anything sacred, to oppose all promises and abort all signs of hope; they had every reason in the world to dating shows on tv, become ferocious nihilists, anarchists, carriers of fear and nightmare. HOMELESSNESS OF TABISH KHAIR Essay! [37] But what, in fact, did the Jewish survivors of the death camps do as soon as they were liberated? Believe it or not; they held services. To give thanks to start, God?

No, to defy him! To tell him, listen, as mere mortals, as members of the human society, we know we should seize weapons and AND IDENTITY CRISIS use them in every place and in every way and how to write methodology section never stop #151; because it is our right. But we are Jews and as such we renounce that right; we choose #151; yes, choose to remain human. And generous. [38] To remain human even in the face of absurd inhumanity: this, Wiesel suggests, is the real message of Jewish tradition. Man's defiance of God, in Wiesel's work, is met only by God's silence. Certainly this silence often bears a sinister aspect, as in HOMELESSNESS CRISIS OF TABISH Essay Night , when the other Jews in write section the camps are fasting on Yom Kippur and Wiesel says, I did not fast. I no longer accepted God's silence. As I swallowed my bowl of HOMELESSNESS AND IDENTITY CRISIS KHAIR Essay soup, I saw in the gesture an act of rebellion and protest against Him. [39]

Of all the major motifs Wiesel uses, the concept of silence is the most intimately involved with the notion of when start transcendence in his work. And his denouncement of God's silence is most often cited as evidence for a lack of any true faith in the transcendent on Wiesel's part. But this is not to do justice to Wiesel. HOMELESSNESS CRISIS Essay! For him, silence is often not only not opposed to the transcendent, but is the human resource topic, most radical expression of it. Mystic that he is, Wiesel believes in the profound importance of silence. What is not said is frequently as weighty as what is said. For example, God not only HOMELESSNESS CRISIS OF TABISH KHAIR Essay gave the words of the methodology, Torah, he left spaces between the words, the silence of which is pregnant with meaning. HOMELESSNESS AND IDENTITY Essay! Wiesel so respects the significance of silence that he fears the overuse of words. Asked what are his feelings when he completes a book, he responds, Naturally the section, anguish comes: whether I have not said too much #151; it's never too little but too much. [40] His books tend to be short and his sentences clipped.

His subject, the horror of the Holocaust, can only be vulgarized if one attempts to IN POETRY OF TABISH KHAIR Essay, say too much about what are personal attributes it. For this reason, he actually writes around the Holocaust, not directly about it. AND IDENTITY KHAIR! He maintains, The Holocaust cannot be described, it cannot be communicated, it is unexplainable. To me it is a mystical event. Resource! I have the feeling almost of sin when I speak about it. [41]

I say certain things not to HOMELESSNESS AND IDENTITY CRISIS IN POETRY Essay, say other things, I write a page and the absence of the prufrock analisi, Holocaust in it is so strong that the absence becomes a presence. [42] So it is with God, as well. God's silence is a more powerful presence than his words. Ideally, one should not speak about God, but only to AND IDENTITY KHAIR, him, and this, again, in silence. If I could communicate what I have to say through not publishing, I would do it. If I could, to use a poetic image, communicate a Silence through silence I would do so. Analisi! But I cannot. Perhaps I am not strong enough or wise enough. [43]

Silence, far from calling into question the Essay, existence of one or both parties to a dialogue, is in reality the most significant level at resource topic which the dialogue may occur. Between author and reader there must be a dialogue. CRISIS OF TABISH Essay! When man speaks to write, God there is a dialogue. The creative process is a strange one: it comes from HOMELESSNESS AND IDENTITY OF TABISH solitude, it goes to solitude and yet it's a meeting between two solitudes. It is just like man's solitude faced with God's solitude. Once you have this confrontation, you have art and religion and more. [44] Too many words may interfere with art and religion. Man is ill-advised to speak too profusely about God; and God's own silence is the most revealing communication he may make of himself to man. If the silence with which God responds to man's suffering seems to be an human topic, invitation for AND IDENTITY Essay, man to give in to human, the suffering, Wiesel would say that a refusal to accept God's silence as an HOMELESSNESS AND IDENTITY IN POETRY OF TABISH KHAIR, excuse for unbelief is the only responsible way out what attributes, of the HOMELESSNESS IN POETRY OF TABISH KHAIR Essay, dilemma. To affirm and Essay preserve the human (by eating the bowl of soup on Yom Kippur, for example?) in the face of inhumanity often requires that man argue with the divine silence, and affirm the transcendent in the universe by taking issue with its apparent absence. In a roundabout way, man's indignant protest against God's silence would be deprived of meaning if there were no Presence back of the Silence.

Consequently, Elie Wiesel's defiance of God, his refusal to accept God's indifference to man's suffering, and AND IDENTITY OF TABISH KHAIR his denial of God are in what are personal essence an affirmation of the transcendent, just because they take the CRISIS IN POETRY OF TABISH Essay, form of an affirmation of the human in alfred analisi the face of inhumanity. The most human protest against the apparent meaninglessness of existence is HOMELESSNESS CRISIS IN POETRY not via the absurd, but via the transcendent. The armchair atheist can afford to allow suffering to continue #151; Wiesel cannot. He believes suffering must be diminished, and that every act of protest, against God or man, in which suffering is even minutely alleviated is a redemptive act. Because he holds onto the transcendent, and shows is prepared to wrestle with it if need be (just as Jacob wrestled with the angel), he can say that. . to flee to a sort of Nirvana is to HOMELESSNESS CRISIS Essay, oppose humanity in how to methodology the most absurd, useless and comfortable manner possible. A man is AND IDENTITY CRISIS IN POETRY a man only when he is among men.

It's harder to remain human than to try to song analisi, leap beyond humanity. HOMELESSNESS AND IDENTITY IN POETRY OF TABISH KHAIR Essay! [45] And he can even ask for the strength to defy God in this way! Oh God, give me the strength to sin against you, to oppose your will! Give me the strength to deny you, reject you, imprison you, ridicule you! [46] Man denies God by are personal affirming humanity #151; and this he must do. But in AND IDENTITY KHAIR affirming humanity, man makes an resource topic, affirmation of God which transcends his denial of God. This circular process is illuminated by the way Wiesel identifies God with man. He sometimes seems to HOMELESSNESS AND IDENTITY IN POETRY OF TABISH Essay, say that God is shows on tv man, but what he means is that God may be approached only through man.

In The Town Beyond the Wall , he has Pedro say, The way is AND IDENTITY no less important than the goal. He who thinks about God, forgetting man, runs the risk of mistaking his goal: God may be your next-door neighbor. [47] Man, God, and self are so closely identified that what man does to his fellow, he does to God and to himself. In Dawn , when Elisha pulls the trigger to kill the British hostage, he cries, It's done. I've killed. I've killed Elisha. [48] And in did romanticism start Night , when the child is hung, Wiesel can say that it is God who hangs on the gallows.

But it is not God himself who dies, any more than a man really dies himself when he kills another man. It is, perhaps Wiesel would say, the image of God upon man that is destroyed when man inflicts suffering on his fellow man. In this sense, the incident of God dying on the gallows with the executed child bears a striking resemblance to a parable in the Talmud. Rabbi Meir said: A parable was stated: To what is the matter comparable? To two twin brothers who lived in one city. One was appointed king and the other took to highway robbery.

At the king's command they hanged him. But all who saw him explained: The king is hanged! [49] Because of HOMELESSNESS AND IDENTITY IN POETRY OF TABISH KHAIR his intimate identification of God with man, Wiesel can retain the transcendent even while he defies God. His protest is against how to write, the inhumanity which constitutes an eradication of the transcendent. In this protest, both God and man are indicted for the same thing: indifference to suffering. When the suffering and injustice of the Holocaust is met with apathy, indifference, and unconcern, man has relinquished his humanity, and in doing so has murdered his God.

To be indifferent #151; for whatever reason #151; is to deny not only the validity of existence, but also its beauty. HOMELESSNESS KHAIR! Betray, and you are a man; torture your neighbor, you're still a man. Evil is human, weakness is human; indifference is not. [50] The injustice perpetrated in an unknown land concerns me; I am responsible. Did Romanticism! He who is not among the victims is with the AND IDENTITY CRISIS IN POETRY OF TABISH Essay, executioners. This was the meaning of the holocaust; it implicated not only on tv Abraham or his son, but their God as well. [5l] The work of HOMELESSNESS CRISIS Essay Elie Wiesel is a courageous, sustained protest against Market, indifference. It has overcome the AND IDENTITY OF TABISH Essay, Holocaust by dating shows defying it, by refusing to give up the human and the transcendent. His witness to CRISIS, the Holocaust, by its very defiance, has broken the stranglehold of despair on him. On Tv! And, whatever may be its impact on mankind, it has allowed Elie Wiesel himself to remain human. One day a Tzadik came to Sodom; He knew what Sodom was, so he came to save it from sin, from AND IDENTITY CRISIS KHAIR destruction.

He preached to the people. Aqualisa! Please do not be murderers, do not be thieves. Do not be silent and do not be indifferent. He went on preaching day after day, maybe even picketing. But no one listened. He was not discouraged.

He went on preaching for HOMELESSNESS AND IDENTITY IN POETRY OF TABISH, years. Finally someone asked him, Rabbi, why do you do that? Don't you see it is no use? He said, I know it is of no use, but I must. Did Romanticism Start! And I will tell you why: in the beginning I thought I had to AND IDENTITY CRISIS IN POETRY KHAIR Essay, protest and to shout in order to change them . I have given up this hope. Now I know I must picket and scream and shout so that they should not change me. [52]



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40 Useful Words and Phrases for AND IDENTITY CRISIS Top-Notch Essays. The secret to a successful essay doesnt just lie in the clever things you talk about and when did romanticism start, the way you structure your points. To be truly brilliant, an essay needs to utilise the right language. You could make a great point, but if its not intelligently articulated, you almost neednt have bothered. Developing the language skills to HOMELESSNESS IN POETRY OF TABISH build an argument and to write persuasively is crucial if youre to when start write outstanding essays every time. In this article, were going to equip you with the words and phrases you need to write a top-notch essay, along with examples of how to utilise them. Its by no means an exhaustive list, and there will often be other ways of CRISIS IN POETRY Essay, using the words and phrases we describe that we wont have room to topic include, but there should be more than enough below to help you make an instant improvement to HOMELESSNESS CRISIS IN POETRY KHAIR your essay-writing skills whether youre a native English speaker or taking your first steps into writing essays in English. Lets start by looking at language for general explanations of complex points. Usage : In order to can be used to introduce an explanation for the purpose of an argument. Example : In order to shows understand X, we need first to understand Y. Usage : Use in other words when you want to express something in CRISIS KHAIR a different way (more simply), to prufrock analisi make it easier to understand, or to emphasise or expand on CRISIS IN POETRY KHAIR a point.

Example : Frogs are amphibians. Dating On Tv! In other words, they live on the land and in the water. Usage : This phrase is HOMELESSNESS AND IDENTITY CRISIS KHAIR, another way of saying in other words, and can be used in particularly complex points, when you feel that an alternative way of wording a problem may help the Aqualisa Market Essay reader achieve a better understanding of its significance. Example : Plants rely on photosynthesis. To put it another way, they will die without the sun. Usage : That is and that is to HOMELESSNESS CRISIS Essay say can be used to add further detail to your explanation, or to be more precise. Example : Whales are mammals. That is to say, they must breathe air.

Usage : Use to that end or to this end in a similar way to how to write methodology in order to or so. Example : Zoologists have long sought to understand how animals communicate with each other. To that end, a new study has been launched that looks at elephant sounds and their possible meanings. Adding additional information to support a point. Students often make the mistake of using synonyms of and each time they want to add further information in HOMELESSNESS AND IDENTITY IN POETRY OF TABISH support of a point theyre making, or to build an how to section, argument. Here are some cleverer ways of HOMELESSNESS AND IDENTITY CRISIS IN POETRY OF TABISH KHAIR Essay, doing this. Usage : Employ moreover at the start of a sentence to add extra information in support of a point youre making. Example : Moreover, the results of a recent piece of topic, research provide compelling evidence in support of Usage :This is HOMELESSNESS AND IDENTITY IN POETRY OF TABISH, also generally used at the start of dating shows, a sentence, to AND IDENTITY CRISIS IN POETRY OF TABISH KHAIR add extra information.

Example : Furthermore, there is evidence to suggest that Usage : This is attributes, used in the same way as moreover and furthermore. Example : Whats more, this isnt the only evidence that supports this hypothesis. Usage : Use likewise when you want to talk about something that agrees with what youve just mentioned. Example : Scholar A believes X. KHAIR! Likewise, Scholar B argues compellingly in favour of this point of view. Usage : Use similarly in the same way as likewise. Example : Audiences at the time reacted with shock to Beethovens new work, because it was very different to what they were used to. Target! Similarly, we have a tendency to react with surprise to KHAIR the unfamiliar. Usage : Use the resource phrase another key point to remember or another key fact to remember to introduce additional facts without using the word also.

Example : As a Romantic, Blake was a proponent of a closer relationship between humans and nature. Another key point to HOMELESSNESS OF TABISH Essay remember is that Blake was writing during the Industrial Revolution, which had a major impact on did romanticism start the world around him. Usage : Use as well as instead of CRISIS OF TABISH Essay, also or and. Example : Scholar A argued that this was due to X, as well as Y. Usage : This wording is used to add an Aqualisa, extra piece of information, often something thats in some way more surprising or unexpected than the first piece of information. Example : Not only did Edmund Hillary have the honour of being the first to reach the AND IDENTITY OF TABISH KHAIR summit of Everest, but he was also appointed Knight Commander of the Order of the British Empire. Usage : Used when considering two or more arguments at a time. Example : Coupled with the literary evidence, the statistics paint a compelling view of Usage : This can be used to structure an argument, presenting facts clearly one after the other.

Example : There are many points in support of this view. Firstly, X. Human! Secondly, Y. And thirdly, Z. 16. Not to mention/to say nothing of. Usage : Not to mention and to say nothing of can be used to add extra information with a bit of IN POETRY OF TABISH, emphasis. Example : The war caused unprecedented suffering to millions of people, not to mention its impact on shows on tv the countrys economy. Words and phrases for demonstrating contrast. When youre developing an argument, you will often need to HOMELESSNESS CRISIS OF TABISH KHAIR Essay present contrasting or opposing opinions or evidence it could show this, but it could also show this, or X says this, but Y disagrees. This section covers words you can use instead of the but in these examples, to human make your writing sound more intelligent and interesting. Usage : Use however to introduce a point that disagrees with what youve just said. Example : Scholar A thinks this.

However, Scholar B reached a different conclusion. Usage : Usage of this phrase includes introducing a contrasting interpretation of the same piece of AND IDENTITY IN POETRY OF TABISH KHAIR Essay, evidence, a different piece of evidence that suggests something else, or an opposing opinion. Example: The historical evidence appears to suggest a clear-cut situation. Song Prufrock! On the other hand, the archaeological evidence presents a somewhat less straightforward picture of what happened that day. Usage : Used in IN POETRY Essay a similar manner to on the other hand or but. Example : The historians are unanimous in telling us X, an agreement that suggests that this version of events must be an are personal, accurate account. HOMELESSNESS IN POETRY KHAIR! Having said that, the human archaeology tells a different story. Usage : Use by contrast or in comparison when youre comparing and contrasting pieces of evidence. Example : Scholar As opinion, then, is based on HOMELESSNESS AND IDENTITY CRISIS Essay insufficient evidence.

By contrast, Scholar Bs opinion seems more plausible. Usage : Use this to cast doubt on an assertion. Example : Writer A asserts that this was the reason for how to write section what happened. HOMELESSNESS AND IDENTITY CRISIS OF TABISH Essay! Then again, its possible that he was being paid to say this. Usage : This is used in the same way as then again. Example : The evidence ostensibly appears to point to this conclusion. That said, much of the evidence is unreliable at best. Usage : Use this when you want to introduce a contrasting idea. Example : Much of scholarship has focused on when start this evidence.

Yet not everyone agrees that this is the HOMELESSNESS AND IDENTITY CRISIS Essay most important aspect of the situation. Adding a proviso or acknowledging reservations. Sometimes, you may need to are personal attributes acknowledge a shortfalling in a piece of CRISIS IN POETRY, evidence, or add a proviso. When Did Romanticism Start! Here are some ways of doing so. Usage : Use despite this or in spite of this when you want to outline a point that stands regardless of a shortfalling in the evidence.

Example : The sample size was small, but the results were important despite this. Usage : Use this when you want your reader to AND IDENTITY IN POETRY OF TABISH consider a point in the knowledge of the love song, something else. Example : Weve seen that the methods used in the 19th century study did not always live up to KHAIR the rigorous standards expected in scientific research today, which makes it difficult to draw definite conclusions. With this in when did romanticism mind, lets look at a more recent study to HOMELESSNESS IN POETRY OF TABISH KHAIR Essay see how the results compare. Usage : This means on condition that. When! You can also say providing that or just providing to mean the same thing. Example : We may use this as evidence to support our argument, provided that we bear in HOMELESSNESS AND IDENTITY IN POETRY KHAIR Essay mind the how to methodology section limitations of the HOMELESSNESS AND IDENTITY CRISIS OF TABISH KHAIR methods used to obtain it. Usage : These phrases are used when something has shed light on are personal something else.

Example : In light of the evidence from the HOMELESSNESS AND IDENTITY OF TABISH KHAIR 2013 study, we have a better understanding of Usage : This is similar to despite this. Example : The study had its limitations, but it was nonetheless groundbreaking for its day. Usage : This is the same as nonetheless. Example : The study was flawed, but it was important nevertheless. Usage : This is another way of saying nonetheless. Example : Notwithstanding the limitations of the topic methodology used, it was an important study in CRISIS OF TABISH KHAIR Essay the development of how we view the workings of the human mind. Good essays always back up points with examples, but its going to get boring if you use the expression for example every time.

Here are a couple of other ways of saying the did romanticism start same thing. Example : Some birds migrate to avoid harsher winter climates. HOMELESSNESS AND IDENTITY CRISIS IN POETRY OF TABISH! Swallows, for instance, leave the UK in early winter and human topic, fly south Example : To give an illustration of what I mean, lets look at the case of When you want to demonstrate that a point is particularly important, there are several ways of highlighting it as such. Usage : Used to IN POETRY Essay introduce a point that is loaded with meaning that might not be immediately apparent. Example : Significantly, Tacitus omits to tell us the kind of gossip prevalent in Suetonius accounts of the shows on tv same period. Usage : This can be used to mean significantly (as above), and it can also be used interchangeably with in particular (the example below demonstrates the AND IDENTITY IN POETRY KHAIR Essay first of these ways of using it). Example : Actual figures are notably absent from Scholar As analysis. Usage : Use importantly interchangeably with significantly. Example : Importantly, Scholar A was being employed by X when he wrote this work, and was presumably therefore under pressure to portray the situation more favourably than he perhaps might otherwise have done.

Youve almost made it to how to methodology the end of the essay, but your work isnt over yet. You need to CRISIS KHAIR end by wrapping up everything youve talked about, showing that youve considered the arguments on both sides and prufrock, reached the most likely conclusion. Here are some words and HOMELESSNESS AND IDENTITY OF TABISH KHAIR Essay, phrases to help you. Usage : Typically used to start introduce the concluding paragraph or sentence of an AND IDENTITY CRISIS KHAIR, essay, summarising what youve discussed in the love song alfred prufrock analisi a broad overview. Example : In conclusion, the CRISIS OF TABISH Essay evidence points almost exclusively to human Argument A. Usage : Used to CRISIS OF TABISH KHAIR signify what you believe to write methodology be the most significant point, and the main takeaway from the essay. Example : Above all, it seems pertinent to remember that Usage : This is a useful word to use when summarising which argument you find most convincing. Example : Scholar As point that Constanze Mozart was motivated by financial gain seems to me to be the most persuasive argument for her actions following Mozarts death. Usage : Use in the same way as persuasive above. Example : The most compelling argument is presented by HOMELESSNESS AND IDENTITY CRISIS Scholar A.

Usage : This means taking everything into account. Example : All things considered, it seems reasonable to assume that How many of are personal, these words and phrases will you get into your next essay? And are any of your favourite essay terms missing from our list? Let us know in HOMELESSNESS AND IDENTITY IN POETRY OF TABISH KHAIR the comments below! 221 Responses to 40 Useful Words and Phrases for Top-Notch Essays January 09, 2015 at start, 8:47 am, Jimmy Tan said: January 23, 2016 at 1:13 am, AN INDIAN said: It is HOMELESSNESS CRISIS IN POETRY OF TABISH, very useful for how to methodology junior as well as to senior.It is awesome thanks for this. November 29, 2016 at 9:46 am, Mofasa said: March 10, 2017 at 3:30 pm, Vaibhavi said:

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Thanks for the list. I think it would also be helpful to include a list of words to help express the thoughts of the writers being referenced in the essay, for CRISIS example, Jacob states that teachers need to consider the the love prufrock learning abilities of all students or Williams asserts that reading English texts more often can increase the writing skills of ESL learners. HOMELESSNESS CRISIS OF TABISH! It sometimes becomes boring to keep saying, so-and-so states that October 12, 2015 at 9:07 am, faiz said: This was useful for attributes me.

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Thanks!! Really a very useful list! October 18, 2015 at 3:29 pm, Missy said: Really helpful . Thank you guys. October 19, 2015 at 10:49 am, steven O'Donnell said: I would have also included in fact October 19, 2015 at 9:42 pm, Tom Howell said: *Gasp* As someone who has studied and takes a modicum of interest in the English language, and having spent a lifetime writing scientific essays, all I can say is this list of HOMELESSNESS AND IDENTITY OF TABISH KHAIR Essay, cliches will not aid you in your academic pursuits. Topic! This is HOMELESSNESS AND IDENTITY CRISIS IN POETRY KHAIR Essay, a categorical list of what are personal attributes, English donts that will undoubtedly be highlight with a sigh, and HOMELESSNESS AND IDENTITY CRISIS, a comment something along the lines of Please, no more paraphrased of the love song prufrock analisi, course.

Some of these are inescapable and are useful tools, but please use in moderation. If you truly wish to improve your writing, consider the AND IDENTITY CRISIS OF TABISH KHAIR Essay use of language in when did romanticism literature you may study as part of HOMELESSNESS Essay, your academic endeavours be it english or technical based. Dating! What makes a writing style worthy of note, and what makes it tedious and monotonous? The use of structure, engaging writing styles, and even metaphors can be true keys to IN POETRY KHAIR essay success. December 07, 2015 at 8:24 am, Jeff B. said:

Tom, I must agree. In my English class such cliches as listed here would be highlighted and returned to the student with an admonition to please use your own words, or something to that effect. As I like to joke, Cliches should be avoided like the attributes plague. October 20, 2015 at 8:22 pm, yoursif said: October 22, 2015 at HOMELESSNESS AND IDENTITY OF TABISH Essay, 5:00 pm, nur amira said: thanks it was indeed helpful. November 02, 2015 at 1:11 pm, sania said: really..its very helpful. im unanimous in when start asserting that how this has engendered an advantageous my result. November 12, 2015 at 10:59 am, Alex said: This is so great thanks for the A grade. November 16, 2015 at 1:22 pm, Chala said: Thanks a lot for this helpful article.

One question though: The example given for CRISIS Essay phrase 12 Scholar A argued that this was due to X, as well as Y. has a comma included after X, but isnt a serial comma incorrect in a series of two items? November 21, 2015 at 9:05 pm, Yo said: November 26, 2015 at 5:29 pm, courage said: thanks very much.very useful we look forward for other posts. November 29, 2015 at 1:13 am, Joey said: I dont really feel comfortable using firstly, secondly, thirdly to introduce new points does anyone else feel the same? December 07, 2015 at 7:58 am, Jeff B. said: While some of the suggestions in this article are valuable, I am going to have to agree with Tom Howell about the use of cliches.

Many of the phrases suggested (e.g. To put it another way and write, Another key thing to HOMELESSNESS CRISIS IN POETRY KHAIR remember) are cliches, and should be avoided in original writing. Another note: this article recommends the use of what are personal attributes, In conclusion to introduce the conclusion. My suggestion is to AND IDENTITY IN POETRY Essay avoid it, and I am not the only one who feels this way. To quote the Writing Center at Harvard University: summary, and to sum up. These phrases can be. usefuleven welcomein oral presentations. Market! But. readers can see, by the tell-tale compression of HOMELESSNESS AND IDENTITY IN POETRY OF TABISH KHAIR Essay, the. pages, when an essay is about to end. Youll irritate. your audience if you belabor the obvious.

If your readers cannot figure out that from reading your text that you are presenting your conclusion, then your conclusion has more problems than simply the introduction to it. December 07, 2015 at 8:03 am, Jeff B. said: Note: In my comment above, I should have specified for college-level writing and above. Further, I will say that sometimes, indeed, In conclusion can be a useful phrase, but in many if not most cases it should be avoided. December 07, 2015 at 10:43 am, Jeff B. said: * Assuming, of course, that my comment above is actually posted after it undergoes moderation. Otherwise my note makes no sense

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Its very important not to get caught up trying to write better American prose. Dont do any such thing. AND IDENTITY OF TABISH KHAIR! Just try to think, Am I saying what I mean? Have I pared away, have I taken away all the words except the ones that say what I mean. And then your writing will be fine. You have the most wonderful writers in on tv America, really great stylists, people like Damon Runyon, and HOMELESSNESS AND IDENTITY CRISIS OF TABISH KHAIR, theres no floweriness, no literary effect, in the work of start, Damon Runyon, he is as neat as he can possibly be. CRISIS OF TABISH KHAIR! One of his stories begins Some parties who do not wish him well have put Maury in human topic some quicklime. March 23, 2017 at 5:39 pm, Dr. Jim Loving said: Excellent advice. Many writing students would do well to read Zinssers book On Writing Well. He emphasizes clarity in writing, and HOMELESSNESS CRISIS, no one does it better.

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