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nihilist resume Regeneration through Creativity – The Frontier in sites Paul Auster's Moon Palace. In his novel Moon Palace (1989) Paul Auster uses a variety of different frontier-like settings. He especially contrasts the original frontier of the American Midwest and It Selfish a Big, West, with urban settings that show characteristics of the sites, frontier. While the protagonists in the novel can experience a creative act that can trigger a regeneration or rebirth at Perceptions of Computer Use in Essay the original frontier, the urban settings do not offer the opportunity for such a regeneration. Sites? Therefore, the aim of this article will be to show the differences between the on Is It Selfish to Have Family?, urban settings and the frontier of the Amercian West as they are portrayed in the novel. Furthermore it will be discussed what is necessary for a character in Auster's novel to construction go through this regeneration through creativity. Paul Auster's novel Moon Palace (1989) is divided into three major parts, each telling the life story of one of three men, Marco Stanley Fogg, Thomas Effing, and Solomon Barber.

As the plot proceeds it is revealed that Effing is the of darkness, father of Barber and also Marco's grandfather. Sites? Thus a genealogy between the three is established. Their individual life stories resemble each other so much, and they are so deeply interwoven with each other, that Martin Klepper, for History, instance, talks about a threefold repetition of plot (Klepper 1996: 297). Beside the genealogy that is gradually established, the major link between the three plots of Moon Palace is the great significance of the American West, and the frontier for sites, all three protagonists. They all find themselves at the geographic location of the historic frontier at some point in of darkness the novel: Thomas Effing's life story is based on his experiences in Utah; at the end of the novel Marco Stanley Fogg travels to the frontier himself, walking several hundred miles from construction sites Lake Powell to the Pacific Coast; Solomon Barber teaches at various colleges in It Selfish the Midwest. It would be wrong however, to sites assume that the American West is the only frontier setting within the novel. Every major character is faced with his own personal, frontier-like setting that forces him to evolve into a 20th century version of the traditional frontiersman. Like the original frontier of the American West, such frontier-like settings challenge traditional forms of authority and require the a Big Family?, characters to adapt to construction hostile circumstances with determination and herzberg's motivational theory, resourcefulness. In doing so, a unique mixture of construction sites individualism is prompted, causing on dating occasion isolation or and construction, sometimes requiring cooperation with strangers.

So when Marco is driven out of his apartment he moves to Central Park, which, as will be shown, can be read as an Urban Frontier. 1 Solomon Barber roams the American Midwest in pursuit of on tv professional success and having failed at this, he retreats into his own obese body. Significantly the construction sites, plot of the novel is set in the 1960s, in which John F. Kennedy had announced a 'New Frontier.' All these different frontier settings are united in about History the novel by the moon as common symbolism. Construction Sites? The moon keeps reappearing in the novel, both as physical appearance in the sky and within the dating shows on tv, language and names used throughout the whole text: Several critics have commented on the use of moon symbolism in Moon Palace and there are many different interpretations offered.

The moon, according to Andrew Addy for example, is a metaphor for the mind, and for construction, our darker nature (Addy 1996: 160). Sven Birkerts suggests that the moon appears frequently in heart order to place everything under the aspect of fancy and madness (lunacy) (Birkerts 1992: 197), Christian Berkemeier sees it as a symbol of nondeterminability (Berkemeier 2002: 149) and William Dow even claims that the symbol of the sites, moon only appears randomly (Dow 1996: 197). The most convincing interpretation however, is that argued for by Heinz Ickstadt. He regards the moon as a unifying symbol that embraces the variety of plots within the novel. Herzberg's? Together with the plots it also unites the construction sites, different frontier settings and brings them together under the metaphor of a greater, final frontier that embodies all desires and Essay It Selfish Family?, dreams, and triggers creativity and imagination (Ickstadt 1998: 196). So the moon, and the restaurant Moon Palace, which can be read as the earthly representation of the moon, bring together the various frontiers in only one symbol: In this article some of the frontier settings that the characters in Moon Palace experience will be discussed and set into relation to each other. In the first part these settings will be described and their specific representation of the frontier will be discussed. The emphasis here will naturally be on those frontier settings experienced by the protagonists, Marco Stanley Fogg and Thomas Effing. Construction Sites? In a second part the results of the analysis of the frontier settings will be used to work out the regenerating force of each of these different frontiers.

In doing this they will also be compared to Essay about History Nevada each other in order to sites explain why some of the settings have a regenerating effect on the characters and why others do not. 2 The Mythic Frontier: Thomas Effing in Utah. Effing claims that he used to socialize with the artists of the about A Brief, Hudson River School, a group of American painters that specialized in portraying the wilderness landscapes of the sites, Amercian West. With his connection to this group Effing creates a context of myths and legends concerning the shows, American West. Construction? In particular Effing refers to A Brief three painters of this school: Thomas Cole, Ralph Blakelock and Thomas Moran. When Marco moves into his room in Effing's apartment he finds only one picture in construction it, a large etching in Use in a black varnished frame that depicted a mythological scene crowded with human figures and a plethora of architectural details ( MP : 108).

Together with his comment that it is a panel of Thomas Coles The Course of Empire series, this picture can easily be identified as the third painting of the series, called The Consummation of construction Empire . The painting shows the empire at the climax of its power and wealth, a classical city basking in the fullness of its prosperity (Flexner 1962: 51). The whole series however, depicts the rise and fall of an empire from the savage state through its greatest wealth and power to destruction and Essay It Selfish to Have Family?, desolation. Taken out of the context of the whole series, the picture shows the promises of sites wealth the frontier seemed to offer without the dooming fall and destruction. Thus, the picture can foreshadow Effing's enlightening experiences at the frontier and give a possible interpretation of Marco's desolating experiences in Central Park at the same time. Taken alone, it predicts the Essay about of Rachel Nevada, mythological dimension of sites Effing's narration, but within the context of the whole series it already alludes to what has to be the consequence of the of darkness film, conquest of civilization and of the wealth and prosperity that come along with it: the decadence and the decline of the.

empire and of civilization as such. This foreshadowed decline of the empire will be important for the interpretation of construction sites Marco's experiences in Urban Frontier of about A Brief History Nevada Central Park before he came to work for Effing. Before Effing is willing to tell his story he instructs Marco to closely study another painting, Moonlight by Ralph Blakelock ( MP : 133ff). Again, this picture not only functions as support for the mythological dimension of Effing's story, but also plays an important role for the description of frontier settings in the novel as a whole. The elaborate scene in which Marco travels to the Brooklyn Museum to see the picture, and his detailed description of it are at construction the ideological center of Moon Palace (Weissenburger 1994: 75). Moonlight shows a peaceful and pastoral scene, in which Native Americans seem to The Two Essay be in perfect harmony with the landscape: I was only guessing, of course, but it struck me that Blakelock was painting an construction sites, American idyll, the world the Indians had inhabited before the white man came to destroy it ( MP : 139). But again , there is more to the painting than only the idyllic pastoral scene: Perhaps, I thought to myself, this picture was meant to stand for everything we had lost.

It was not a landscape, it was a memorial, a death song for a vanished world ( MP : 139). So Moonlight , like Consummation of theory Empire depicts an idyllic scene at first sight. The two pictures together show the two major promises of the frontier: wealth and harmony with nature. But both pictures also predict the transitoriness of these promises. While with Moonlight it is Marco who comes to this conclusion, it seems as if Effing is aware of it as well, if only in construction sites hindsight. On the one hand he wants Marco to study the Blakelock painting to understand the transitoriness of the frontier myths, on the other, he confesses that another painter had a greater influence on him when he was young. He refers to Thomas Moran as the person who convinced him of taking the The Two Perceptions of Computer Use in, trip to sites the frontier (cf.

MP : 141). At the same time however, he now regards Moran and his followers as the shows on tv, major representatives of the philosophy of Manifest Destiny, which is the main reason for the destruction of the pastoral idyll: Unlike Cole's and construction sites, Blakelock's pictures, Moran's paintings do not suggest the heart, threat of civilization for the wilderness of the frontier. He forthrightly declared his principles to be idealistic, not realistic [. ] (Yaeger 1996: 71). So Effing's preoccupation with the sites, Blakelock painting and Perceptions Architecture Essay, his refusal to tell his story before Marco has seen it, shows that he is now aware of the transitoriness of the idyllic, mythological frontier his tale is about. He also wants Marco to understand that.

as well. But at the same time the confession that it was Moran who made him visit the frontier in the first place shows the idealistic, or rather ideological and construction, mythological dimension of his experiences in Utah. 2. These legendary landscapes, which he knew in The Two Perceptions theory from Morans paintings, are encountered by Effing as soon as he arrives in the desert of Utah. The vast open spaces overwhelm Effing and leave him with an existential fear of losing himself: At the American frontier Effing is confronted with the 'sublime,' a force of feeling brought about by a natural phenomenon that is so powerful in its infinity that it is both terrifying and fascinating at the same time. For the time being, Effing cannot handle the experience of the sublime, he is not able to paint or draw any pictures, as he is construction so overpowered. While the landscape such is described in the novel as a mythic place, the action that unfolds in this landscape is obviously based on the legends and of darkness film, stereotypes concerning the American frontier, just as they might be found in construction sites a dime novel or a Wild West movie. The Two Perceptions Use In Architecture? All the characters Effing meets and their behavior are clichÈ-like figures of greenhorns, frontiersmen and outlaws: Upon his arrival in Salt Lake City Effing calls himself a rich greenhorn from back East. Construction Sites? Their guide through the shows on tv, desert, Jack Scoresby, is described as a former cavalary soldier, who knew the territory well, he knew it as well as anyone else we could find ( MP : 152f). Scoresby turns out to be a hard-boiled frontiersman, who does not understand Effing's ambitions to paint and who is unsympathetic to Byrne, Effing's companion, who is severely injured after falling down a steep cliff.

Not hesitating to shoot Byrne (just like he shot a horse with a broken bone only construction sites, moments before), Scoresby simply leaves Effing and Byrne behind as Effing has refused to let him kill Byrne and also did not agree to leave him by himself (cf. Common Currency? MP : 158f). This behavior marks Scoresby as the stereotypical frontiersman, who knows the ways of the wilderness but in his behavior is crude and uncivilized. His acts, though incomprehensible for Effing, are based on a certain way of living, and refer to their own codes. This behavior is construction sites typical for of Rachel Nevada, most frontier characters in construction sites Western movies, whether they are cowboys, marshals, or social outcasts (cf. Belton 1994: 221). They all left the codes of civilization behind to follow a new way of common currency life that has its own codes of honor and conduct. This comes as a necessity in order to be able to construction survive in an unexplored and possibly dangerous and harmful surrounding like the frontier. It is here that Effing learns that nothing is of Computer Use in Architecture ever certain and that you must never take anything for granted ( MP : 111).

No less stereotypical is the construction sites, description of the Gresham brothers, the band of criminals that Effing has to confront in the cave some time after Byrnes death. They are described as unscrupulous outlaw, who did not hesitate to kill the hermit (the original resident of Effing's cave) whilst he was sleeping. Their only actions in the novel, beside the murder, consist of playing cards and heavy drinking (cf. MP : 178). Stereotypically outlaws in Wild West movies have a hideout somewhere in the wilderness, and for the Gresham brothers this hideout is Effing's cave. In a shoot-out, in some aspects similar to the great showdown at the end of heart a Western movie, Effing is finally able to sites kill all three outlaws and takes their loot, obviously gained from a stagecoach robbery, a typical crime for any stereotypical Wild West outlaw (cf. MP : 180f). The plot of of darkness Effing's narration is significantly driven onwards by these acts of violence. Construction? Without Byrnes death, Effing would never find the cave, without Effing's murder of the common currency, Gresham brothers and the fortune he gains from it he would never be able to return to civilization (cf. Weissenburger 1994: 76).

The importance of violence for sites, Effing's tale seems to go along with Richard Slotkins theory of regeneration through violence as an important part of American mythological narrative structures (cf. Common Currency? Slotkin 1973: 179). Construction? But in fact Effing is not so much regenerated by these acts of violence as he is dating shows de-mythicized. Construction Sites? Only Byrnes death helps Effing overcome the petrifaction he had suffered from common currency since his confrontation with the sites, sublime. In the cave Effing starts to paint again, more creative and common currency, more passionate than ever before.

After the second act of violence he is sites able to leave the heart film, mythic frontier for good. While violence and sites, shoot-outs are important parts of the legends established by Wild West dime novels and movies, the way these action are described in Moon Palace differ significantly from these other stories, where violence often has a heroic and purifying dimension. When Effing approaches the cave to face the Gresham brothers he is far from the stereotypical fearless gunfighter, and even one of the outlaws starts to cry when he is faced with his own death (cf. MP : 180). As Andrew Addy argues: This solipsism therefore helps Effing overcome the feeling of existential loss he had experienced facing the sublime in the frontier landscape. Common Currency? If the construction sites, violence is not part of the actual myth however, but instead a means of Effing's inner development, it can also explain why both Scoresby and Effing get away with their violent actions without being held responsible for them. Common Currency? Auster makes use of the stereotypical absence of conventional authority structures at sites the frontier to establish. a meta-realistic dimension of authority.

Effing's deeds are not pursued by legal authorities. Instead, when his spine breaks as he is mugged much later in the streets of The Two Perceptions Use in Architecture San Francisco, he regards this as a punishment brought upon him by construction, destiny and motivational, as a redemption from the sins he has committed: He had been punished, and because the sites, punishment was a terrible one, he was no longer obligated to punish himself ( MP : 198). In his description of his frontier experience in the desert of Utah, Effing moves from a very mythicized, legendary narration, to an account that is more detached from the traditional myths and legends but that is common currency still no more realistic. The story of his adventures in the cave can rather be seen as a parable for the regeneration process Effing goes through at the frontier. The question thus, is construction not whether Effing is telling the truth within the fictional construct of the novel, but rather what meanings Effing is trying to convey with his narration, as Marco finds out: In that way Marco questions the common currency, truth of Effing's narration several times in the novel (cf. MP : 183 and construction sites, 276).

Even though it is told as an authentic life story, there is enough doubt left to define it as part of the myths, and on Is to Have a Big Family?, legends, of the frontier. During his time in the cave, Effing experiences a rebirth in a creative outburst. However, the question of if, and how regeneration is possible for Effing through his creativity needs to be discussed in comparison with Marco Foggs story and his individual frontier experiences. 3 The Urban Frontier: Marco Stanley Fogg in New York City. Thus, Marco's identity as the prototypical explorer or pioneer is already established throughout the first pages of the construction, novel.

His name proved that travel was in my blood, that life would carry me to places where no man had ever been before ( MP : 6). Indeed, Marco's story is his quest for his identity, which turns out to be an on Is It Selfish to Have a Big Family?, exploration of his obscure genealogy. This is the quest that serves as a motivation for sites, the unfolding of the narrative. Any other search in the novel, while most of the time starting as a characters attempt to escape a desperate situation, turns out as a variation of this quest for heart of darkness film, identity and genealogy: Marco's struggle to come to terms with his financial problems on his own, forces him to construction live rough as a homeless person in Central Park. Desperate to learn from this first mistake and to find his place in the world he tries to turn into an altruist, which he claims to be his motivation in taking the position as Effing's assistant: At the end of the common currency, novel, Effing will turn out to be his grandfather. Marco's job with him serves as the narrative framework to construction sites Effing's story, which portrays Effing's search for identity. It eventually leads to the introduction of Solomon Barber, who will turn out to be Marco's father. Barber's adolescent novel Kepler's Blood itself is just the quest of a young boy for his own origin and genealogy. Shows? Later, Barber persuades Marco to join him for an expedition to construction sites search Effing's cave which again is Barbers search for his lost father.

This search helps Marco find a new identity after his relationship with Kitty has failed, and eventually he learns about the link between Effing, Barber and himself on this journey. So the development of the genealogy from Effing to Marco is closely linked to a similar ongoing search for The Two Perceptions Architecture, identity on part of the three protagonists. This search takes Marco through different frontier settings, which accounts for the allusions to construction sites pioneers and explorers in his name. Furthermore, when Marco decides to replace his first name and his middle name by their initials, M.S., his uncle Victor mentions that these initials also stand for manuscript: Every man is the of Computer Use in, author of construction his own life [. ]. The book you are writing is not yet finished. Therefore, its a manuscript ( MP : 7). Bernd Herzogenrath argues that this connection suggests a link to the American Dream, describing Marco in terms of the American myth of the 'self-made man' who is symbolically writing his own story (Herzogenrath 1999: 126). Thus Marco's name is an allusion to his quest for Perceptions of Computer Use in Architecture Essay, identity as much as it links him with all the explorers and pioneers of history, including those who have conquered the sites, wilderness of the American West. The frontier situations Marco encounters increase significantly in the effect they have upon him. They also reflect the traditional American paradigm of the Midwest as location of of Computer Use in Architecture Essay innocence and construction, childhood, the East as the location of experience, and finally the West as the common currency, place of a new beginning (Berkemeier 2002: 149).

The first are imaginative frontiers, mental spaces that he is exploring. Growing up. in a time in which there are no more wildernesses to construction be conquered and no more unexplored spaces to be pioneered, Marco has to heart of darkness film turn to mental spaces he can discover. Even as a child he and his uncle invent and explore imaginary worlds as a refuge from real life: This escape into a frontier of imagination is repeated after Uncle Victor dies. To mourn him, Marco decides to read all the construction sites, books he has inherited from Victor. Marc Chénetier argues that Victors book-buying parallels the course of about A Brief History Nevada western expansion, but it is also Marco whose reading process mirrors a journey to a frontier (Chénetier 1996: 118). All in all there are 1492 volumes, a number that evokes the memory of Columbus discovery of construction sites Amercia ( MP : 13). Marco reads the books in the order he takes them out of the of darkness film, boxes Victor has sent to construction sites him. In so far he commits himself to an order that has been imposed on It Selfish a Big Family? him by his uncle. However, the order in which he opens the boxes is an sites, arbitrary one.

Thus it is Marco's own expedition into his uncles mental space: To overcome his financial needs, Marco sells the books after he has read them. The Two Architecture Essay? But because he had used the boxes with the books as his furniture, the interior of his apartment vanishes bit by bit in this process (cf. MP : 23). Thus the consequences of Marco's reading have a spatial dimension, which supports the aspect of the pioneering movement into the mental frontier he is involved with. Sites? The further his way leads him into this frontier, the less traits of civilization his apartment shows until nothing is left. However, those two imaginary frontiers Marco encounters are merely a foreshadowing of common currency his experiences in Central Park and sites, of his quest in the West later in the novel. Their main purpose, thus, is to characterize Marco as a pioneer character.

It is not only his name and the fact that he encounters several frontier situations, that make Marco a pioneer. He also shows several characteristic traits of a frontiersman. When he learns that his monetary funds are almost exhausted, he devises a plan that maintains his independence from everybody else. He not only common currency, refuses any help from his friends but he also fails to tell them about his situation. So he also consciously rejects all other possibilities society could offer him scholarships, stipends, jobs, and loans: This already extreme individualism, which is typical for the frontiersman, is reinforced after he graduates from college and his telephone is disconnected. These two events mark his ultimate retreat from civilization as he is now isolated from the outside world. The consistency with which Marco coheres to sites his self-destructive plan shows further typical traits of the frontiersman: determination and resolution. Once Marco has reached a decision about how to deal with his situation, he is not willing to change his mind, even though he is aware of the negative consequences his plan will have. Of Darkness? This persistence, however, does not consist of construction sites a determination of shows on tv doing the construction sites, right thing, instead he refuses to take any action at all, perhaps the only adequate decision for a postmodern pioneer:

In his determination to carry on with his original plan, Marco shows himself to be very creative in adapting to new situations. Essay On Is It Selfish To Have Family?? He finds convincing excuses for his friends whenever they inquire about his whereabouts and he is able to convince himself of a hidden advantage in every deprivation. Even when he finally has to construction search for food in garbage bins he puts up with it (cf. MP : 60). His ability to adjust to new situations is herzberg's a further feature that marks him as a contemporary, urban frontiersman, a trait of personality that helps him live through his experiences in construction Central Park, which can be read as an Urban Frontier setting. As an Urban Pioneer, Marco finds his personal frontier setting in common currency Central Park. His individualistic refusal to accept any help in his time of construction need causes him to become homeless and forces him to dating shows move into the park.

His time there foreshadows Effing's narration of his time in the desert of Utah. Marco himself regards Effing as a kindred spirit, who was somehow describing the same things I had felt ( MP : 183). But already the last weeks Marco spends in his apartment mirror Effing's life in the cave. They both have to construction realize that their supplies are limited and so they have to plan the Essay on Is It Selfish to Have Family?, use of their reserves. For Marco this is sites a matter financial calculating: For Effing, however, this is not so much a financial matter than rather a matter of planning the usage of the supplies he already has at hand: In their individualistic behavior, both Marco and Effing challenge civilization. They completely retreat in their cave or apartment, Marco even retreats further into Essay A Brief History Nevada, the imaginary world of his books. They both refuse to take part in any activity that would be considered normal by civilization. Unlike Effing, who ends his retreat from civilization out of free will before his supplies come to their end, Marco finally has to realize that he failed in this challenge.

He does not fail because he is sites not able to feed himself any longer, but rather because he is common currency unable to pay his rent (cf. MP : 45ff). Construction? Thus money, as a purely material good, becomes the major reason for his failure. The only possibility left for common currency, him is a further retreat into Central Park, where he can live as a homeless and construction sites, does not depend on money any more. The park thus already shows one of the major features of the frontier: for The Two of Computer Use in, Marco it serves as a safety valve, a place he can escape to from his failure in civilization. This notion of the park as seemingly redeeming space is supported by construction sites, a clear distinction between the park as natural, democratic space, and the streets as space of corrupted materialism and shows on tv, capitalism, of larger social malaise (Birkerts 1992: 345): Marco's description of the park stresses the freedom from any social conventions or restraints and the liberty to choose ones own way of sites life, a freedom that does not seem possible in the streets. Shows On Tv? With regards to the park Marco claims that the grass and the trees were democratic, a statement that echoes. Frederick Jackson Turner's idea of the construction sites, frontier as the cradle of American democracy ( MP : 57). Common Currency? The park, like the construction, frontier, is a place of individualism where everybody is free to live the life they choose, and a place of democracy at the same time.

And like the film, original frontier, the park is a wilderness, even though it is just an sites, artificial wilderness. Marco recognizes the paradox of Essay A Brief of Rachel living in a man-made natural world and even goes so far as to call it nature enhanced ( MP : 62). Here he feels safe and just before he is about to enter the park he even feels like someone about to be reborn, like someone on the brink of discovering a new continent MP : 52). But the Urban Frontier of Central Park is construction not so much about a distinction between wilderness and civilization, it is rather a state of mind Marco finds himself in. His escape from the conventions of of Rachel society is symbolized by his retreat into the only wilderness an urban society can still offer him. There he abandons former habits and codes of conduct for a life that is seemingly free of these restraints. Thus he is willing to give up any comfort and to live rough from leftovers that visitors of the park have thrown away. Even though he does not romanticize his searches in the garbage cans, he still tries not to see them as a sign of his personal failure.

He rather calls them spiritual initiations ( MP : 61). Thus, Marco's attitude makes Central Park a frontier setting more than the description used in the novel. However, Marco's life in construction the park still resembles life at the frontier in various aspects. Like life at the frontier, his experiences in A Brief History Central Park are not only influenced by a specific understanding of individualism, but also by cooperation among people in the park and by a certain void of construction authority structures. In spite of his individualism, Marco still depends to a certain degree upon the help of others to survive, both physically and psychologically. Herzberg's Motivational? A life completely isolated from society is not possible, even in the park. In Central Park Marco gets help that he does not get on the street. People give him money or invite him for a picnic lunch or a game of softball: Those were happy moments for me, and they helped to carry me through some of the darker stretches when my luck seemed to have run out ( MP : 58).

The other people in the park also define the authority structure there. Construction Sites? Even though Marco once encounters a policeman when he is searching for food in a garbage can, he is able to escape further persecution by impersonating a student of Columbia University, doing research on an Urban Studies project (cf. MP : 60). The police and other authorities from the society outside the herzberg's theory, park do not have any power or influence within the park. Instead there is a lack of authority that makes the park a dangerous place. During his time there Marco experiences several dangerous moments but he is able to remain unscathed (cf. MP : 65). The greatest threats for Marco however, are not crime or official authorities. Sites? His greatest danger comes from the unpredictable weather. The weather, or rather an outpour of rain Marco had not foreseen, reinforces his position as a social outcast and finally ends his frontier experience in Central Park.

After being soaked by the rain, Marco's appearance starts to Use in Architecture worsen. He cuts off his hair after drying it of the rainwater because he can no longer control its wild look. Without the construction sites, long hair the thinness of his face becomes recognizable: It accentuated my thinness to an appalling degree. My ears stuck out, my Adams apple bulged, my head seemed no bigger than a childs ( MP : 67). With his body diminishing, Marco physically disappears out of society. His exclusion is further marked by herzberg's theory, the smell of his clothing as it starts to dry: Unfortunately, once my clothes began to dry in earnest, they also began to construction smell. [. ] This had never happened before and it shocked me to herzberg's motivational theory realize that such a noxious odor could be coming from my person ( MP : 68). Marco eventually even has to leave a library because of this smell. In this context the library can be read as a representation of civilization's intellectual achievement, and construction, thus, his expulsion from the library is symbolic of his expulsion from this spiritual side of A Brief society.

But even the 'safety valve' of his Urban Frontier is construction sites not able to save Marco now. Unlike the original frontier of the Essay It Selfish Family?, American West, the Urban Frontier is only artificial and does not have the same regenerating forces that the real wilderness has. Sites? Consequently, the rebirth Marco expected upon first entering the park cannot really take place. Marco retreats into a cave that was formed naturally in Central Park. In his feverish delirium he transforms the Urban Frontier setting into an original historic frontier: His mental journey leads him to the historic frontier of Manhattan Island before it was corrupted by white civilization and society. It is a prelapsarian state, the same state the frontier of Blakelocks Moonlight is in, and one similar to the frontier Effing experiences (cf. Klepper 1996: 293).

Marco is rescued right in the middle of this prelapsarian vision, but he is not regenerated by shows, his experiences at the Urban Frontier. It is construction sites only at the end of the novel when he reaches the Pacific Ocean that regeneration is possible for herzberg's motivational, him. 4 Regeneration through Creativity. force at their frontier, thus it can be assumed that the different frontier settings have different regenerating powers. At the end of the novel, when Marco stands at the Pacific shore after he walked several hundred miles from sites Lake Powell to California, he comes to the conclusion: This is where I start, I said to myself, this is where my life begins ( MP : 306). Yet after his frontier experience in Central Park, he still feels a need to purify myself, to repent for about A Brief History, all my excesses of self-involvement ( MP : 73) and soon begins to resemble the person I had once been ( MP : 82). An important question one needs to ask in order to understand Moon Palace and its representations of the frontier is why there is a difference in the regenerating forces of the frontier settings. After being left behind in the desert of Uthah by Scoresby, Effing's only sites, bond to civilization and society is his companion Byrne, who lies dying. He is convinced that he cannot return to civilization without Byrne. And so he clings to nursing him as his only Essay to Have Family?, connection to the world: Once Byrne was gone, there would be nothing to think about anymore, and I was afraid of that emptiness, it scared me half to death ( MP : 161). And indeed, after Byrnes death Effing's former self, Julian Barber, was obliterated and construction, simply canceled himself out common currency ( MP : 165).

This scene is construction a key passage in the novel, it is the first instance in which a character goes through a complete transformation. This is marked in the narrative style by Marco taking over dating on tv, the role of the narrator again. Effing's story is now told from Marco's perspective in the third person, after the first part had been narrated in first person from Effing's perspective. With Byrnes death and in construction his struggles after it, Effing loses everything, not only his last bond to civilization and heart, society but also all his belongings. He breaks up his easel to bandage Byrnes broken arm and leg, his horse dies and sites, he gradually uses all his food supplies. Only when he is prepared to really die, not only in his identity as Julian Barber, but physically and totally, does he find the Architecture Essay, hermits cave. It is stocked with ample supplies and secures his survival. Construction? Here the regeneration process slowly sets in, he feels reborn: Thus, only in Essay History of Rachel the desert of the frontier, where he loses all connections to construction his old self and to civilization as such, a rebirth - or rather regeneration - is made possible. This regeneration however only of Computer Architecture, truly sets in a little later when he starts to paint again.

After a few random sketches in a notebook he experiences a creative outburst, using up all his painting supplies and painting on every surface he finds after there are no more canvases left. Sites? It is in this creative act that he is finally regenerated: It was an extraordinary reprieve, he said, and for the next three weeks he felt as though he had been reborn ( MP : 171). In this creative act Effing, who already has abandoned all his ties to civilization, also rids himself of artistic conventions and paints for the mere sake of shows creativity: An important aspect for him also is the sites, fact that no one would ever see his paintings. His creative act thus is not an attempt to herzberg's gain material or social advantages; it is uncorrupted by any conventional social standards. Thus in Moon Palace, I would argue, there are several prerequisites for the regeneration process. Construction Sites? These are effectively only fulfilled in the description of the frontier of the American West, which all protagonists encounter at one point in the novel. Before the regeneration sets in, the characters lose all their ties to society, their families and to civilization as such and they also lose all their belongings and prospects.

In this instance of total independence and liberty a surge of creativity can be set free that then signifies the actual regenerating process. Marco is not able to dating shows experience this regeneration through a creative act in Central Park because within the urban setting this independence is not possible. Sites? Unlike Effing, who finds refuge and provisions in Use in Architecture Essay his cave, Marco always has to take care of practical concerns (looking for a place to sleep at night, taking care of my stomach) ( MP : 62). For these concerns Marco needs to use all his creative energy so he has no resources left that could support his regeneration: Occasionally, I jotted down some of these observations in my notebook, but for the most part I felt no inclination to write, not wanting to remove myself from construction sites my surroundings in any serious way ( MP : 63). Essay It Selfish A Big Family?? Even after his experiences in the park he is not capable of construction any creativity. To earn money he translates a report from herzberg's French into English.

Again he is not as independent as Effing is in Utah, his aim is to earn money in order to reimburse his friend Zimmer. Thus he only can regard the report as dead language ( MP : 91). Similarly, his job for construction sites, Effing, as he writes the obituary, only seems like a creative act. He only reproduces Effing's words. In Central Park and in the city no rebirth or regeneration can take place because in common currency the urban setting Marco is sites not free of social or financial restraints. Marc Chénetier thus talks about Effing's cave as womb, a fetal environment that enables his rebirth (Chénetier 1996: 61).

On the shows, other hand Dennis Barone calls Marco's apartment, which at construction sites first sight seems to resemble Effing's cave so much, a tomb (Barone 1995: 17). The absolute lack of productivity in the urban setting is also symbolized by Kittys abortion. The love between Marco and Kitty remains unproductive (cf. MP : 279ff). In contrast, Effing fathers a child the night before he takes to the frontier (cf. MP : 152). About A Brief Nevada? Thus Steven Weisenburger notes that as long as Marco is in the city the genealogy that is steadily unfolding in the novel cannot be continued (cf. Weissenburger 1994: 73).

The reason for the impossibility for independence and for the unproductivity of the city is the influence of money and capitalism. In the urban setting one always depends on money to survive. So the creative act always is construction sites corrupted by dating shows on tv, capitalism because all creativity needs to be used to earn a living. The reign of capitalism is strong enough to drain the wilderness landscape of Central Park of its regenerating power. Construction Sites? This reading of the Urban Frontier setting goes along with Auster's assessment of capitalism and money-making in his autobiographical account Hand to Mouth : The negative influence of money on the creative act can be observed in Moon Palace whenever money is gained or lost. Shows On Tv? Effing's creative excess ends as soon as he finds the money of the Gresham brothers: As Effing put it to construction me, it was precisely at that moment that everything changed for him again, that his life suddenly veered in a new direction ( MP : 181). He returns to dating civilization and never paints again. Or as Carsten Springer notes: With his creation of a new identity as Thomas Effing, this character closes his personal frontier and domesticates his moral wilderness (Springer 2001: 143). Construction? However, his imagination and creativity return when he and Marco symbolically give the money back to Use in society by handing out fifty-dollar bills to total strangers.

They meet a man with a broken umbrella who pretends that it is raining and construction sites, that his umbrella protects him from the rain. Effing not only plays along, he also takes out this umbrella some days later in a real rainstorm, pretending that he is sheltered from the rain. This is the last night of their task to return the money he has taken from the Gresham brothers and common currency, the incident with the construction, umbrella shows clearly, how Effing's imagination and creativity have returned (cf. MP : 212f). Similarly, Marco's regeneration only takes place after he loses all his belongings in the West. After Barber dies, Marco inherits the Essay on Is It Selfish Family?, money Barber himself has inherited from Effing. He has the money in the trunk of his car, which is stolen at Lake Powell when Marco realizes that his quest for Effing's cave has failed. He then walks all the way to the Pacific coast, where he finally feels regenerated.

Again this regeneration is only possible in the American West, after Marco lost all his ties to society, his father, his grandfather and his lover, and after he lost all his money. The creative act that enables the sites, regeneration, then, is of course the narrative of Moon Palace itself, which is a first-person account of Marco's life. Marco's regeneration at the shore of the Pacific makes Moon Palace one of the The Two Perceptions Use in Architecture, very few novels by Paul Auster that have a positive ending: In Moon Palace, unlike the construction, prior novels where words fall apart, Fogg eventually is able to put them back together again (Barone 1995: 18f; original emphasis). 4. His father, Solomon Barber, cannot be regenerated, even in common currency the Midwest.

He has still his family ties, as personified by Marco, his son. Significantly his worst failure or rather fall takes place at the grave of his former lover and Marco's mother, at the precise moment when he reveals to Marco their family relation. Also, when he falls, Barber still holds on to the money he inherited from Effing and so he is not free of the material constraints, either. Already in an earlier episode Auster shows how money and capitalism oppose the idea of the regenerating frontier. Sites? It has been shown that Marco's reading of his uncles books resembles the exploration of an imaginary landscape or frontier. Of Computer Essay? However, when Marco tries to construction sell these books, they are just treated like any other commodity, without any consideration for the emotional and symbolic meaning they have for Marco: Like the Course of Empire , Auster's Moon Palace seems to suggest a cyclic understanding of history.

If the characters manage to Essay It Selfish Family? return to a prelapsarian state, to Effing's mythic frontier, they can undo the construction sites, damage civilization has imposed on their person. This is The Two of Computer Use in Architecture just the attempt made by construction sites, many of Auster's other characters, by herzberg's theory, Stillman Sr. Construction? and by Daniel Quinn in City of Glass and by Hans Sachs in Leviathan for example. As Martin Klepper puts it, many times this search for the prelapsarian state is a linguistic search, a search for a prelapsarian speech (cf. Klepper 1996: 252). Stillman, Quinn and Sachs fail in their quest, in common currency Moon Palace , however, some of the characters actually succeed.

Addy, Andrew (1996): Narrating the Self: Story-Telling as Personal Myth-Making in Paul Austers Moon Palace . in: Q.W.E.R.T.Y.: Arts, Litteratures ans Civilisations du Monde Anglophone . Sites? 6, 153–161. Auster, Paul (1997): Hand to Mouth: A Chronicle of Early Failure . New York: Henry Holt. Auster, Paul (1989): Moon Palace . New York: Penguin. Barone, Dennis (1995): Introduction: Paul Auster and the Postmodern American Novel. In: Dennis Barone (Hg.): Beyond the on tv, Red Notebook: Essays on Paul Auster . Philadelphia, Penn: U. of Pennsylvania Press, 1–26. Bawer, Bruce (1989): Doubles and More Doubles. Sites? In: The New Criterion 7, 67–74. Belton, John (1994): American Cinema / American Culture . New York et al.: McGraw. Berkemeier, Christian (2002): Schlafes Bruder: Assoziationen zu Text, Tod und (T)raum in Austers Moon Palace , Timbuktu und Lulu on the Bridge . Common Currency? In: Lienkamp, Wolfgang et al. Construction? (Hg.): As Strange as the World : Annäherungen an das Werk des Erzählers und Filmemachers Paul Auster . Münster: LIT.

Birkerts, Sven (1992): American Energies: Essays on Fiction . New York: William Morrow. Chénetier, Marc (1996): Paul Auster as the Wizard of Odds: Moon Palace. Dating Shows? Paris: Didier Érudition. Dow, William (1996): Never Being This Far From Home: Paul Auster and Picturing Moonlight Spaces. Q.W.E.R.T.Y. : Arts, Litteratures ans Civilisations du Monde Anglophone . 6, 193–198. Flexner, James Thomas (1962): That Wilder Image: The Paintings of construction Americas Native Schhool from The Two of Computer Use in Thomas Cole to construction Winslow Homer . Perceptions? Boston, Toronto: Little, Brown and Co. Herzogenrath, Bernd (1999): An Art of Desire: Reading Paul Auster . Postmodern Studies 21.

Amsterdam, Atlanta: Rodopi. Ickstadt, Heinz (1998): Der amerikanische Roman im 20. Jahrhundert. Transformation des Mimetischen. Darmstadt: Wissenschaftliche Buchgesellschaft. Klepper, Martin (1996): Pynchon, Auster, DeLillo: Die amerikanische Postmoderne zwischen Spiel und Rekonstruktion . Frankfurt, New York: Campus Verlag. Slotkin, Richard (1973): Regeneration through Violence. The Mythology of the American Frontier, 1600-1860 . Middletown, Conn.: Weslyan UP. Springer, Carsten (2001): Crises: The Works of sites Paul Auster . American Culture 1. New York et al.: Peter Lang.

Wade, Richard C. (1967, 1959): The Urban Frontier. The Rise of Western Cities, 1790-1830 . Harvard Historical Monographs 41. Cambridge: Harvard UP. Weisenburger, Steven (1994): Inside Moon Palace . In: Barone, Dennis (Hg.): The Review of Contemporary Fiction 14.1, 70–79. Yaeger, Bert D (1996): The Hudson River School: American Landscape Artists. New York: Todtri. 2 These legendary qualities of Effings accounts are further shown by his paraplegia. When Effing is introduced in one of Austers manuscripts of an heart, earlier draft of the novel, Auster noted on the margin: legend = leg|end.

Farfetched as this connection might otherwise seem, it should be taken seriously as Auster himself points it out in his manuscript. These manuscripts can be consulted in sites the Berg-Collection of the New York Public Library. 3 This quotation can also be read as a poetological statement Auster makes on the structure of his novel. He uses elements of the picaresque novel, but changes them and thus reinvents the genre (cf. Herzogenrath 120).

He is unteaching himself the rules he has learned to find a new form. Carsten Springer however rightly argues that the widespread assumption that all of Austers work have to be seen as deconstruction of a genre [. ] fails to account for the characteristics of the texts written before and after the [ New York] Trilogy . (Springer 8; original emphasis) 4 Barone includes in this statement Auster's novel In the Country of Last Things , which had been published one year before Moon Palace . The novel, however, has an herzberg's theory, open ending and construction, I would argue that there are certain indications that suggest the same dichotomy between an unproductive urban frontier and a regenerating natural frontier. Dating Shows? The novel ends the sites, night before the protagonist, Anna Blume, leaves the city westwards and the book is written in first person, suggesting a similar regeneration through creativity for Anna Blume.

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Review Essay on construction sites Stereotypes of Muslims. Years and months have passed since the United States of America’s attack on 11 th September 2001. However, since this attack the Muslims have been permanent fixtures for the media in Western countries and America. In these countries, Muslims are seen with suspicion with negative and stereotypic phrases being used when referring to common currency them including considering all Muslims as supporters of terrorism or as terrorists. Fear and misunderstanding of construction Islam sparked these stereotypes. Up to now, the western media give inaccurate Muslims’ portrayals.

Over the common currency past years, nations in the Middle East and North Africa are considered as the turmoil’s hotspots as seen from the sites recent Arabic revolution which led to History Nevada the toppling of leaders who have served for a long time. Due to the increasing Westerners’ interest in this area, a lot of construction attention is sparked by news from these places. For this reason, most people now think that Arab Muslims who are violent represent every Muslim. These are some of the elements which when combined give a negative portrayal of Muslims. Muslims’ stereotyping is a phenomenon that has been spread largely. It is rifer in the U.S.

This country has for the last decade played a major role in the fight against terrorism both externally and internally. Although it is common currency, true that most Muslims abhor all types of violence, this issue ought to be studied because it affects about 6 million Muslims who live in construction sites America. I opted to herzberg's motivational study it because most of construction sites these Muslims are accused of A Brief History practicing a religion that clearly supports innocent persons’ killing. Because of lack of construction sites comprehension of Islam, most ignorant individuals consider Muslims as worshippers of Allah, which they think is an idol. They do not understand that Allah in Arabic simply means God (Ore, 2013).

For social integration to History Nevada be promoted, Islam and Muslims should be respected and understood. The aim of this paper is to answer certain questions: What common Muslims’ stereotypes are in construction the U.S? Exploring the stereotypes as well as debunking the myths is vital in this country because it will ensure that Muslims are embraced by to Have a Big, the society in America. Literature Review: Common stereotypes of Muslims. There have been several terrorist attacks over the last decade as well as suicide bombings by the radical Islamists. Esposito Mogahed (2007) observe that the perception of all Muslims as terrorists is the most common form of stereotype.

During the last ten years, there have been terrorist attacks that swept all Arab countries, Southeast Asia, North Africa, and some areas in the U.S and Europe. Construction Sites? People viewed Osama bin Laden as the main architect of about of Rachel these acts. During these attacks, almost every suicide bomber pledged his/her allegiance to sites bin Laden. Although bin Laden’s killing occurred several years back, he left a legacy among the common currency radical Islamists. Construction Sites? From 2001, several cases of kidnapping, suicide bombings and other violent acts have been conducted by Al Qaeda as well as the The Two Use in Essay affiliate groups. To justify these actions, the Islamists invoke the word Jihad. Because jihad is believed by all people who practice Islam, all Muslims have been stereotyped as terrorists or supporters of sites terrorism. Nevertheless, this is untrue. Esposito and Mogahed give an explanation for the word jihad as meaning “to struggle”. It is an ideology whose basis is the command of the Quran that encourages Muslims to remain or exert themselves within Allah’s path.

Essentially, jihad is a description of The Two Muslims’ duties as persons or a society’s part to do the will of God. This involves fighting the devil and living virtuously as well as trying to engage in good deeds and reforming the society. Sites? On the basis of a person’s circumstances, jihad may imply fighting injustices and oppression in order to establish a society that is just. The teachings of Islam encourage people to do this by preaching and common currency, teaching. They should opt for armed struggle as the last option. Jihad is a word with broad implication and most Muslims know that it has concepts that are more of a nuance than sensationalist beliefs of the Americans. Due to such flawed beliefs, Muslims have continuously been stereotyped as terrorists. Muslims have over the past years used Jihad in fighting for just causes. An example is the invoking of jihad by Afghans while repelling the occupation by the Soviet.

From that time, jihad has been employed in virtually all Muslim struggles. Nevertheless, the real meaning of jihad has been hijacked by construction, terrorists in justifying their violent acts. For instance, terrorists like bin Laden, Ayman al-Zawahiri and Musab al-Zarqawi have made jihad equal to a holy war. This way, these have lured young Muslims to join terrorism. Esposito and Mogahed (2007) note that jihad is not related to holy war. According to them, holy war as a term is not Islamic because its origin is Christianity. An independent research by common currency, Keeling and Hughes (2001) was aimed at investigating the perceptions and knowledge of Muslims and Islam among the police officers in the U.S. These researchers focused on four main areas: the construction sites overall comprehension of Islam’s fundamental tenets, the attitudes of the dating shows on tv officers towards Muslims and Islam, how they perceive the way the media treat Muslims as well as how willing they are to construction freely interact with the Muslims.

A survey was used to collect data and it involved 79 middle-level managers of the police force who at that time were under residential training in the Midwestern University. Law enforcers ought to about A Brief know social matters. The expectation of the researchers was that the attitudes of the respondents would be favorable towards Muslims. Their expectation was that for instance, they would differentiate facts from myths. Nevertheless, the reality was different. The findings of sites this study reveal that majority of these officers (approximately 61%) did not know the theory teachings of Islam. Consequently, the perceptions that most of construction sites them had about Muslims were inaccurate because the media was their main source of information about Muslims and Islam. Additionally, most of these officers believe Muslims’ portrayals of the media. According to of Computer Essay the results of this study, 56.4 percent of the police officers believe that there is no bias in the media Muslims’ portrayal. As such, they are in construction sites agreement with the portrayal of the media that Islam has terrorism as its characteristic. The other findings indicated that Muslims are commonly associated with other stereotypes.

For instance, over 52 percent of the respondents were uncertain or agreed that other religions are not tolerated by Muslims. On Is To Have? It is for this reason that over 54 percent of the respondents think that most Muslims do not integrate with the broader American society. Additionally, over 72 percent of the respondents were unsure or think that Islam allows for women’s mistreatment. The implication of this is that Muslims generally oppress women. As an indication that Muslims have a long way to go in shaking off the tag of sites terrorism, over 49 percent of the respondents view Muslims as fanatics of terrorists and 30 percent view Muslims as terrorists. The belief of about 54 percent of them is that in spreading their religion, Muslims use a sword. As an indication that the United States is yet to accept Muslims fully, only 44.3 percent of responds considered integrating Muslims in the society in America. Another sensationalism mark is the motivational theory belief of about 40 percent that Muslims who were born in America ought not to be seen as U.S citizens. Only 43 out of 79 respondents were ready to have a Muslim as a friend. There is so much negative attention that Islam religion has attracted over the years.

Perhaps, this is an construction sites, explanation why Islam as a religion was considered progressive by 50 percent of respondents only with 50 percent considering it as a backward religion. There was also a split of the subjects (at 40 percent each) in terms of if the society is common currency, threatened by the presence of Muslims. The other 20 percent were uncertain. Consequently, only 36 percent had interest in sites comprehending Islam as a religion. According to the findings of the study by A Brief History, Keeling and Hughes (2001), there are vital stereotypes which hinder Muslims’ acceptance in the United States as well as the larger Western community. The finding that was most unfortunate is that people consider Muslims as backward people (due to the Islam religion). Consequently, Muslims oppress women. Additionally, they are seen as a society’s threat and therefore avoiding friendship with them is better. If the construction police officers who are knowledgeable can have such deep yet untrue perceptions towards Islam and Muslims, it is therefore possible that the The Two Perceptions Use in Essay uninformed public has highly sensationalist stereotypes. Sites? Nevertheless, the media is to blame for all this. Just as demonstrated by the respondents, the media being a strong tool spread religious and cultural myths.

It therefore continues to portray Muslims as gender insensitive, violent, fanatic and uneducated and this is what most people believe. Dating Shows On Tv? These illustrations can widen the existing divide between other people and Muslims. Most non-Muslims are uncertain if they can fulfill the demands of Islam as a religion. Construction Sites? For example, Islam requires adherents to common currency hold prayer sessions at least 5 times per day. This task is not manageable to most people. In addition, most people are uncertain about how or what their behavior would be is for a moment they were Muslims. Construction Sites? For example, they wonder whether they would become violent or even how they would handle other people. Consequently, stereotyping has made many people think that they would be insensitive in case they became Muslims only once. Mange et al. Essay? (2012) did an investigation of this issue further. The investigation was aimed at determining whether an individual is seen as being dangerous when there is an construction, induction of the perceiver to think of A Brief History Nevada Arabic tenets and construction, Muslims. Essentially, the researchers explore the speed of non-Muslims in shooting the target upon an induction to think of certain Arabic or Muslim features.

59 undergraduates from the film University of construction sites Maryland were investigated during this study. All respondents were whites and non-Muslim Americans. First, they were primed into Arab, neutral and Muslim categories. Common Currency? The first aspect of this study made the respondents to believe that there were questions that they had to complete that would determine their English skills. Sites? Nevertheless, the test acted as their priming experience. The test required the participants to work on sixteen word sets that were issued randomly. There were Muslims associated words in 8 sets for the Arab and Muslim priming conditions (Mecca, veil, Koran, Iran, Turban, Allah, Muhammad and prayer). The Arab categories’ words included (belly dancing, calligraphy, sun, Egypt, camel, Scheherazade, Aladdin and couscous). The other part took participants through a game of shooting. Shoulder and head shots were the targets.

There was a hand that was holding a black or silver gun for every photo. They were to shoot a target or choose when to shoot the target (on the basis of if the target was armed) when it appeared. The response times of the participants were recorded (Mange et al. 2013). The findings of Mange et al. (2013) indicated that the participants’ priming to think of social categories in relation to Essay A Brief of Rachel Arabs and Muslims resulted in construction sites faster shooting although the ethnicity and religion of the targets were ambiguous. The implication of this is that by the social categories that threaten the participants being merely accessible, aggressive responses were facilitated regardless of where the targets belonged to. The suggestion is that most non-Muslim Americans are likely to turn violent in case there is an induction that makes them think of Muslim beliefs. On Is A Big? Essentially, the implication is that the belief of most Americans is that every Muslim is violent.

Thus, they threaten the society because they can ‘shoot’ an individual who is not a member of their religion. Such stereotypes indicate mistrust of construction most Americans towards Muslims or individuals who have no tolerance for Islam. The perception of Muslims as a threat that the American society is facing was exemplified further in 2001. An agent working with the on tv secret service, Mr. Walid Shatter was on Christmas day removed from the American Flight that he had boarded on construction the realization that his seat had a Middle East book. Although Mr. Shatter was set to join the security detail of President Bush, the officials of the of darkness film airline could not believe the sites credentials that he presented. The implication of this standoff was that he was to theory be left behind by the flight. This incident would have been different if Mr. Shatter was found reading a different book by the attendant such an American history book. Although the episode occurred several years back, Menge et al findings show that there is suspicion of Muslims that exists up to now.

Three articles have been discussed by this work and they have showed that Muslims stereotypes that are common among non-Muslims are that they are gender sensitive and construction sites, backward, always violent and that they threaten the dating shows society. The belief that Muslims either support terrorism or are terrorists is the worst misconception. Due to these beliefs, Islam-phobia has spread widely. The terrorist attacks and violence images in Palestine, Pakistan, Afghanistan and Iraq have exacerbated these feelings. This stereotyping and deep fear has implied that it is possible to profile a terrorist. Construction Sites? Typically, a terrorist is mostly in dating on tv early twenties with a background of a small town as well as a lower to construction middle social class. A terrorist is Architecture, also very mobile with high motivation for achievement, science or engineering education and a cohesive family. These descriptions ‘ensure’ that terrorists can be ‘identified’ by non-Muslims in their midst. There is sites, a flawed stereotype that every Muslim is violent, support terrorism or is a terrorist.

Although jihad is believed by all Muslims, it is not equated to a holy war because Islam as a religion is peaceful. Thinking that Muslims perpetrate every violent act and conflict that relates to religion is also inaccurate. Violent conflicts have been witnessed before among the Essay about History of Rachel Nevada Sikhs and construction sites, Hindus within India as well as Serbian Orthodoxies and Catholics in Yugoslavia. Of Darkness Film? Similar violent conflicts have also occurred between Protestants and Catholics within Northern Island as well as Muslims and Christians in Nigeria. This shows that any religion’s adherents can perpetrate violent acts. It is important to educate the public that the basis of these stereotypes is lies. Additionally, positive Muslims and construction sites, Islam’s portrayal should be encouraged by the media. Esposito, J. Film? L., Mogahed, D. (2007). Battle for sites, Muslims’ hearts and minds: The Road Not (Yet) taken.

Middle East Policy, 14 (1), 27-41. Keeling, D. Common Currency? G., Hughes, T. T. (2011). Police officer attitudes toward Muslims and Islam: “worlds apart”? American Journal of Criminal Justice, 36 (4), 307-318. Mange, J., Chun, W., Sharvit, K., Belanger, J. J. (2012).

Thinking about Arabs and Muslims makes Americans shoot faster: Effects of category accessibility on aggressive responses in a shooter paradigm. Construction? European Journal Of Social Psychology , 42 (5), 552-556. Ore, T. Heart Of Darkness Film? (2013). Construction? The social construction of Difference and Inequality- Race, Class, Gender and dating on tv, Sexuality . Construction? New York: McGraw Hill Publishers.

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8 Inspirational Football Locker Room Speeches. The college football season starts on Saturday (okay, technically Thursday. But I#8217;m saying Saturday because that#8217;s when Oklahoma plays. Boomer Sooner!). I love football.

It#8217;s one of the manliest sports. For it is construction sites truly the The Two of Computer, sport closest to combat. Men strategize in their war room, don their armor, and line up against their opponent. Victory is measured in construction, territory gained, in common currency, how well one unit outmaneuvers the other. The game involves brute strength and keen physicality; it is a hand to construction sites hand, helmet to helmet fight, one man struggling against another. And yet at the same time, finesse, agility, and brilliant strategy are requisites for success and a team lives or dies solely on how well they work together as a team, as a unit. Playing football in high school helped shape me into the man I am today. As I struggled through another practice in shows, 100 degree heat and sweated through two-a-day practices, I learned to work hard and not quit. I learned that pain is often the construction, only pathway to excellence. At the end of the It Selfish a Big Family?, game, when the scoreboard#8217;s numbers were not as I had wished, I learned how to bounce back from sites failure and dedicate myself to being better the next time around.

I experienced the awesome power of a group of men, striving together for the same goal. The friendships I made while playing football will last a lifetime. The lessons of all sports carry over from the actual arena to the playing field of life. Rich is the man who, if only for a short time, feels the glory his body in peak condition, the bond of brothers, the Architecture Essay, sweet joy of victory and the agony of defeat. While the construction, memories of such a time fade as a man grows older, the wisdom he gleans from the experience will echo throughout his life. So in honor of the opening of the The Two Essay, football season, and construction, the great lessons all men can learn from this great game, we#8217;ve compiled a list of some of the most inspiring football locker room speeches from Architecture both film and real life. Construction Sites. The speeches we chose are not only heart of darkness, inspiring for construction sites men about to herzberg's motivational hit the construction, field, they#8217;re motivating for those men who wish to walk out the door each day to school or work, ready to take on the world. Success in football requires heart, pride, and teamwork. Success in life requires the same. If you played football in high school, you can#8217;t help but think about the young men you played next to while watching this clip.

Coach Gary Gaines (Billy Bob Thornton) explains to his players what #8220;being perfect#8221; really means. Common Currency. It#8217;s not about the score at the end of the game. It#8217;s about sites, looking your teammate in the eye and being able to say you did all you could. I can#8217;t help but get a little teary eyed when the players say the Lord#8217;s Prayer. My team in The Two of Computer Use in Architecture Essay, high school did the same thing and construction sites, it instantly transports me back to that locker room in Edmond, OK. Through a series of manly affirmations, this coach pumps the hell out of his players. Herzberg's Theory. How can you not get psyched to construction take down the competition with lines like these: #8220;I will rip the heart out of my enemy and leave it bleeding on the ground because he cannot stop me.#8221; The bagpipes in the background of this speech only up the manly vigor quotient. Warning: Some adult language. Life, like football, is The Two Perceptions of Computer Use in Architecture Essay a game of inches. Coach Tony D#8217;Amato (Al Pacino) captures that analogy perfectly in this speech.

An inch can make the difference between victory or defeat. And if you want to succeed in football or life, you have to fight for every inch. Never take anything for granted. Always keep fighting, even when everything seems stacked against you. We#8217;re big fans of Knute Rockne. And how can you not be? As a player he revolutionized the game with the forward pass and sites, as a coach he became almost unstoppable. This is an actual clip from Knute Rockne#8217;s famous #8220;Inside #8217;em and Outside #8217;em#8221; speech. In this locker room pep talk, Knute rouses his players with his machine gun delivery and excited gestures.

The speech was so popular back in the day that young men bought recordings of it by the thousands and listened to it over and over, getting pumped to charge onto Essay Family? the playing field of life. Construction Sites. Okay, so technically this isn#8217;t a locker room speech, but it#8217;s still inspiring. It#8217;s 1971, and Coach Herman Boone (Denzel Washington) has the onerous task of bringing together a team of black and white high school students in dating, Virginia. The team isn#8217;t gelling. So, in a stroke of pure rhetorical genius, Coach Boone takes his men on sites a jog to herzberg's theory Gettysburg. In a stirring and solemn bit of oratory, he teaches his men a little about football, and a lot about life. Construction Sites. What would you do if you knew that this day would be your last day? How would you live? If you#8217;re like me, you#8217;d go balls out to make it the best damn day of your life. Common Currency. This coach revs his players up telling them to to play each play as if it was their final one on the field.

We can all take a cue from this. Approach what you do in construction sites, life as if it would be the last time you do it. Kiss your wife like it would be the last time. Common Currency. Play with your kids like it would be the last time. You never know. That kiss and construction sites, playtime could be your last. Herzberg's Theory. Rudy, Fortune The Facilities Manager. Sometimes we need an honest mentor to give us some perspective on ourselves.

Rudy (Sean Austin) spent two years trying to get on the dress team of the Notre Dame Fighting Irish. When it didn#8217;t happen, he decides to construction quit. Perceptions Architecture Essay. Thankfully, facilities manager Fortune (Charles S. Dutton) knocks some sense into Rudy and tells him what#8217;s what. Sites. Quitting will only bring regret, he tells him. You gotta stay in it, even when things get tough, even when the odds are against you. Georgia Tech Pre-Game Speech, Derrick Moore, Georgia Tech Chaplin. It#8217;s 2007, and Georgia Tech is in South Bend to take on the Irish in their house.

They definitely need to heart of darkness film get fired up. Luckily they have this guy, Derrick Moore, to light a fire under #8217;em. Moore is pure intensity. He#8217;s the team chaplain (who knew that team#8217;s had one?) and brings an evangelical fervor to his oratory. The best part of the speech is when he quotes the words of his middle school teacher: #8220;We#8217;re going to fight until we can#8217;t fight no more. Going to lie down and bleed awhile. Going to get up; fight some more.#8221; Amen, brother.

That#8217;s how you win. Tenacity. If you enjoyed the speech, check out player Tashard Choice quoting it before a game in which GA Tech goes on to upset Clemson. It#8217;ll get you pumped. And now, just for the heck of it, drop the name of the college team you#8217;ll be cheering on this season in the comments.

Show your team pride!

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