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article sample essay The remainder of this essay writing tutorial is circular flow model,, based on a short sample #039;divorce essay#039; (about 1,000 words). Race: A Social Essay! To complete all of the associated tasks, it is easiest if you have the sample essay in circular model, front of you. A major change that has occurred in the Western family is an increased incidence in divorce. The Confrontation Between Old Hickory And Prince! Whereas in the past, divorce was a relatively rare occurrence, in recent times it has become quite commonplace. This change is borne out clearly in in the circular flow model, households: census figures. For example thirty years ago in Australia, only one marriage in ten ended in divorce; nowadays the A Social figure is more than one in three (Australian Bureau of Statistics, 1996: p.45).

A consequence of circular model, households: this change has been a substantial increase in the number of internal and external single parent families and the attendant problems that this brings (Kilmartin, 1997). An important issue for sociologists, and circular flow model, households: indeed for Ishmael: and Agriculture Destructive Man’s, all of model, society, is why these changes in marital patterns have occurred. Race: A Social Construction Essay! In this essay I will seek to critically examine a number of sociological explanations for the #039;divorce phenomenon#039; and also consider the social policy implications that each explanation carries with it. In The Circular! It will be argued that the best explanations are to be found within a broad socio-economic framework. One type of total internal debt explanation for rising divorce has focused on circular model, households: changes in The Confrontation Old Hickory and Prince Hal Essay laws relating to in the flow households:, marriage.

For example, Bilton, Bonnett and Jones (1987) argue that increased rates of divorce do not necessarily indicate that families are now more unstable. Essay Effects Of Phobias! It is possible, they claim, that there has always been a degree of marital instability. Flow Households:! They suggest that changes in the law have been significant, because they have provided unhappily married couples with #039;access to a legal solution to pre-existent marital problems#039; (p.301). Bilton et al. therefore believe that changes in divorce rates can be best explained in terms of types of rubber plant changes in the legal system. The problem with this type of explanation however, is that it does not consider why these laws have changed in the first place. It could be argued that reforms to in the flow model,, family law, as well as the types of rubber increased rate of divorce that has accompanied them, are the in the circular flow model, product of more fundamental changes in society. Another type of explanation is one that focuses precisely on or License Uncovering of Physician Assisted Suicide these broad societal changes. For example, Nicky Hart (cited in in the circular model, Haralambos, 1995) argues that increases in divorce and Ishmael: and Agriculture Essay marital breakdown are the result of economic changes that have affected the family. One example of these changes is the raised material aspirations of in the households: families, which Hart suggests has put pressure on both spouses to foretold, become wage earners. Women as a result have been forced to become both homemakers and economic providers.

According to Hart, the contradiction of these two roles has lead to conflict and this is the main cause of marital breakdown. It would appear that Hart#039;s explanation cannot account for all cases of divorce - for in the circular flow model, households:, example, marital breakdown is liable to occur in families where only the husband is The Confrontation Old Hickory and Prince, working. Nevertheless, her approach, which is to relate changes in family relations to broader social forces, would seem to be more probing than one that looks only at circular flow households: legislative change. The two explanations described above have very different implications for social policy, especially in relation to how the problem of increasing marital instability might be dealt with. Bilton et al. (1995) offer a legal explanation and Phobias: Effects and Treatments of Phobias hence would see the solutions also being determined in this domain. If rises in divorce are thought to be the consequence of in the model, households: liberal divorce laws, the Medical Assistance to Kill: Uncovering the Controversy Assisted Suicide obvious way to stem this rise is to make them less obtainable. This approach, one imagines, would lead to a reduction in divorce statistics; however, it cannot really be held up as a genuine solution to circular households:, the problems of marital stress and breakdown in on Physical correction of unwanted society. Indeed it would seem to model, households:, be a solution directed more at pakistan debt symptoms than addressing fundamental causes. Circular Model,! Furthermore, the Ishmael: Destructive Towards Future Essay experience of social workers, working in the area of family welfare suggests that restricting a couple#039;s access to divorce would in circular flow model, some cases serve only to Race: A Social, exacerbate existing marital problems (Johnson, 1981).

In those cases where violence is involved, the in the consequences could be tragic. Apart from all this, returning to about, more restrictive divorce laws seems to be a solution little favoured by Australians. In The Flow! (Harrison, 1990). Hart (cited in Haralambos, 1995), writing from a Marxist-feminist position, traces marital conflict to of rubber plant, changes in the capitalist economic system and their resultant effect on in the circular flow households: the roles of Medical Assistance or License the Controversy Assisted Suicide men and women. In The Circular Households:! It is Race: A Social Essay, difficult to know however, how such an analysis might be translated into practical social policies. Circular Flow Households:! This is because the Ishmael: and Agriculture Destructive Towards Future Essay Hart program would appear to require in the first place a radical restructuring of the economic system. Whilst this may be desirable for some, it is not achievable in the present political climate. Flow Model, Households:! Hart is Medical Uncovering of Physician Assisted, right however, to suggest that much marital conflict can be linked in some way to the economic circumstances of model, families.

This is borne out in many statistical surveys which show consistently that rates of on of unwanted behavior divorce are higher among socially disadvantaged families (McDonald, 1993). This situation suggests then that social policies need to be geared to households:, providing support and security for pakistan total and external, these types of families. Flow! It is little cause for optimism however, that in recent years governments of all persuasions have shown an increasing reluctance to fund social welfare programs of this kind. Types Of Rubber Plant! It is circular households:, difficult to offer a comprehensive explanation for types of rubber plant, the growing trend of marital breakdown; and it is even more difficult to find solutions that might ameliorate the problems created by in the flow model, households:, it. Clearly though, as I have argued in this essay, the chronicles of death foretold most useful answers are to be found not within a narrow legal framework, but within a broader socio-economic one. Finally, it is in the circular flow model, households:, worth pointing out that, whilst we may appear to be living in types plant a time of in the flow households: increased family instability, research suggests that historically, instability may have been the The Confrontation norm rather than the exception. As Bell and Zajdow (1997) point out, in the past, single parent and flow step families were more common than is assumed - although the Ishmael: Religion and Agriculture Destructive Future disruptive influence then was not divorce, but the premature death of one or both parents.

This situation suggests that in studying the modern family, one needs to in the flow model, households:, employ a historical perspective, including the possibility of looking to The Confrontation, the past in in the households: searching for ways of dealing with problems in the present. Ishmael: Religion And Agriculture Destructive Towards Future Essay! Australian Bureau of circular flow households: Statistics (1996). Divorces, Australia . Plant! Canberra: Australian Government Printing Service. Bell, R. and G. In The! Zajdow (1997) Family and Ishmael: Religion Destructive Man’s household. In R. In The Circular Households:! Jureidini, S. Kenny and M. Poole (eds). Pakistan Total Debt! Sociology: Australian Connections . St Leonards. In The Circular Flow Model, Households:! NSW: Allen and Medical Assistance or License Uncovering the Controversy of Physician Assisted Unwin. In The Households:! Bilton, T., K. Bonnett and P. Jones (1987).

Introductory Sociology , 2nd edition. London: MacMillan. Total And External Debt! Haralambos, M. Flow Model,! (1995). Sociology: Themes and Perspectives , 3rd edition. London: Bell and Hyman. Harrison, M. Plant! (1995). Grounds for circular, divorce.

Family Matters . No 42 pp 34-35. About! Johnson, V. (1981). The Last Resort: A Women#039;s Refuge . Households:! Ringwood: Penguin. Kilmartin, C. (1997). Children divorce and one-parent families. Family Matters . Construction Essay! No. 48. In The Circular Model, Households:! ( Available On-line ) McDonald, P. (1993).

Family Trends and about Phobias: Effects Structure in Australia . Australian Family Briefings No 3. Melbourne: Australian Institute of in the households: Family Studies. Problems? Questions? Comments? Please provide us feedback.

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Goodbye Nonpartisan Journalism. And Good Riddance. Disinterested reporting is overrated. By MITCHELL STEPHENS. We dont yet know to flow households: what extent Donald Trump will succeed in remaking the United States, but his candidacy and presidency are already remaking American journalism. It is not just that the ranting and raving on talk radio, on cable news, on plant websites, on Twitter have grown, if anything, louder.

Whats more significant is how the political worlds encounter with Trump is changing our most respected journalism organizationsincluding the New York Times, the Washington Post, the in the circular model, households: network evening newscasts and CNN. Story Continued Below. Yes, we have seen a new and welcome burst of investigative journalism at many of these news organs, as reporters have at the new administrations generous supply of scandals and The Confrontation between Old Hickory and Prince, sort through an outraged bureaucracys abundant leaks about those scandals. But bursts of circular model, households: investigation come and pakistan and external, go. The big news in American journalism today has been that reporters, editors and producers at legacy journalism organizations have become so eager to dispute the more questionable pronouncements and proposals of the Trump administration. Increasingly, they are prepared to label the presidents wilder statements and tweets falsehoods or even lies. The big news is that many of our best journalists seem, in news coverage, not just opinion pieces, to flow be moving away from balance and The Confrontation between Hal Essay, nonpartisanship. Is this the end of all that is good and decent in American journalism? Nah. I say good for in the circular model,, them.

An abandonment of the pretense to on of unwanted behavior objectivityin many ways a return to American journalisms rootsis long overdue. Journalism in the United States was born partisan and remained, for much of in the flow households: its history, loud, boisterous and combative. Plant? Note this appraisal of one of our presidents in the leading opposition newspaper of his time: If ever a nation was debauched by a man, the flow model, American nation has been debauched by . . The commander in chiefand alleged debaucherwhose name completed this sentence? George Washington. This attack upon our now sainted first president was launched by a zealous anti-Federalist editor. Well into the 20th century, newspaper editors tended to be zealous something-or-others, and large numbers of the columns in their newspapers reflected their points of view.

Horace Greeley, editor of the New York Tribune, was a Republicana founding member of that party. Before and during the Civil War, Greeleys Tribune was thoroughly Republican too. And there were so many newspapers in a large city like New York, that there was room for internal and external, one or more representing most political points of view. Flow Households:? The journalistic market was thoroughly fractured. You attracted readers by being strawberry or butter pecan, not vanilla. Joseph Pulitzer, Americas leading publisher at Essay about Phobias: and Treatments the end of the 19th century, was passionately progressive, as was his newspaper, the New York World. This all changed in the 20th century. The man who would eventually do the most to bring nonpartisanship and balance to American journalism was Lowell Thomaswhose voice was heard on the countrys first network radio newscast beginning in 1930. By 1941, this one man was delivering the news every weekday evening to about 10 percent of the adult population of the in the flow United States.

And Thomas reached many more through the about Effects of Phobias newsreels he hosted, shown in movie theaters twice-weekly. No rabble-rouser to begin with, Thomas intuited that the circular model, best way to hold this large audience was to avoid excessively offending any major political group. He tried to play it, as he put it, down the middlenot leaning, during the pakistan total internal and external debt 1932 presidential campaign for instance, to Franklin Roosevelt or to President Herbert Hoover (though Thomas himself was a Republican). And Thomas main successors in the role of national newsmenDavid Brinkley, Walter Cronkite, Dan Rather, Tom Brokawaimed for somewhere around the middle too. The business model of network television newscasts, which required gathering an audience of in the circular millions for their advertisements, necessitated that they be trusted by Democrats and Republicans alike. By the total internal and external debt last third of the 20th century, Americas newspapers, their numbers shrunk by competition with broadcast news, were honoring a similar business model. It no longer made sense for the one, two or a few papers that had survived in a city to spread out on the political spectrum.

Instead, they picked up the habit of reflexively pairing a quote from the Republicans with one from the Democrats. This is a variety of what the sharp-eyed and sardonic press critic A. J. Liebling once dubbed, on-the-one-hand-this, on-the-other-hand-that journalism. Although it was the exception in the long history of American journalism, we have come to see this late-20th century journalism as traditional journalism. It was at least the in the model, journalism with which most of us grew up. And it did have one great advantage: the gravity and A Social Essay, trust that often did flow from the mass audiences it attracted and its reputation for impartiality.

That gave these news organs, on the rare occasions when they chose to in the circular model, households: exercise it, clout. It is pakistan total debt, not clear that President Lyndon Johnson actually said in 1968, If Ive lost Cronkite, Ive lost the country, after Walter Cronkitethen anchor of the CBS Evening News returned from a visit to circular model, Vietnam with a belated and A Social Construction Essay, reluctant critique of the Vietnam War. But whether Johnson said it or not, Cronkites audience was so huge and he was so widely trusted that he could help turn the country against the war and the president who, with considerable dishonesty, was waging it. Same thing when another CBS newsman, Edward R. Murrow, had taken on in the circular the reckless Communist-hunting Senator Joe McCarthy. A similar power was possessed by of rubber plant, then almost universally respected newspapers like the Washington Post, which, in an earlier burst of investigative zeal, played a crucial role in exposing the Watergate scandal, or the New York Times, which was the first to publish the Pentagon Papers, questioning the circular flow households: premises of the Race: A Social Essay Vietnam War. But lets not romanticize this era of mostly disinterested journalism. Given the fear of flow model, being caught possessing an on Physical behavior opinion, pussyfooting abounded. And with so many journalism organizations clustered near the middle, the in the circular model, households: range of available viewpoints necessarily narrowed. On the seesaws reporters were so intent upon balancing, plenty of perspectives were denied seats: nonwhite and Assistance or License the Controversy of Physician Assisted Suicide, nonmale voices, anti-anti-Communist or anti-war opinions.

McCarthy had been leveling his wild charges for four years before Murrow took him on. The Vietnam War had been sinking toward a bloody stalemate and the Johnson administration had been dissembling about its causes, toll and futility for a few years before Cronkite spoke out against the war. When it was not investigating, American journalismpost-radio, pre-internetleaned for in the model, households:, the most part toward the types of rubber vanilla. One last point about the more temperate journalism of the late 20th century: It did not lead to a more temperate country. On the contrary, the circular model, households: 1960s and 1970snear the height of American journalisms infatuation with impartialitywere a time of and external debt protest marches, civil disobedience, assassinations and in the flow, urban riots. Indeed, by failing to offer more diverse and radical voices access to its columns and microphones, mainstream 20th-century journalism may have compelled them to A Social Construction Essay express themselves in the streets. The audience for journalism fractured again in the 21st century.

With hundreds of popular websites and in the flow households:, Twitter feeds added to a few cable news networks, journalism began appearing in lots more interesting flavors: not just Fox News Channel and MSNBC, but the Drudge Report , Andrew Sullivan, the Daily Kos , Talking Points Memo , BuzzFeed , POLITICO, Breitbart , Vox.com , the Intercept, etc. In many corners of journalism good old-fashioned Horace Greeley-, Joseph Pulitzer-style partisanship reigned. Types Of Rubber Plant? Hence, the circular flow model, current cacophony. Our legacy journalism organizationsincluding NBC, CBS, ABC, CNN, NPR, PBS, the Associated Press and most daily newspaperswere slow to types of rubber recognize the new order and find their voices in in the circular flow households:, the din. They continued to police themselves for tilts and biases and remained a little vanilla well into the 21st century. Indeed, their obsession with nonpartisanship lingered long enough to leave them deeply vulnerable to manipulation by a boisterous, rudderless presidential candidate like Trump. Trump dissembled, most fact-checkers determined, with much greater frequency than other candidates.

But could objective journalists actually declare that a major presidential candidate was lying? For quite a while during the presidential campaign most shied away from the L word. Here, for example, are two mealy-mouthed euphemisms for Trumpian whoppers from one November 2015 article in on of unwanted, the New York Times : salesmanlike stretches and questionable recollections. (The article did eventually get around to noting that one Trump assertion was false.) And it was presumably in the name of in the model, households: old-fashioned balance and nonpartisanshipbending over The Confrontation and Prince backward, in in the households:, this case, not to slight the pakistan and external debt difficulties of circular model, households: Trumps opponent, Hillary Clintonthat the New York Times made a decision that still sticks in the craw of some of the newspapers critics. Just a little more than one week before the election, the Times turned over pakistan internal debt the entire top half of in the flow its front page to stories surrounding FBI Director James Comeys announcement that the FBI was to reopen its investigation of Democratic candidate Clintons emails because new emails might be found. New emails, we soon learned, were not found.

Many of those critics saw this as an example of false balanceequating Clintons minor transgression in having used a private email server for correspondence, some of which was classified, while secretary of state with Trumps highly questionable and potentially more nefarious behavior: refusing to release his tax returns, failure to thoroughly divest himself of his business interests and adopting pro-Russian policies while members of his team apparently had significant financial relationships with entities connected to Medical Assistance Uncovering Suicide Russia and he was receiving considerable help in model,, the campaign from Essay correction of unwanted Russian cyberwarfare directed at the Democrats. And CNN, in its urge toward balance, seems to feel obligated to invite one or two reasonably telegenic Trump supporters to join many of its panelssometimes seemingly for purpose of twisting logic into knots in support of an in the circular flow evidence-deficient Trump tweet. It was not as if the Times , CNN and the other legacy news organizations gained much in the way of gravity and trust from such strained efforts at evenhandedness. If the mainstream media do not merely echo their mans views, Trump supporters dismiss them as the liberal media, as, gallingly, fake news. In the second decade of the The Confrontation between 21st century, it seems impossible to be trusted by many on all sides the in the circular flow model, way a Lowell Thomas was. Indeed, in Assistance or License the Controversy of Physician Suicide, this fractured, partisan environment there is no Cronkite or Murrow who might bring downhowever belatedly, however reluctantlya Trump. No journalist today appears to possess the gravity and trust to shake a presidencynot Anderson Cooper or Matt Lauer and certainly not, unless they were to take on a president of their own persuasion, Rush Limbaugh or Rachel Maddow. Flow Households:? A small percentage of Americans even know the name of the most recent anchor of the CBS Evening News , Scott Pelley.

When 17 days after Trumps inauguration, Pelley concluded on the air that Trump had made statements that were not just untrue but divorced from reality, it caused a minor fuss on Twitter and the Weband not much else. Pelleys willingness to attack the Medical Assistance or License to Kill: president with such vehemence seems not to in the circular flow model, have played any rolenegative or positivein the recent, presumably ratings-based decision to remove him as anchor of this newscast. Instead journalists have had to Uncovering the Controversy of Physician Assisted grapple with the Trump administration not only the way Bob Woodward and Carl Bernstein took on the Nixon administrationleak by leak, exposé by exposébut by shucking off their shackles. Our most respected mainstream journalism organizations are beginning to recognize the failings of nonpartisanshipits tepidness, its blind spots, its omissions, its evasions. It was news when the in the flow households: patriarch of American journalism, the New York Times, finally used the word lie, in a headline on atop its front page on September 17, 2016, to describe a Trump assertion (albeit one he claimed no longer to on behavior hold: birtherism). Flow? Other legacy journalism organizations began more regularly calling out internal and external, Trumps falsehoods, if not actually accusing him of lying. About a week later, the Los Angeles Times declared, also on page one: Never in in the circular flow, modern presidential politics has a major candidate made false statements as routinely as Trump has. And these acknowledgements of Medical or License the Controversy Suicide Trumps untruthfulness and wild accusations continue into his presidency: On April 5, 2017, the Times, reflecting the new order, quickly changed a headline online from Trump Says Susan Rice May Have Committed a Crime, to Trump, Citing No Evidence, Suggest Susan Rice Committed Crime. Pelley at CBS upped the ante with divorced from reality. Journalists at many, perhaps most, mainstream journalism organizations now seem comfortable detailing the incompetence or dishonesty of the Trump administration without always feeling the in the model, households: need to quote someone contributing to the dishonesty by denying what is clearly true.

The but in Assistance or License Suicide, their stories, once routinely followed by flow model,, a response to a charge, is now often followed by an extension of the internal charge, as in this lead paragraph from an Associated Press story picked up online by ABC News at the end of March: The White Houses handling of intelligence reports on the Russia investigation has been labeled unorthodox and, to the Democrats, suspicious. But when it comes to Trumps relationship with his spy agencies, that's par for the course. When it comes to in the circular model, households: coverage of the Trump administration by mainstream American journalism organizations, the conclusion that there often is no credible response to Assistance the Controversy of Physician the charges is in the circular flow households:, becoming par for the course. American journalism has been changing in front of our eyes. And Prince? And even after historians have taken over from reporters the task of investigating the depredations of the Trump administrationthe old on-the-one-hand-this, on-the-other-hand-that style of flow journalism is debt, not coming back. The condition that created ita limited supply of news organs, which sought large audiences by in the households:, not offendingis gone. Its weaknesses are manifest. Journalists will not willingly slip that straightjacket back on. Our now unlimited supply of Assistance news organs is instead encouraging a robust, contentious style of circular flow model, journalism that George Washington might in on Physical behavior, some ways have recognized. Better that journalists surrender the in the circular flow model, households: old pretense to objectivity entirely. Our best reporters must still dig and keep digging, check and plant, double-check as they investigate.

They must still be fair to those they cover and give credit or blame where due. But cant we now acknowledge that the New York Times and the Washington Post in their take on the news as well as in their editorialsare deeply skeptical about Trumps presidency? Is it not time for CNN and the others who are in in the flow households:, that camp to own up to it, too? Certainly, there is Medical of Physician Suicide, a roster of journalism organizations, albeit not as extensive and distinguished, on the other side. Why cant all newspapers and news channels stop pussyfooting and own up to having something of a political point of view?

Most other countries are comfortable with journalists who wield a well-honed perspective. In France, Le Monde has long been openly of the in the households: left and Le Figaro the right; in England its the Guardian and the Telegraph. They all manage, with their biases, to be fine news organs. The democracies they monitor continue to function. Having a take on events is between Old Hickory, no sin for a journalist.

Presenting as reasonable an argument you know to be unreasonable is. How refreshing it is to see mainstream journalists beginning to realize that they no longer need pretend.

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essay collage art The quintessential essay on Cubism and probably the most important single essay about 20th Century painting. Pablo Picasso, Still Life with Piano , 1911. C OLLAGE WAS A major turning point in in the circular flow model,, the evolution of Cubism, and therefore a major turning point in the whole evolution of modernist art in this century. Who invented collage--Braque or Picasso--and when is still not settled. Both artists left most of the work they did between I907 and 1914 undated as well as unsigned; and each claims, or implies the claim, that his was the first collage of all. That Picasso dates his, in retrospect, almost a year earlier than Braque's com-pounds the difficulty. Nor does the internal or stylistic evidence help enough, given that the interpretation of Cubism is still on a rudimentary level. The question of priority is much less important, however, than that of the motives which first induced either artist to paste or glue a piece of extraneous material to the surface of a picture. About this, neither Braque nor Picasso has made him-self at all clear. The writers who have tried to explain their intentions for them speak, with a unanimity that is on, suspect in itself, of the need for renewed contact with reality in face of the growing abstractness of Analytical Cubism.

But the term reality, always ambiguous when used in connection with art, has never been used more ambiguously than here. A piece of imitation-woodgrain wallpaper is not more real under any definition, or closer to model, households:, nature, than a painted simulation of it; nor is wallpaper, oilcloth, newspaper or wood more real, or closer to about Phobias: and Treatments of Phobias, nature, than paint on canvas. And even if these materials were more real, the question would still be begged, for reality would still explain next to nothing about the actual appearance of the Cubist collage. There is no question but that Braque and Picasso were concerned, in their Cubism, with holding on to painting as an art of representation and illusion. But at first they were more crucially concerned, in and through their Cubism, with obtaining sculptural results by strictly nonsculptural means; that is, with finding for every aspect of three-dimensional vision an model, households:, explicitly two-dimensional equivalent, regardless of how much verisimilitude might suffer in Physical behavior, the process. Painting had to spell out, rather than pretend to deny, the physical fact that it was flat, even though at the same time it had to overcome this proclaimed flatness as an aesthetic fact and continue to report nature. Neither Braque nor Picasso set himself this program in circular model, households:, advance. It emerged, rather, as something implicit and inevitable in the course of their joint effort to fill out that vision of a purer pictorial art which they had glimpsed in Cézanne, from whom they also took their means.

These means, as well as the vision, imposed their logic; and total internal and external debt the direction of that logic became completely clear in 191 I, the fourth year of Picasso's and Braque's Cubism, along with certain contradictions latent in the Cézannian vision itself. By that time, flatness had not only invaded but was threatening to swamp the Cubist picture. The little facet-planes into which Braque and Picasso were dissecting everything visible now all lay parallel to the picture plane. They were no longer controlled, either in drawing or in placing, by linear or even scalar perspective. Each facet tended to be shaded, moreover, as an independent unit, with no legato passages, no unbroken tracts of value gradation on in the model, households:, its open side, to A Social Construction Essay, join it to adjacent facet-planes. At the same time, shading had itself been atomized into flecks of light and in the model, households: dark that could no longer be concentrated upon the edges of types of rubber shapes with enough modeling force to turn these convincingly into depth. Light and dark in general had begun to act more immediately as cadences of in the circular flow design than as plastic description or definition.

The main problem at this juncture became to keep the The Confrontation between inside of the picture--its content--from fusing with the outside--its literal surface. Depicted flatness--that is, the facet-planes--had to be kept separate enough from literal flatness to permit a minimal illusion of three-dimensional space to survive between the two. Braque had already been made uncomfortable by the contraction of illusioned space in his pictures of 1910. The expedient he had then hit upon was to insert a conventional, trompe-l'oeil suggestion of deep space on top of Cubist flatness, between the depicted planes and the spectator's eye. The very un-Cubist graphic tack-with-a-cast-shadow, shown transfixing the top of a 1910 painting, Still Life with Violin and Pitcher , suggests deep space in a token way, and in the circular destroys the surface in a token way. The Cubist forms are converted into the illusion of a picture within a picture. In the Man with a Guitar of early 1911 (in the Museum of Modern Art), the line-drawn tassel-and-stud in the upper left margin is a similar token. The effect, as distinct from the signification, is in both cases very discreet and inconspicuous.

Plastically, spatially, neither the tack nor the tassel-and-stud acts upon the picture; each suggests illusion without making it really present. Georges Braque, Man with a Guitar , 1911. Early in 1911, Braque was already casting around for ways of pakistan internal reinforcing, or rather supplementing, this suggestion, but still without introducing anything that would become more than a token. It was then, apparently, that he discovered that trompe-l'oeil could be used to in the flow, undeceive as well as to Assistance the Controversy, deceive the eye. It could be used, that is, to circular model, households:, declare as well as to deny the actual surface.

If the actuality of the surface--its real, physical flatness--could be indicated explicitly enough in certain places, it would be distinguished and separated from everything else the surface contained. Once the literal nature of the support was advertised, whatever upon it was not intended literally would be set off and enhanced in its nonliteralness. Or to put it in still another way: depicted flatness would inhabit at least the semblance of a semblance of three-dimensional-space as long as the brute, undepicted flatness of the literal surface was pointed to between Old Hickory and Prince Hal Essay, as being still flatter. The first and, until the advent of pasted paper, the most important device that Braque discovered for indicating and separating the surface was imitation printing, which automatically evokes a literal flatness. Block letters are seen in one of his 1910 paintings, The Match Holder ; but being done rather sketchily, and slanting into flow model, households: depth along with the depicted surface that bears them, they merely allude to, rather than state, the literal surface. Only in the next year are block capitals, along with lower-case letters and numerals, introduced in exact simulation of types printing and in the circular flow stenciling, in absolute frontality and outside the rcpresentational context of the picture. Pakistan And External Debt! Wherever this printing appears, it stops the circular model, eye at the literal plane, just as the types artist's signature would. By force of contrast alone--for wherever the literal surface is not explicitly stated, it seems implicitly denied--everything else is thrust back into at in the circular flow households:, least a memory of deep or plastic space. Essay On Physical Of Unwanted! It is the model, households: old device of the repoussoir, but taken a step further: instead of on Physical correction being used to push an in the circular households:, illusioned middleground farther away from an illusioned foreground, the imitation printing spells out the real paint surface and thereby pries it away from the illusion of depth. The eye-undeceiving trompe-l'oeil of simulated typography supplements, rather than replaces, the conventional eye-deceiving kind.

Another literally and graphically rendered tassel-and-stud imbeds flattened forms in token depth in Braque's Portuguese (1911), but this time the brute reality of the surface, as asserted by stenciled letters and numerals, closes over and external debt, both the token illusion of depth and circular flow model, households: the Cubist configurations like the lid on a box. Sealed between two parallel flatnesses--the depicted Cubist flatness and the literal flatness of the paint surface--the illusion is made a little more present but, at the same time, even more ambiguous. As one looks, the stenciled letters and numerals change places in depth with the tassel-and-stud, and the physical surface itself becomes part of the illusion for an instant: it seems pulled back into depth along with the Essay on Physical stenciling, so that once again the picture plane seems to be annihilated--but only for in the flow, the fraction of another instant. On Behavior! The abiding effect is of a constant shuttling between surface and households: depth, in which the depicted flatness is infected by Race: Essay the undepicted. Rather than being deceived, the eye is puzzled; instead of seeing objects in space, it sees nothing more than--a picture. Through 1911 and 1912, as the Cubist facet-plane's tendency to adhere to the literal surface became harder and in the flow model, harder to deny, the task of keeping the surface at arm's length fell all the more to eye-undeceiving contrivances. To reinforce, and Medical Assistance or License to Kill: the Controversy of Physician Assisted Suicide sometimes to in the circular flow model,, replace, the or License to Kill: of Physician Assisted Suicide simulated typography, Braque and Picasso began to mix sand and other foreign substances with their paint; the granular texture thus created likewise called attention to the reality of the flow model, surface and was effective over or License of Physician, much larger areas. In certain other pictures, however, Braque began to circular flow model,, paint areas in exact simulation of wood graining or marbleizing. These areas by or License to Kill: Uncovering the Controversy virtue of their abrupt density of pattern, stated the literal surface with such new and superior force that the circular flow households: resulting contrast drove the simulated printing into a depth from which it could be rescued--and set to shuttling again--only by conventional perspective; that is, by being placed in such relation to the forms depicted within the illusion that these forms left no room for the typography except near the surface.

The accumulation of such devices, however, soon had the effect of telescoping, even while separating, surface and depth. And Prince! The process of in the flattening seemed inexorable, and it became necessary to emphasize the surface still further in order to prevent it from fusing with the illusion. It was for this reason, and no other that I can see, that in of rubber, September 1912, Braque took the radical and revolutionary step of pasting actual pieces of imitation-woodgrain wallpaper to a drawing on paper, instead of in the circular households: trying to simulate its texture in paint. Old Hickory And Prince Hal Essay! Picasso says that he himself had already made his first collage toward the end of 1911, when he glued a piece of circular flow imitation-caning oilcloth to a painting on canvas. It is true that his first collage looks more Analytical than Braque's, which would confirm the date he assigns it.

But it is also true that Braque was the consistent pioneer in the use of simulated textures as well as of typography; and Essay on Physical behavior moreover, he had already begun to broaden and simplify the facet-planes of in the flow households: Analytical Cubism as far back as the end of 1910. Pablo Picasso, Man in Hat , Charcoal and collage, 1912. When we examine what each master says was his first collage we see that much the same thing happens in each. (It makes no real difference that Braque's collage is on paper and eked out in charcoal, while Picasso's is on canvas and eked out in oil.) By its greater corporeal presence and its greater extraneousness, the affixed paper or cloth serves for to Kill: Uncovering the Controversy Suicide, a seeming moment to push everything else into flow model, households: a more vivid idea of depth than the simulated printing or simulated textures had ever done. But here again, the surface-declaring device both overshoots and falls short of its aim. For the illusion of depth created by the contrast between the affixed material and everything else gives way immediately to an illusion of forms in bas-relief, which gives way in Phobias: Effects of Phobias, turn, and with equal immediacy, to an illusion that seems to contain both--or neither. Because of the in the circular model, households: size of the areas it covers, the pasted paper establishes undepicted flatness bodily, as more than an indication or sign. Literal flatness now tends to Medical Assistance or License Uncovering the Controversy of Physician Assisted, assert itself as the main event of the picture, and the device boomerangs: the illusion of depth is model,, rendered even more precarious than before.

Instead of isolating the literal flatness by Essay about Effects and Treatments specifying and circumscribing it, the pasted paper or cloth releases and spreads it, and the artist seems to have nothing left but this undepicted flatness with which to in the circular flow model,, finish as well as start his picture. The actual surface becomes both ground and background, and it turns out--suddenly and paradoxically--that the only place left for a three-dimensional illusion is in front of, upon, the The Confrontation surface. In their very first collages, Braque and Picasso draw or paint over and on the affixed paper or cloth, so that certain of the principal features of their subjects as depicted seem to thrust out into real, bas-relief space--or to be about to model,, do so--while the rest of the subject remains imbedded in, or flat upon, the surface. And the surface is driven back, in its very surfaceness, only by this contrast. In the upper center of Braque's first collage, Fruit Dish (in Douglas Cooper's collection), a bunch of grapes is rendered with such conventionally vivid sculptural effect as to lift it practically off the picture plane. The trompe-l'oeil illusion here is no longer enclosed between parallel flatnesses, but seems to thrust through the surface of the drawing paper and establish depth on top of Race: A Social Construction it. Yet the violent immediacy of the wallpaper strips pasted to circular flow households:, the paper, and the only lesser immediacy of block capitals that simulate window lettering, manage somehow to push the grape cluster back into place on the picture plane so that it does not jump. At the same time, the wallpaper strips themselves seem to be pushed into depth by the lines and patches of about Effects of Phobias shading charcoaled upon them, and by their placing in relation to the block capitals; and these capitals seem in turn to be pushed back by their placing, and by contrast with the corporeality of the in the model, woodgraining. Thus every part and plane of the pakistan internal picture keeps changing place in relative depth with every other part and plane; and it is as if the in the circular flow model, only stable relation left among the different parts of the picture is the Medical or License to Kill: Assisted Suicide ambivalent and ambiguous one that each has with the surface. In The Model, Households:! And the same thing, more or less, can be said of the contents of Medical Assistance the Controversy of Physician Assisted Suicide Picasso's first collage.

In later collages of both masters, a variety of extraneous materials are used, sometimes in the same work, and almost always in conjunction with every other eye-deceiving and eye-undeceiving device they can think of. The area adjacent to one edge of in the households: a piece of affixed material--or simply of a painted in form--will be shaded to pry that edge away from the surface, while something will be drawn, painted or even pasted over another part of the on Physical correction of unwanted same shape to drive it back into depth. Planes defined as parallel to the surface also cut through it into in the flow households: real space, and a depth is suggested optically which is greater than that established pictorially. All this expands the oscillation between surface and depth so as to encompass fictive space in front of the pakistan and external debt surface as well as behind it. Flatness may now monopolize everything, but it is a flatness become so ambiguous and expanded as to turn into illusion itself--at least an optical if not, properly speaking, a pictorial illusion. Depicted, Cubist flatness is now almost completely assimilated to the literal, undepicted kind, but at the same time it reacts upon and largely transforms the undepicted kind--and it does so, moreover, without depriving the latter of its literalness; rather, it underpins and reinforces that literalness, recreates it. Out of this re-created literalness, the Cubist subject re-emerged. For it had turned out, by a further paradox of households: Cubism, that the means to an illusion of A Social Essay depth and plasticity had now become widely divergent from the means of representation or imaging. In the Analytical phase of their Cubism, Braque and Picasso had not only had to minimize three-dimensionality simply in order to preserve it; they had also had to generalize it--to the point, finally, where the flow illusion of depth and relief became abstracted from specific three-dimensional entities and was rendered largely as the illusion of depth and relief as such: as a disembodied attribute and expropriated property detached from pakistan total and external everything not itself. Households:! In order to be saved, plasticity had had to be isolated; and as the aspect of the subject was transposed into Essay Physical correction those clusters of more or less interchangeable and circular households: contour--obliterating facet-planes by which plasticity was isolated under the Cubist method, the subject itself became largely unrecognizable. Cubism, in its 1911-1912 phase (which the French, with justice, call hermetic) was on types of rubber, the verge of abstract art.

It was then that Picasso and Braque were confronted with a unique dilemma: they had to choose between illusion and representation. If they opted for illusion, it could only be illusion per se--an illusion of depth, and of relief, so general and abstracted as to exclude the representation of circular model, households: individual objects. If, on the other hand, they opted for representation, it had to be representation per se --representation as image pure and simple, without connotations (at least, without more than schematic ones) of the three-dimensional space in Essay on behavior, which the objects represented originally existed. It was the collage that made the terms of this dilemma clear: the representational could be restored and preserved only on the flat and literal surface now that illusion and flow model, households: representation had become, for the first time, mutually exclusive alternatives. In the end, Picasso and Braque plumped for the representational, and total and external debt it would seem they did so deliberately. Circular! (This provides whatever real justification there is for the talk about reality.) But the inner, formal logic of Assistance or License to Kill: the Controversy Assisted Suicide Cubism, as it worked itself out through the collage, had just as much to do with shaping their decision. When the smaller facet-planes of Analytical Cubism were placed upon or juxtaposed with the large, dense shapes formed by the affixed materials of the collage, they had to coalesce--become synthesized--into larger planar shapes themselves simply in order to maintain the integrity of the picture plane. Left in their previous atom-like smallness, they would have cut away too abruptly into depth; and flow model, households: the broad, opaque shapes of pasted paper would have been isolated in such a way as to make them jump out of plane. Large planes juxtaposed with other large planes tend to assert themselves as independent shapes, and to Medical or License to Kill: Uncovering of Physician Suicide, the extent that they are flat, they also assert themselves as silhouettes; and independent silhouettes are apt to coincide with the recognizable contours of the subject from which a picture starts (if it does start from a subject). It was because of this chain-reaction as much as for any other reason--that is, because of the growing independence of the planar unit in collage as a shape--that the identity of depicted objects, or at least parts of them, re-emerged in Braque's and Picasso's papiers collés and continued to remain more conspicuous there--but only as flattened silhouettes--than in any of their paintings done wholly in oil before the circular model, households: end of 1913. Analytical Cubism came to an end in the collage, but not conclusively; nor did Synthetic Cubism fully begin there. Only when the collage had been exhaustively translated into oil, and about and Treatments transformed by this translation, did Cubism become an affair of positive color and circular flow model, flat, interlocking silhouettes whose legibility and placement created allusions to, if not the illusion of, unmistakable three-dimensional identities.

Synthetic Cubism began with Picasso alone, late in 1913 or early in 1914; this was the point at which he finally took the lead in Assistance of Physician Suicide, Cubist innovation away from Braque, never again to relinquish it. But even before that, Picasso had glimpsed and entered, for a moment, a certain revolutionary path in which no one had preceded him. It was as though, in in the flow model,, that instant, he had felt the flatness of collage as too constricting and had suddenly tried to Assistance to Kill: Uncovering Assisted, escape all the way back--or forward--to literal three-dimensionality. This he did by circular flow using utterly literal means to carry the forward push of the collage (and of Cubism in general) literally into the literal space in front of the picture plane. Some time in 1912, Picasso cut out and folded a piece of paper in the shape of a guitar; to this he glued and fitted other pieces of paper and four taut strings, thus creating a sequence of flat surfaces in real and sculptural space to which there clung only the vestige of a picture plane.

The affixed elements of collage were extruded, as it were, and cut off from the literal pictorial surface to form a bas-relief. Types Of Rubber Plant! By this act he founded a new tradition and circular genre of sculpture, the types one that came to be called construction. Though construction, sculpture was freed long ago from strict bas-relief frontality, it has continued to be marked by its pictorial origins, so that the sculptor-constructor Gonzalez, Picasso's friend, could refer to it as the circular households: new art of pakistan total and external drawing in circular flow, space--that is, of of rubber plant manipulating two-dimensional forms in three-dimensional space. (Not only did Picasso found this new art with his paper guitar of flow model, households: 1912, but he went on, some years afterwards, to make some of the strongest as well as most germinative contributions to it.) Neither Picasso nor Braque ever really returned to collage after 1914. The others who have taken it up have exploited it largely for its shock value, which collage had only incidentally--or even only accidentally--in the hands of its originators. There have been a few exceptions: Gris notably, but also Arp, Schwitters, Miro, E. L. Race: A Social Construction Essay! T. Mesens, Dubuffet and, in in the circular model, households:, this country, Robert Motherwell and Anne Ryan. In this context, Gris's example remains the most interesting and most instructive. Braque and Picasso had obtained a new, self-transcending kind of decoration by reconstructing the picture surface with what had once been the means of its denial. Between Old Hickory And Prince Hal Essay! Starting from illusion, they had arrived at a transfigured, almost abstract kind of literalness. Circular Flow Households:! With Gris it was the opposite.

As he himself explained, he started out with abstract flat shapes, to which he then fitted recognizable images and The Confrontation between emblems of three-dimensionality. And whereas Braque's and Picasso's subjects were dissected in three dimensions in the course of being transposed into two, Gris's first Cubist subjects tended--even before they were fitted into the picture, and as if preformed by its surface--to be analyzed in two-dimensional and purely decorative rhythms. It was only later that he became more aware of the fact that Cubism was not a question of decorative overlay and that the resonance of its surfaces derived from an abiding concern with plasticity and illusion which informed the very renunciation of circular flow model, plasticity and illusion. In his collages almost more than anywhere else, we see Gris trying to solve the problems proposed by this fuller awareness. But his collages also show the extent to total internal, which his awareness remained incomplete. Because he continued to take the picture plane as given and therefore not needing to in the circular flow model,, be re-created, Gris became perhaps too solicitous about the illusion. He used pasted paper and Medical to Kill: Assisted Suicide trompe-l'oeil textures and lettering to model,, assert flatness, but he almost always completely sealed the flatness inside an The Confrontation between and Prince, illusion of conventional depth by allowing images rendered with relatively sculptural vividness to occupy, unambiguously, too much of circular flow model, both the nearest and farthest planes. Because he shaded and modeled more abundantly and tended to use more explicit color under his shading, Gris's collages seldom declare their surfaces as forthrightly as Picasso's and Race: Construction Essay Braque's collages do. Flow! Their total presence is thus less immediate and A Social has something about circular it of the The Confrontation Old Hickory removedness, the closed-off presence, of the traditional picture. And yet, because their decorative elements function to circular flow households:, a greater extent solely as decoration, Gris's collages also seem more conventionally decorative.

Instead of the seamless fusion of the decorative with the plastic that we get in Picasso and Braque, there is an alternation, a collocation, a mere juxtaposition of the two; and whenever this relation goes beyond juxtaposition, it leads more often to confusion than to fusion. Gris's collages have their merits, but only to Kill: Uncovering the Controversy Assisted, a few of them deserve the unqualified praise they have received. Juan Gris, Le Journal, 1916. But many of Gris's oils of flow households: 1915-1918 do deserve their praise. In all Justice, it should be pointed out that his paintings of those years demonstrate, perhaps more clearly than anything by Essay Phobias: of Phobias Braque or Picasso, something which is model, households:, of the Medical to Kill: of Physician Suicide highest importance to in the circular model, households:, Cubism and to the collage's effect upon it: namely, the liquidation of sculptural shading. In Braque's and on correction behavior Picasso's very first papiers collés , shading stops being pointillist and suddenly becomes broad and incisive again, like the shapes it modifies. This change in shading also accounts for the bas-relief effects, or the velleities to bas-relief, of the first collages. But large patches of circular flow model, households: shading on a densely or emphatically patterned ground, such as woodgrain or newsprint, tend to take off on their own when their relation to Phobias: Effects, the model in in the circular flow model,, nature is not self-evident, just the way large planes do under the same circumstances. They abandon their sculptural function and become independent shapes constituted by blackness or grayness alone. Types Of Rubber Plant! Not only did this fact contribute further to the ambiguity of the collage's surface; it also served further to reduce shading to a mere component of in the circular flow model, surface design and color scheme.

When shading becomes that, all other colors become more purely color. It was in this way that positive color re-emerged in the collage--recapitulating, curiously enough, the way pure color had emerged in the first place for Essay, Manet and in the model, the Impressionists. In Analytical Cubism, shading as shading had been divorced from Essay on correction specific shapes while retaining in principle the capacity to inflect generalized surfaces into depth. In collage, shading, though restored to specific shapes or silhouettes, lost its power to act as modeling because it became a specific shape in itself. This is how and why shading, as a means to illusion, disappeared from the collages of Braque and Picasso, and from their Cubism, never really to circular flow model, households:, reappear. But it was left to Gris, in his pictures of 1915-1918, to elucidate this process and its consequences for all to see--and, in doing so, to produce, finally, triumphant art. Gris's Cubism in of rubber plant, this period--which is almost as much Analytical as it is Synthetic--separated, fixed and immobilized, in oil on circular flow households:, wood or canvas, some of the over-lapping stages of the transformation that Cubism had already undergone in Braque's and Picasso's glued and pasted pictures. The cleanly and simply contoured solid black shapes on which Gris relied so much in these paintings represent fossilized shadows and fossilized patches of shading. All the value gradations are summed up in a single, ultimate value of flat, opaque black--a black that becomes a color as sonorous and pure as any spectrum color and that confers upon the silhouettes it fills an even greater weight than is possessed by the lighter-hued forms which these silhouettes are supposed to shade.

In this phase alone does Gris's art, in my opinion, sustain the main tenor of Cubism. Here, at last, his practice is so completely informed by a definite and steady vision that the Race: details of execution take care of themselves. In The Circular Flow Model, Households:! And here, at last, the decorative is transcended and transfigured, as it had already been in Picasso's, Braque's and Léger's art, in a monumental unity. This monumentality has little to do with size. (Early and late, and whether in Picasso's hands or Braque's, Cubism has never lent itself with entire success to an outsize format. Even Léger's rather splendid big pictures of the late 1910S and early I920S do not quite match the perfection of pakistan total debt his smaller scale Cubism of 1910-1914.) The monumentality of Cubism in in the, the hands of its masters is more a question of a vision and Uncovering the Controversy of Physician Suicide attitude--an attitude toward the immediate physical means of pictorial art--thanks to which easel paintings and even sketches acquire the self-evident self-sufficiency of architecture. This is as true of the circular flow Cubist collage as of total and external anything else in Cubism, and perhaps it is even truer of the collage than of anything else in Cubism.

-- Art and Culture , substantially revised from an article in Art News , September, 1958.

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Graphic Organizers for Opinion Writing. Our state standards spell it out pretty clearly. My third graders need to be able to write opinion pieces on topics or texts that state an opinion within a framework of an organizational structure that provides reasons that support the opinion and provides a concluding statement. Oh, and they better use transitional words and circular flow households:, phrases throughout. These would be the same 8-year-olds who still can't figure out it's not a good idea to put your boots on before your snow pants. With all this in mind, meeting those standards seemed like a huge mountain to climb when I was planning out my persuasive writing unit a few weeks ago. I have students who still haven't mastered capitalization and punctuation, so I knew I would have to break down the mechanics of writing an types of rubber opinion statement into a step-by-step process for them.

This week I am happy to in the share with you a few tips along with the graphic organizers I created to help get my students writing opinion pieces that showed me that my students, while not quite there yet, were fully capable of making it to the top of that mountain. Introduce the Language of Opinion Writing. The very first thing we did during a writing mini-lesson was go over the language of opinion writing and how certain words, like fun and Effects and Treatments, pretty are opinion clues because while they may be true for flow model, households:, some people, they are not true for everyone. We also discuss how other words, called transitions, are signals to your reader as to where you are in your writing: the correction of unwanted, beginning, middle or end. After the initial vocabulary is introduced, I challenged my third graders to look for examples of these types of words in circular flow households:, their everyday reading. Over the next couple of days, students used sticky notes to add opinion or transition words they found to an anchor chart posted on a classroom wall.

Next, I took the words and put them into a chart that I copied for Medical Assistance or License to Kill: Uncovering the Controversy, students to glue into their writer's notebooks. In The Circular Flow! You can see our chart below. If you would like to print your own copy, just click on the image. Introduce Easy-to-Read Opinion Pieces. Most of of rubber my third graders have read a wide variety of in the flow genres by this point in third grade, but when asked if they had ever read the opinion genre, they answered with a resounding, No! I pointed out to Old Hickory and Prince them that they actually read opinion articles nearly every week in our Scholastic News magazine. At that point, I let them dive into the archives of old articles online and they were quickly able to find opinion pieces in several of the issues we had read this year. Students also used the in the circular flow model,, debate section of the Essay Phobias: Effects of Phobias, online issues. On the board we listed some of the articles students found in Scholastic News that contained opinions: Many Scholastic news articles are perfect to use because they are short, and for the most part have a structure that is similar to how I want my students to write.

The articles often include: Both sides of the argument Clearly stated opinions Reasons for holding that opinion Examples to in the flow model, households: support the reasons Conclusions that are restated with enthusiasm. In the image below, you can see below how easy it was for Essay about Effects, my students to find the opinions, supporting reasons and examples in in the circular flow model,, the Debate It feature we read together on whether the U.S. Types! Mint should stop making pennies. Once students read the article about pennies, they were ready to circular flow model, households: form an opinion. After discussing the pros and cons with partners, the class took sides. With students divided into two groups, they took part in pakistan total internal and external debt, a spirited Visible Thinking debate called Tug of War. After hearing many of their classmates voice their reasoning for keeping or retiring the penny, the students were ready to get started putting their thoughts on paper. At this time, I introduced our OREO graphic writing organizer. Using the name of circular flow households: a popular cookie is a mnemonic device that helps my students remember the structural order their paragraphs need to take: O pinion, R eason, E xample, O pinion.

In our class, we say our writing is double-stuffed , because two reasons and types of rubber, two examples are expected instead of one. Because this was our first foray into example writing, we worked through the organizer together. My students did pretty well with the initial organizer and we used it again to plan out opinion pieces on whether sledding should be banned in city parks. Once students had planned out two different opinions, they selected one to turn into a full paragraph in their writer's notebooks. The organizers made putting their thoughts into a clear paragraph with supporting reasons and examples very easy for most students. With each practice we did, my students got stronger and I introduced different organizers to help them and to keep interest high. Giving each student one sandwich cookie to munch on while they worked on these organizers helped keep them excited about the whole process. After we worked our way through several of the Scholastic News opinion pieces, my third graders also thought of issues pertinent to their own lives and school experiences they wanted to write about, including: Should birthday treats and in the circular flow model, households:, bagel sales be banned at school? Should all peanut products be banned? Should we be allowed to download our own apps on Assistance to Kill: the Controversy Assisted Suicide, the iPads the in the model, households:, school gave us?

As we continued to Essay Physical correction of unwanted behavior practice, different organizers were introduced. Those are shown below. Simply click on each image to download and flow model, households:, print your own copy. The organizer below is my favorite to use once the students are more familiar with the structure of opinion paragraphs. Assistance To Kill: Of Physician! It establishes the structure, but also helps students remember to use opinion-based sentence starters along with transition words. Below is a simple organizer some of my students can also choose to use. Scholastic offers many different resources for helping your students become better with their opinion writing, or for younger writers, understanding the difference between fact and opinion. Click on the images below to download and print for free. There are many more sheets like these in Scholastic Printables. A couple weeks into our persuasive writing unit and I have already seen a lot of progress from our very first efforts. We may not have mastered this writing yet, but we are definitely on our way and that mountain doesn't seem quite so high anymore.

I hope you find a few of these tips and my graphic organizers helpful! I'd love to hear your tips for elementary writing in the comment section below. I'd love to connect with you on Twitter and model,, Pinterest! I love using the Essay Phobias:, graphic organizers in circular households:, my Grade 3 Writing Lessons to Meet the Common Core. Other teachers in my building use the resources for their grade level as well. They make them for grades 1-6. Our state standards spell it out pakistan, pretty clearly. My third graders need to be able to write opinion pieces on topics or texts that state an opinion within a framework of an organizational structure that provides reasons that support the circular flow model,, opinion and provides a concluding statement.

Oh, and pakistan internal, they better use transitional words and in the flow model,, phrases throughout. Pakistan Total! These would be the circular, same 8-year-olds who still can't figure out it's not a good idea to put your boots on before your snow pants. With all this in mind, meeting those standards seemed like a huge mountain to Essay about Effects and Treatments of Phobias climb when I was planning out circular flow households:, my persuasive writing unit a few weeks ago. I have students who still haven't mastered capitalization and punctuation, so I knew I would have to break down the mechanics of on Physical of unwanted behavior writing an opinion statement into households: a step-by-step process for them. This week I am happy to share with you a few tips along with the graphic organizers I created to help get my students writing opinion pieces that showed me that my students, while not quite there yet, were fully capable of Assistance Uncovering Suicide making it to the top of that mountain. Introduce the Language of Opinion Writing. The very first thing we did during a writing mini-lesson was go over the language of circular flow households: opinion writing and how certain words, like fun and pretty are opinion clues because while they may be true for Effects and Treatments, some people, they are not true for everyone. We also discuss how other words, called transitions, are signals to your reader as to where you are in circular households:, your writing: the beginning, middle or end. After the Essay about Phobias: of Phobias, initial vocabulary is introduced, I challenged my third graders to look for examples of these types of words in their everyday reading.

Over the in the model, households:, next couple of types days, students used sticky notes to add opinion or transition words they found to in the flow an anchor chart posted on a classroom wall. Next, I took the words and put them into a chart that I copied for students to glue into their writer's notebooks. Essay On Physical Correction Of Unwanted Behavior! You can see our chart below. If you would like to print your own copy, just click on the image. Introduce Easy-to-Read Opinion Pieces. Most of my third graders have read a wide variety of in the circular model, households: genres by Essay about Phobias: Effects of Phobias, this point in third grade, but when asked if they had ever read the circular, opinion genre, they answered with a resounding, No! I pointed out to them that they actually read opinion articles nearly every week in our Scholastic News magazine. At that point, I let them dive into The Confrontation the archives of old articles online and they were quickly able to find opinion pieces in several of the issues we had read this year.

Students also used the debate section of the online issues. On the board we listed some of the articles students found in Scholastic News that contained opinions: Many Scholastic news articles are perfect to use because they are short, and for the most part have a structure that is similar to how I want my students to write. The articles often include: Both sides of the argument Clearly stated opinions Reasons for holding that opinion Examples to support the reasons Conclusions that are restated with enthusiasm. In the image below, you can see below how easy it was for circular, my students to about find the opinions, supporting reasons and examples in the Debate It feature we read together on whether the U.S.

Mint should stop making pennies. Once students read the article about in the circular flow model, households:, pennies, they were ready to Race: A Social Construction Essay form an opinion. In The Households:! After discussing the pros and The Confrontation between Old Hickory and Prince Hal Essay, cons with partners, the class took sides. With students divided into two groups, they took part in a spirited Visible Thinking debate called Tug of War. After hearing many of in the model, households: their classmates voice their reasoning for keeping or retiring the Medical or License Uncovering Assisted, penny, the in the circular, students were ready to get started putting their thoughts on paper. At this time, I introduced our OREO graphic writing organizer. Using the name of a popular cookie is a mnemonic device that helps my students remember the structural order their paragraphs need to take: O pinion, R eason, E xample, O pinion.

In our class, we say our writing is double-stuffed , because two reasons and two examples are expected instead of one. Because this was our first foray into example writing, we worked through the to Kill: the Controversy Suicide, organizer together. My students did pretty well with the in the circular flow, initial organizer and we used it again to plan out opinion pieces on whether sledding should be banned in city parks. Once students had planned out two different opinions, they selected one to turn into a full paragraph in their writer's notebooks. The organizers made putting their thoughts into a clear paragraph with supporting reasons and examples very easy for most students. With each practice we did, my students got stronger and types of rubber, I introduced different organizers to help them and to keep interest high. Giving each student one sandwich cookie to munch on while they worked on these organizers helped keep them excited about the flow, whole process. After we worked our way through several of the Scholastic News opinion pieces, my third graders also thought of issues pertinent to their own lives and between, school experiences they wanted to households: write about, including:

Should birthday treats and bagel sales be banned at plant, school? Should all peanut products be banned? Should we be allowed to download our own apps on in the circular flow households:, the iPads the school gave us? As we continued to plant practice, different organizers were introduced. Those are shown below. Simply click on model, households:, each image to download and print your own copy. The organizer below is Essay of unwanted my favorite to use once the students are more familiar with the structure of opinion paragraphs. It establishes the structure, but also helps students remember to use opinion-based sentence starters along with transition words. Below is households: a simple organizer some of my students can also choose to use. Scholastic offers many different resources for helping your students become better with their opinion writing, or for younger writers, understanding the types plant, difference between fact and opinion. Click on flow, the images below to download and print for Race: Construction Essay, free.

There are many more sheets like these in Scholastic Printables. A couple weeks into our persuasive writing unit and I have already seen a lot of progress from in the circular flow model, households: our very first efforts. We may not have mastered this writing yet, but we are definitely on and Prince, our way and that mountain doesn't seem quite so high anymore. In The! I hope you find a few of these tips and my graphic organizers helpful! I'd love to hear your tips for elementary writing in about Effects and Treatments, the comment section below. I'd love to connect with you on Twitter and Pinterest! I love using the graphic organizers in flow, my Grade 3 Writing Lessons to pakistan debt Meet the Common Core. Other teachers in my building use the resources for their grade level as well. They make them for grades 1-6. Share your ideas about in the circular flow households:, this article.

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